The Salvage Archive: Narrow-Gauge Magic at Aigle

 There is a specific ritual to viewing 35mm slides that digital photography will never quite replicate. It’s the mechanical thwack of the carousel, the smell of a warm projector lamp, and that momentary darkness before a world of vibrant, saturated colour washes over the room.

Today, I’m pulling a particularly sharp frame from my collection: Aigle-Ollon-Monthey-Champéry (AOMC) Unit 591, captured in the crisp Alpine light of Aigle, Switzerland. This image represents more than just a piece of rolling stock; it captures a pivotal era in Swiss mountain railroading where heritage charm met modern efficiency.

---

The Subject: AOMC BDeh 4/4 591

The train in the slide is a two-car electric multiple unit (EMU), specifically a BDeh 4/4. For those unfamiliar with Swiss railway designations, the "h" is the crucial bit—it stands for Heubele (rack), indicating that this train is equipped with cogwheels to tackle the punishingly steep gradients on the climb to Champéry.

When I took this shot, Unit 591 was the face of the line. Dressed in its distinctive red and white livery with the stylized mountain peaks along the roofline, it looked every bit the modern mountain climber. These units were built by ACM (Ateliers de constructions mécaniques de Vevey) with electrical components by ABB.

What strikes me most looking at this slide today is the cleanliness of the design. The large, wraparound windscreens and the bold "591" numbering give it a friendly yet industrial aesthetic. It was designed to provide tourists with panoramic views of the Valais Alps while serving as a reliable lifeline for the locals living in the villages scattered along the mountainside.

The Setting: Aigle Station

The location is the forecourt of Aigle station. For a rail enthusiast, Aigle is a sort of "grand central" for narrow-gauge lines. While the Swiss Federal Railways (SBB) main line thunders through on the valley floor, Aigle serves as the terminus for three distinct narrow-gauge adventures:

1. The AL (Aigle-Leysin)

2. The ASD (Aigle-Sépey-Diablerets)

3. The AOMC (Aigle-Ollon-Monthey-Champéry)

In the slide, you can see the unique "street running" aspect of the AOMC. Unlike the heavy rail lines tucked away behind fences, these trains often share the asphalt with cars and pedestrians for the first few kilometres. There’s something inherently romantic about a high-tech mountain train waiting patiently next to a sidewalk, its pantograph reaching up into a web of overhead wires that crisscross the blue Swiss sky.

The 35mm Aesthetic

Let’s talk about the medium. This was shot on high-quality 35mm slide film, and the scan reveals why many of us still cling to our "analog" archives. Look at the way the red paint pops against the white bodywork—there is a depth and "glow" to the colours that digital sensors often struggle to interpret without heavy post-processing.

The shadows are deep but retain detail, and the highlights on the chrome and glass don't "clip" harshly. Even the subtle textures of the cobblestones in the foreground and the architectural details of the Swiss building in the background are rendered with a tactile quality. Looking at this scan, you can almost feel the dry, cool mountain air.

Why This Unit Matters

Unit 591 and its siblings represented a transition for the TPC (Transports Publics du Chablais). Before these units arrived in the late 80s and early 90s, the line relied on much older, wooden-framed or early steel carriages that, while charming, couldn't handle the increasing demands of ski tourism.

The 591 brought air suspension, better heating, and significantly faster climb times. It bridged the gap between the "vintage" era of rail travel and the ultra-modern, low-floor Stadler trains that dominate the region today. In many ways, this slide captures the AOMC in its "Golden Age" of modernization.

Memories of the Line

If you ever have the chance to ride the AOMC, take it. Leaving Aigle, the train winds through vineyards that produce some of Switzerland’s finest white wines. It then crosses the Rhône river before beginning its dramatic ascent.

The "rack" section is where the magic happens. You hear the mechanical clatter as the cogwheels engage the center rail, and suddenly, the train is tilted at an angle that feels impossible. Looking out those big windows, you see the valley floor drop away, and the jagged peaks of the Dents du Midi come into view. Unit 591 was the perfect vessel for that experience.

---

Final Thoughts

This slide is a prized part of my collection because it isn't just a photo of a train; it’s a timestamp of Swiss precision and Alpine beauty. Every time I scan another slide from this trip, I’m reminded of why the 35mm format remains the gold standard for many of us. It preserves a moment in a way that feels permanent.

