The Art of the Slow Reveal: Introducing Postcard-Postscripts

 In a world of instant uploads and disappearing stories, we’ve lost the "thud" on the doormat. We’ve traded the tactile, weathered corners of a postcard for the sterile glow of a smartphone screen.

That’s why I’m thrilled to introduce a blog: www.postcard-postscripts.uk

This isn’t just a gallery of vintage images. It is an invitation to pause, flip the card over, and eavesdrop on a century of human connection. It’s about the "postscript"—that extra bit of life written in the margins.

Why Postcards?

As a photographer, I’ve always been fascinated by how we choose to frame our lives. A postcard is a curated reality. On the front, you have the grand "official" view: the soaring towers of Coughton Court or the sunset over The Bridge in Newquay. But on the back? That’s where the real grit and grace of life reside.

Caption: The West Front of Coughton Court. A grand facade that hides the quiet, everyday moments of the visitors who walked its grounds.

A Century of "Wish You Were Here"

When you explore the Postcard-Postscripts gallery, you aren’t just looking at architecture; you’re looking at personal history.

Take, for instance, a card from Boscombe Chine Gardens. On the front, a hand-tinted Edwardian dream of coastal hotels and lush valleys. It looks peaceful, almost frozen. But flip it over, and you find a message from February 1904. The writer mentions arriving home at "3:30 the other evening with a most lovely puncture in the front tyre."

It’s a perfect human moment. Over 120 years ago, someone was annoyed by a flat tyre, yet they still took the time to write home to Corfe Castle about enjoying the "contents of that bottle."

Caption: Architecture meets anecdote. The 1904 Boscombe card reminds us that even a century ago, travel had its hiccups.

From Regency Grandeur to 80s Sunsets

The collection spans the breadth of British history and photography styles. We move from the classical, painterly lithographs of Hyde Park Corner—capturing the "rough nature of the road surface" in 1829—to the saturated, warm glows of the 1980s.

There is something incredibly grounding about reading a card from Jennifer, John, Simon, and Matthew sent from Newquay. Written with a felt-tip pen and bearing a 13p stamp, it captures a universal truth of the British summer: "The boys like it here—it’s ideal for them with lots to do." It’s a snapshot of a family growing up, pinned to a moment where the tide was rising and the world felt at peace.

Caption: A 1980s sunset in Cornwall. The "Postscript" here is the simplicity of a family holiday well spent.

Take a Moment to View

I’ve designed this series to be viewed slowly. In the Postcard-Postscripts gallery, each entry features high-resolution scans of both sides. I encourage you to:

1. Study the Image: Look at the composition. Notice the grain of the print and the way the light was captured (or painted) at the time.

2. Read the Script: Observe the handwriting. From the elegant, flowing cursives of the early 1900s to the hurried block letters of the modern era, the penmanship is a photograph in itself.

3. Imagine the Journey: Think about the postmen, the sorting offices, and the hands this piece of card passed through before landing in this digital archive.

Join the Conversation

Photography is about more than just the "shot"; it’s about the story that survives the click of the shutter. Postcard-Postscripts is my way of honouring those small, fleeting stories.

I’ll be updating the gallery weekly with new finds from my collection. I invite you to take five minutes today—put the kettle on, move away from the "scroll"—and step into a different era.

The full stories behind these postcards featured and many more can be seen only on postcard-postscripts.uk.

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Keep the art of connection alive—visit www.postcard-postscripts.uk for more.

A Glimpse into London's Past: Unpacking a Postcard of Hyde Park Corner

There's something uniquely captivating about old postcards. More than just a simple message carrier, they offer a tangible link to the past, a snapshot of a moment in time, and often, a surprising amount of historical detail if you know where to look. Today, I want to share a recent discovery from my own collection: a postcard depicting Hyde Park Corner and Constitution Arch, with some fascinating insights printed on its reverse.

The front of the postcard features a painting titled "Hyde Park Corner & Constitution Arch, c. 1829–34, by James Holland." Even at first glance, the scene is bustling with activity. We see a wide, unpaved thoroughfare, suggesting a time before modern road surfacing. People mill about, and there's a sense of movement and daily life unfolding. The architecture is grand and imposing, particularly the prominent archway, which we learn is Constitution Arch. To the right, another substantial building stands, identified on the back as St. George's Hospital.

What makes this postcard particularly compelling are the details provided on the reverse. It tells us that the painting captures the view "facing the entrance screen to Hyde Park, before it was moved to the top of Constitution Hill in 1883." This immediately sparks curiosity. The idea that such a substantial structure as Constitution Arch was moved is quite remarkable! A quick bit of research reveals that the arch, originally designed by Decimus Burton, was indeed relocated to accommodate road widening schemes. It's a testament to the engineering feats of the time and the ever-evolving nature of urban landscapes.

The postcard also highlights the "rough nature of the road surface," which is indeed very evident in the painting. This detail grounds the image in its historical context, reminding us of a time before asphalt and smooth pavements were commonplace. Imagine the dust, the mud, the rumble of horse-drawn carriages – it paints a vivid picture of London in the early 19th century.

Furthermore, the inscription mentions St. George's Hospital, "built in 1828–9," as being to the right. This gives us a precise timeframe for the painting and reinforces its historical accuracy. It's a reminder that these landmarks were not just static structures but active parts of the city's fabric, serving the community.

The postcard itself is a piece of history, too. It bears the mark of the London Museum and a copyright date of 1971, printed in England by Staples Printers Ltd., Kettering, Northants. This tells us that even in the early 1970s, this historical image was being disseminated, likely to educate and inform visitors about London's heritage.

This postcard is more than just a pretty picture; it's a miniature time capsule. It invites us to delve into the history of London, to learn about its architectural transformations, and to appreciate the everyday realities of life almost two centuries ago. It serves as a fantastic starting point for exploring the fascinating story of Hyde Park Corner, Constitution Arch, and the changing face of one of the world's great cities.

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