The AOMC has changed since this photo was taken—liveries have been updated, and newer stock has been introduced—but in this 2x2 inch piece of film, Unit 591 is still shiny, new, and ready to climb.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: Dating a Westminster Bridge Moment

Every now and then, a photograph emerges from a personal collection that transports us instantly to another era. Today, we're looking at one such image: a 35mm slide simply titled "Westminster Bridge." This isn't just a picture of a famous landmark; it's a window into a specific moment in London's history, brimming with subtle clues that help us pinpoint when it was taken.

The scene is immediately recognizable: the elegant arches of Westminster Bridge spanning the Thames, with the majestic Houses of Parliament and the towering Elizabeth Tower (housing the bell known as "Big Ben") dominating the skyline. It's a view that has captivated artists, tourists, and locals for generations. But let's dig a little deeper than just the iconic view.

Decoding the Details: Clues to the Date

To accurately date this slide, we need to become amateur detectives, scrutinizing the ephemeral elements that often change over time: the vehicles, the fashion, and even the appearance of the landmarks themselves.

1. The Cars: This is often the most reliable indicator.

   • On the bridge, we can see a mix of vehicles. There's a white Ford Escort Mk1 (produced from 1968-1975) visible further down the road, and what looks like a Morris Minor (production ended in 1971) or a similar-era saloon car closer to the foreground.

   • Behind the Morris Minor, there appears to be a Vauxhall Viva HC (1970-1979) or something from that generation.

   • The overall collection of vehicles suggests the late 1960s to early 1970s.

2. The Clothing: While harder to discern definitively, the people walking on the bridge appear to be wearing coats and clothing styles consistent with the late 60s/early 70s. The gentleman with the trilby-style hat is a classic look from that period.

3. The State of the Bridge and Tower:

   • Westminster Bridge itself looks well-maintained, with its distinctive pale paintwork. The lamp standards also match the period.

   • The Elizabeth Tower (Big Ben) shows no signs of the extensive scaffolding from its most recent restoration (2017-2022). It appears clean, suggesting it hadn't yet accumulated the heavy grime that would later necessitate major cleaning efforts.

Conclusion on Dating: Based on the car models, particularly the Ford Escort Mk1 and the general automotive landscape, this image most likely dates from the very late 1960s or early 1970s, probably between 1969 and 1973. The relatively clear skies and the light clothing suggest it might be a spring or early autumn day rather than deep winter.

More Than Just a Date: A Historical Context

This photograph captures London at a fascinating juncture. The Swinging Sixties were fading, but their influence on culture, fashion, and even the urban fabric was still palpable. The early 1970s saw London as a vibrant, if sometimes gritty, capital.

Westminster Bridge, the current iteration of which was opened in 1862, has always been more than just a crossing. It's a vantage point for protests, celebrations, and countless daily commutes. It connects Westminster, the seat of government, with Lambeth on the south bank, historically a more industrial and residential area.

The Elizabeth Tower, an enduring symbol of British democracy and timekeeping, had been standing proudly for over a century by the time this photo was taken. Its chimes have marked moments of national joy and sorrow, and seeing it so clearly in this image underscores its timeless presence.

This slide, simply titled, offers a personal yet universal moment. It reminds us of a London slightly different from today – perhaps with fewer cars, a distinct aesthetic, but fundamentally the same beating heart. It’s a wonderful example of how even a simple photograph can tell a rich story if we just take the time to look closely.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: Vintage Holiday Cheer, A Look at Nostalgic Christmas Cards

The holiday season often brings with it a wave of nostalgia, and there's nothing quite like a collection of vintage Christmas pictures to transport us back to Christmases past. Looking at these beautiful, charming, and sometimes wonderfully quirky images gives us a glimpse into the diverse ways people have celebrated and depicted the holidays through the years.

---

A Mid-Century Winter Wonderland

Take, for instance, this striking image of a snow-covered village. With its bold use of grey, pink, and vibrant red set against the stark black and white of the bare trees, it embodies the distinct aesthetic of mid-century illustration.

The stylized townscape, featuring a church steeple and quaint homes with snow-laden roofs, is simultaneously cozy and graphic. The stream running through the foreground adds a dynamic splash of colour—a surprising magenta and crimson—that breaks through the monochrome winter scene. This isn't just a scene; it's a design statement, capturing the chilly beauty of a European or New England Christmas with a modern artistic sensibility. It feels more like a piece of art to frame than a card to send!

---

The Classic Victorian Santa

Next, we move to a much older, more traditional depiction of the holiday season. This image of Santa Claus, hailing from a Victorian-era postcard, is a feast for the eyes.

Here, Santa is a more stately, almost regal figure, carrying a large wicker basket full of toys and gifts. He's not just checking his list; he's celebrating, sounding a brass bugle next to a beautifully decorated Christmas tree complete with real candles—a hallmark of early holiday depictions. The scene is lush with holly and berries, and two cherubic winged figures (perhaps a nod to the European origins of the holiday figure) play at his feet. The glittering gold of the "Merry Christmas" text and the deep blue, snowy background give the whole image a rich, deeply romantic, and festive feel.

---

A Quirky, Continental Delivery

Finally, we encounter the most wonderfully unique image of the group: Santa trading his reindeer for a motorcycle with a sidecar!

This delightful postcard, bearing the French greeting "Joyeux Noël," shows a more outré interpretation of the gift-giver. The gentleman, possibly Saint Nicholas or Père Noël, is bundled up in a blue cap and coat, sporting a magnificent white beard, and steering a bright yellow motorbike through the clouds. His sidecar is full of oversized gifts, a small Christmas tree, and two cheerful children! But the real standout is the little red devil (or perhaps the Krampus-like figure of Père Fouettard) perched atop the bags, adding a fun, mischievous, and decidedly European twist to the delivery crew. It’s a hilarious, fast-paced, and utterly charming update on the classic sleigh ride.

---

Find Your Holiday Inspiration

These vintage images are more than just old pictures; they are historical snapshots of evolving Christmas traditions and art styles. Whether you love the chic graphic design of the mid-century, the lush detail of the Victorian era, or the quirky charm of early 20th-century European humour, there's a style here to inspire your own holiday cheer.

The images above are taken from the numerous postcards, slides and prints I have collected. I wanted to create a suitable post for Christmas Day.

Please take a moment to share this post, follow me on social media and explore my work on Clickasnap and Photo4Me. Your support means a lot!

The Salvage Archive: The Enigmatic Gate

Every slide in an old collection holds a secret, a moment frozen in time. But what happens when the label is blank? What if all you have is the image itself? That's the captivating challenge presented by this latest 35mm find: a striking photograph of a crumbling stone gatehouse.

---

The Image: A Study in Time and Texture

Look closely at the picture. What strikes you first?

The structure is clearly a ruin, yet it retains a powerful, imposing presence. We're looking at a massive stone gatehouse, likely medieval or earlier, with a large, beautiful pointed archway that serves as the main entrance. The rough-hewn stone blocks speak of centuries of weather and conflict. Above the arch, much of the upper wall is missing, leaving a jagged silhouette against the bright sky.

This is clearly not a pristine, modern restoration; it’s a monument that has been left to the slow, beautiful decay of time.

• The Architecture: The scale suggests a fortified entrance to a castle, a walled town, or a large monastic precinct. The use of rough, grey stone is typical of fortifications across the British Isles and Western Europe.

• The Human Element: The two figures—one standing inside the deep archway, the other perhaps just stepping out—add an essential sense of scale and life. They are tourists, modern visitors passing through a portal built for a completely different world. Their presence highlights the structure's sheer size and the journey of time it represents.

• The Setting: The ground is rough and uneven, covered in grass and debris. The foliage seems dense behind the arch, suggesting the ruin is set in a natural, perhaps rural, landscape.

---

A Portal to the Past

While we may not know the exact location or year this photograph was taken, the image transports us instantly. This gatehouse was once the ultimate symbol of power and security.

Imagine the scenes this archway has witnessed:

• The clatter of knights in armour riding out to battle.

• The anxious crowds sheltering behind the stone walls during a siege.

• The solemn procession of monks or merchants passing in and out.

• The simple, everyday coming and going of a community whose entire life revolved around the safety this structure provided.

Now, all that remains is a grand, silent shell. It's a testament not to permanence, but to endurance. It stands not as a working defence, but as a silent storyteller, its missing stones the lost pages of a history book.

---

Where in the World is This?

The classic pointed arch, the rugged stone, and the general form strongly suggest a medieval gatehouse in the United Kingdom or Ireland (think structures in Wales, England, or Scotland, where these types of ruins are common). It could be a place like Beaumaris Castle, an ancient town gate, or the entrance to a powerful abbey.

For me, the real joy of a mystery slide like this is the research—the digital detective work. If you recognize this imposing ruin, please let us know!

Until then, this forgotten slide remains a magnificent monument to mystery, inviting every viewer to step through its broken archway and imagine the stories it holds.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: Unpacking a "Mountain Pass" from a Vintage Slide

 The Scene: A Path to the Unknown

This striking 35mm slide, simply titled "Mountain Pass" in my collection, is a captivating glimpse into a rugged, untamed wilderness. The image beckons the viewer to follow the narrow path that winds its way through a valley, hinting at adventure and breath taking vistas beyond.

What we see:

• A narrow, winding dirt path leading deeper into a mountain valley.

• Steep, imposing mountainsides flanking both sides of the pass. The peaks in the distance appear snow-capped or glacier-covered, suggesting high elevation.

• The vegetation is sparse but vibrant: low-lying shrubs, hardy bushes, and colourful wildflowers (purples, oranges, yellows) clinging to rocks and the grassy ground. This kind of hardy flora is characteristic of alpine or sub-alpine environments.

• Large boulders and rock formations are scattered throughout the foreground and midground, suggesting glacial activity or ancient geological processes.

• The sky is bright and clear, indicating good weather for hiking, but the overall atmosphere is one of remoteness and grandeur.

Where in the World? Clues from the Landscape

The vegetation, the types of mountains, and the overall ruggedness narrow down the possibilities for this "Mountain Pass."

• High-Altitude Flora: The specific type of shrubbery and colourful wildflowers, growing low to the ground, is typical of Andean alpine zones (known as puna or paramo) or similar high-altitude regions.

• Geological Features: The steep, glaciated peaks and the U-shaped valley (often carved by glaciers) are highly characteristic of the Andes Mountains in South America, particularly in countries like Peru or Bolivia. The lack of dense forest at this elevation also points to an environment above the tree line.

• Comparison to Known Passes: This scene strongly resembles sections of famous trekking routes like the Inca Trail to Machu Picchu or other passes in the Cordillera Blanca in Peru. Many passes in these regions feature similar rock formations, hardy vegetation, and distant snow-capped giants.

While it's impossible to pinpoint the exact pass without more information, the visual evidence strongly suggests a location within the Peruvian or Bolivian Andes.

Dating the Slide: A Mid-Century Adventure (Circa 1960s-1970s)

Given that this is a 35mm slide from a collection, we can estimate its age:

• Slide Film: The vibrant, slightly desaturated, yet still rich colours are characteristic of colour slide films (like Kodachrome or Ektachrome) popular from the 1950s through the 1980s. The particular colour rendition suggests a film stock from the 1960s or 1970s.

• Travel Context: High-altitude trekking in the Andes, while certainly undertaken by adventurers before this time, became more accessible and popular for international tourists and photographers during the latter half of the 20th century.

• Likely Date: Mid-1960s to Mid-1970s.

The Story Behind the Photo

This slide captures more than just a landscape; it captures an adventure. Someone, perhaps a passionate hiker or an intrepid explorer, ventured into this remote pass, carrying their 35mm camera, likely a trusty SLR. They took the time to compose this shot, capturing the essence of their journey—the challenging terrain, the wild beauty, and the promise of what lay beyond the next bend in the trail.

It's a reminder of the timeless allure of the mountains and the enduring spirit of human exploration.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: The Sunday Drive Mystery, Dating an Unknown Bavarian Baroque Church

This image, pulled from a 35mm slide, captures a serene, sunlit scene that is rich with historical and geographical clues: a beautiful church set against rolling hills, a field of grass, and a few vehicles, one of which is the star of the show.

1. The Architecture: The Zwiebelturm

The most striking feature is the church tower, crowned with a distinctive dark, rounded, onion-shaped dome—a style known in German as a Zwiebelturm. This is the most significant geographical clue, as this Baroque style of cupola is overwhelmingly common in Southern Germany (Bavaria) and parts of Austria.

• Conclusion: The church is almost certainly located in the Upper Bavaria or Lower Bavaria region of Germany, a center for Baroque and Rococo Catholic architecture.

2. The Car: Dating the Image

The white sedan in the foreground provides the strongest evidence for dating the photograph:

• The Car Model: The car appears to be a BMW 1500, 1800, or 2000 (part of the "Neue Klasse" or "New Class" series). Production for this influential model began in 1962.

• The License Plate: The plate reads B · CU 528. The "B" indicates the vehicle was registered in Berlin. While the car is miles from Berlin, this detail confirms the photograph was taken on a road trip or driving holiday by West German citizens.

• The Film: The colour saturation and slightly faded tones are typical of mid-century colour slide film (like Agfacolor or early Kodachrome), reinforcing the date.

3. The Landscape: A Rural Backdrop

The church sits adjacent to a field with rolling hills in the background, suggesting it is a significant feature of a rural village or small town in the Alpine foothills. The landscape is not a major city, making it a smaller, lesser-known parish church or abbey.

---

Where in Bavaria? (A New Search)

While the exact location remains a mystery without boots-on-the-ground searching, this structure is typical of many fine parish churches, such as those found in towns like Ebersberg, Wasserburg am Inn, or smaller towns in the Landshut area.

The church's size and style suggest it may have belonged to a former Abbey (Kloster) or served as a prominent pilgrimage church (Wallfahrtskirche) in the area.

This stunning slide not only documents a beautiful piece of architecture but also freezes a moment in time: a German family from Berlin on a road trip through the heart of Bavaria in the mid-1960s.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me suing the links below. Your support means a lot!

The Salvage Archive: The Mystery of the Monolith, Dating a 35mm Inca Statue Slide

There’s nothing quite like the discovery of an old 35mm slide to launch an armchair archaeological expedition. Tucked away in a box marked simply "Inca Statue," this little piece of photographic history presents a beautiful puzzle. The image itself—a rugged, imposing stone figure standing in an open, grassy landscape—is a testament to the enduring power of ancient Andean civilizations.

Let's dive into the clues held within this single transparency to try and unlock its secrets: Where is this statue, and when was this photograph taken?

---

Clue #1: The Medium – Dating the Slide

The biggest clue to the when of this photograph isn't the statue itself, but the format: a 35mm colour slide.

The peak era for amateur travel photography on 35mm slides, particularly using popular film stocks like Kodachrome and Ektachrome, was roughly from the 1950s through the 1980s.

During this time, slides were the preferred way to capture and share vacation memories, viewed on a projector in a darkened living room. While slides continued to be used into the 1990s, the digital camera revolution quickly phased them out after the year 2000. This strongly suggests your photograph is a snapshot of history taken by a traveller sometime in the mid-20th century.

Clue #2: The Subject – Identifying the Statue Style

The only definitive label we have is "Inca Statue." However, a closer look at common Andean stone monuments may reveal a different origin, or at least narrow down the possibilities.

Most authentic Inca stonework is characterized by finely cut, mortar-less masonry (like at Machu Picchu), but large, carved monoliths are more typical of Pre-Inca cultures across the Andes.

Assuming the slide shows a monumental, anthropomorphic stone statue—likely standing, carved from a rough, blocky stone—with stylized features such as a headdress and possibly arms folded across its chest or stomach (a common pose in ancient Andean art), the style is distinct.

This appearance hints at a few locations:

• San Agustín Archaeological Park, Colombia: This site is famous for having the largest collection of megalithic, anthropomorphic statues in Latin America, dating to between 500 BC and AD 400. They are large, stone, and displayed in a natural, park-like setting—a perfect subject for a mid-century travel photograph. The style of these statues is often rough-hewn and highly expressive.

• Tiwanaku/Puma Punku, Bolivia: Home to massive, famous pre-Inca monoliths like the Ponce and Bennett monoliths. These are highly recognizable and were a major tourist draw.

• The Peruvian Andes: While pure Inca monoliths are less common, numerous pre-Inca ceremonial stone figures (huancas) exist throughout the region and could have been a secondary site visited by a dedicated tourist.

Given the ambiguity of the title, it's highly likely the traveller simply labelled it "Inca" as a general term for the most well-known Andean civilization, even if the statue itself is technically from a much older, separate culture like the one at San Agustín. San Agustín, Colombia, therefore stands out as a top candidate for its large, sculptural monoliths displayed in a park setting, which would have been a significant destination for intrepid travellers in the 1960s or 70s.

The Verdict: A Mid-Century Mystery from the Andes

While only a side-by-side comparison could confirm the exact location, the evidence points to a stunning piece of history:

Clue	Conclusion
35mm Slide Format	Likely photographed between 1950 and 1980.
"Inca Statue"	A monumental, standing, carved stone figure, likely from the broader Andean Pre-Columbian tradition.
Park Setting	Located at a major, publicly accessible archaeological site or park.
Strongest Location Candidate	The San Agustín Archaeological Park in Colombia (or a similar Pre-Inca monolith site in the Andes).

This slide captures a moment of travel to a remote archaeological wonder before the age of digital photography, offering a genuine glimpse into the ancient, silent power of a lost civilization's artistry.

Please take a moment to share this post, follow me on social media and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: A Mighty Fortress and Majestic Landscape: Dating Harlech Castle

There are some views that are simply timeless, and this 35mm slide from my collection perfectly encapsulates one of them: the imposing silhouette of Harlech Castle against the dramatic backdrop of Snowdonia. It's a truly iconic Welsh vista, and this particular photograph, with its distinct colours and atmosphere, offers a wonderful opportunity to delve into its history and try to pinpoint when this moment was captured.

---

Harlech Castle: A UNESCO World Heritage Site

Let's start with the star of the show. Harlech Castle is one of Wales' most spectacular medieval fortresses, a testament to the might of King Edward I.

• Edward I's Iron Ring: Built between 1283 and 1289 as part of Edward I's ambitious "Iron Ring" of castles designed to subdue the Welsh, Harlech was a marvel of military engineering. Its concentric design, with two rings of walls and towers, made it almost impregnable.

• A Symbol of Resistance: Despite its English origins, Harlech became a powerful symbol for the Welsh. It famously endured a seven-year siege during the War of the Roses, leading to the inspirational song "Men of Harlech."

• The Landscape: Perched dramatically on a rocky outcrop overlooking Tremadog Bay, the castle once stood directly on the sea. Over the centuries, the sea has receded, leaving it overlooking a vast dune system, but the views across to the mountains of Snowdonia remain breathtaking.

This slide perfectly captures that sense of commanding presence, with the castle dominating the foreground and the rugged peaks in the distance, testament to Wales' stunning natural beauty.

---

Dating the Slide: A Quest for Clues

Now for the fun part: trying to place this photograph on a timeline. The castle itself hasn't changed dramatically structurally since the medieval period (aside from some partial demolitions after the English Civil War, and subsequent conservation), so we need to look at other indicators:

1. Film Stock and Colour Rendition: The most significant clue comes from the colours. We see:

   • A somewhat muted green in the foreground grass and distant fields, without the intense saturation of modern digital cameras.

   • A distinctive reddish-brown hue to the castle stonework and the low-lying scrub around it, especially in the shadows.

   • A slightly cool, almost desaturated blue/grey sky.

   • These characteristics are highly typical of Kodachrome film, particularly earlier generations from the 1960s to early 1980s. Kodachrome was known for its fine grain, sharpness, and unique colour palette, which could lean towards these specific tones.

2. Vegetation and Landscaping: The trees and bushes immediately around the castle and the small house to its right appear mature but not overly overgrown, suggesting a consistent level of maintenance as a tourist attraction. There are no obvious signs of recent major landscaping.

3. Lack of Modern Infrastructure: We don't see any modern cars prominently displayed, no overly aggressive signage, or obvious large-scale modern tourism infrastructure that might suggest a more recent date. The road winding up to the castle looks like it always has.

4. Weather/Light: The slightly overcast sky with patches of brighter light is also consistent with typical Welsh weather, but doesn't offer specific dating clues beyond suggesting it's not mid-winter (due to the green foliage).

Potential Date Range:

Given the strong lean towards the Kodachrome aesthetic and the general lack of modern intrusions, I would confidently place this slide somewhere in the 1970s. The colours feel very much of that decade, perhaps leaning slightly earlier towards the mid-to-late 70s rather than the early 80s.

---

It's amazing how much information a single 35mm slide can hold! This photograph isn't just a picture; it's a window to a specific point in time, allowing us to appreciate Harlech Castle as it stood almost half a century ago.

Please take a moment to share this post, follow me on social media and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: The Quiet Majesty of Pendle Hill, 1975

There's a unique magic in an old 35mm slide. It's a tiny, luminous window back in time, often to a place or moment that time has smoothed over. Today, I'm sharing one of the simplest, yet most evocative, finds from my collection: a landscape shot simply labelled, "Pendle Hills, Lancashire 1975."

Forget the drama of exotic ruins; this photograph captures the quiet, rolling heart of the English North West.

Dating the View: Mid-Seventies Lancashire

The date on the slide, 1975, places this photograph firmly in the mid-century era, a time when colour slides were the go-to format for amateur travel and holiday memories. The slightly muted, warm tones and the visible film grain are characteristic of the colour film stocks popular during that period, like Kodachrome or Ektachrome, which reigned supreme from the 1950s through the 1980s.

The image itself is pure Lancashire in the 70s:

• The Foreground Mystery: In the immediate foreground, we have the rough texture of a dry-stone wall, a quintessential feature of the Pennine landscape, suggesting the photographer was standing near a field boundary or a lane.

• The Middle Distance: The terrain is a mix of rough, grassy fields, some appearing quite marshy or boggy with a distinct yellow-brown hue, typical of moorland or marginal farmland. Intriguingly, there are some subtly raised, rounded mounds in the middle distance that give the landscape a structured, almost managed feel. Given that the hill is famously bordered by towns like Nelson and Clitheroe, it’s worth noting that the landscape around Pendle includes areas like the Nelson Municipal Golf Course, which had been expanded to 18 holes by this time, or similar stretches of open parkland and roughs. The slight manicured appearance of some areas could hint at this.

• The Star: Dominating the skyline is the unmistakable, isolated shape of Pendle Hill. At 557m, it’s not a mountain, but its commanding presence over the surrounding lowlands makes it the most dominant local landmark. The hill itself is famous for its history—from the Bronze Age cairns on its summit, to the 1612 Pendle Witch trials, and George Fox's vision that inspired the Quaker movement in 1652.

A View Steeped in Legend

In 1975, the hill was already a landmark deeply associated with the infamous witch trials and the bleak, rugged history of the region. The photo doesn't capture the drama of the Witches' Sabbat, but rather the quiet beauty that surrounds the legend. It’s a peaceful, yet wild, vista, likely taken on a day of changeable English weather, with a mix of sun and heavy clouds scudding across the sky.

This little transparency is more than just a snapshot; it’s a moment of solitude captured by a traveller nearly five decades ago, a timeless view of one of Lancashire’s most mysterious and beloved hills.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Salvage Archive: An Archival Look at Shrewsbury's English Bridge

 There’s a certain thrill in acquiring a random box of old 35mm slides—you never know what little piece of forgotten history you might uncover. Recently, this striking image of the English Bridge in Shrewsbury caught my eye. It's a beautifully composed shot, capturing the bridge's classic stonework and the distinctive spires of the town rising beyond the River Severn.

Let's dive into the history of this iconic landmark and see if we can use the photograph itself to determine when this particular moment was frozen in time.

---

The History of the English Bridge

The English Bridge is a major gateway into the historic loop of Shrewsbury town centre, and its history is a long and winding one, mirroring the River Severn it crosses:

• A Crossing Since Medieval Times: A bridge has stood on this spot since at least the 12th century, likely wooden initially, before being replaced by a more substantial stone structure known as the Stone Bridge or Great Bridge.

• The Second Incarnation (1774): The current structure's direct predecessor was built between 1769 and 1774 by renowned architect John Gwynne. It was considered a magnificent example of Georgian engineering, featuring elegant stone balustrades.

• The Modern Bridge (1926): The bridge we see today is a widening and rebuilding of Gwynne's 18th-century structure. Due to increased traffic and narrowness, it was demolished and reconstructed between 1924 and 1926 by engineer Sir Thomas Peirson Frank and the Shrewsbury Borough Surveyor, A. W. Ward. The new design retained the look of the Georgian original but was significantly wider and structurally reinforced. It was formally opened by Queen Mary on October 20, 1926, and is the Grade II listed structure we admire today.

The spires visible in the background are another clue to the town’s rich past: the tall, Gothic-style spire to the left is likely St Mary's Church, while the one near the centre belongs to St Alkmund's Church.

---

Dating the Slide: Clues from the Film and Foliage

While the bridge's architecture confirms it was taken after its 1926 reconstruction, we can narrow the date down significantly by looking at the photograph's characteristics:

1. The Colour Palette: The rich, slightly muted reds and browns in the foliage, the deep green of the grass, and the distinct blue of the sky suggest a colour slide film from the 1970s or early 1980s. The colour saturation and overall "look" are typical of slide film from that era, such as Kodachrome or Ektachrome.

2. The Foliage: Crucially, the trees on the far bank show sparse leaves and definite autumnal tones, while the grass in the foreground is still lush and green. This points clearly to a photograph taken in late autumn (October or November).

3. Modern Clutter: The lack of heavy, modern signage or overt 21st-century street furniture also reinforces an earlier date.

Conclusion on Date: Based on the film's distinct colour rendering and the seasonal state of the trees, this beautiful vista of Shrewsbury’s English Bridge was most likely captured during a clear, crisp day in Autumn between 1975 and 1985.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below, Your support means a lot!

The Salvage Archive: The High Andes? A 35mm Mystery on the Mountain Slope

 This latest find from my collected box of 35mm slides is a breath taking one. It’s a truly dramatic shot, capturing a hiking or trekking group making their way up a steep, rocky, scrub-covered slope towards a towering, snow-capped mountain and a visible glacier. The sheer scale and rugged beauty immediately make it one of the most compelling photos in the collection.

The image is so rich in detail that I'm hoping we can use it to pinpoint its location and perhaps even the date it was taken. Let’s do some photographic detective work!

Clues to the Location: Where in the World?

The geography is the biggest clue here. This isn't just any mountain; it possesses specific characteristics:

1. High Altitude Environment: The presence of a large, accessible glacier and the rocky, barren terrain indicates a very high elevation, likely above the treeline.

2. Vegetation: The foreground is covered in tussock grasses and low, tough scrub. This type of vegetation is often characteristic of alpine tundra or páramo environments.

3. Mountain Structure: The peak itself is intensely craggy and heavily glaciated, suggesting a geologically young and very high mountain range. The style of glaciation (steep ice faces, deep crevasses) is notable.

4. Trekking Style: The people visible are carrying significant backpacks and seem to be on a well-established, though rocky, trail. This looks like a multi-day high-altitude trek.

Based on these factors, my strongest initial suspicion leans toward the South American Andes, specifically in areas known for dramatic glacial peaks and trekking, such as Peru (like the Cordillera Blanca) or Bolivia. The intense light, the nature of the rock, and the type of scrub feel very Andean.

Clues to the Date: A Vintage Vibe

Dating the slide requires looking at the gear and the photographic style:

• The Look of the Film: The image exhibits a high-contrast, slightly grainy quality with a distinctive colour palette—particularly the rich, almost overly saturated golden-browns and olive-greens in the foreground foliage. This is highly suggestive of Ektachrome or a similar film stock from the 1970s or early 1980s.

• The Gear: Take a close look at the trekkers' backpacks. They appear to be external frame or early internal frame packs, which were popular from the 1970s through the 1990s. The colours (greens, reds) and materials look "vintage" compared to modern synthetic, sleek packs.

• Clothing: The visible clothing is bulky and layered, but not necessarily modern technical wear. There's a look of heavy, possibly wool or thick canvas materials.

Combining the film characteristics and the gear suggests this photo was most likely taken sometime in the late 1970s or early 1980s.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!