The Art of the Slow Reveal: Introducing Postcard-Postscripts

 In a world of instant uploads and disappearing stories, we’ve lost the "thud" on the doormat. We’ve traded the tactile, weathered corners of a postcard for the sterile glow of a smartphone screen.

That’s why I’m thrilled to introduce a blog: www.postcard-postscripts.uk

This isn’t just a gallery of vintage images. It is an invitation to pause, flip the card over, and eavesdrop on a century of human connection. It’s about the "postscript"—that extra bit of life written in the margins.

Why Postcards?

As a photographer, I’ve always been fascinated by how we choose to frame our lives. A postcard is a curated reality. On the front, you have the grand "official" view: the soaring towers of Coughton Court or the sunset over The Bridge in Newquay. But on the back? That’s where the real grit and grace of life reside.

Caption: The West Front of Coughton Court. A grand facade that hides the quiet, everyday moments of the visitors who walked its grounds.

A Century of "Wish You Were Here"

When you explore the Postcard-Postscripts gallery, you aren’t just looking at architecture; you’re looking at personal history.

Take, for instance, a card from Boscombe Chine Gardens. On the front, a hand-tinted Edwardian dream of coastal hotels and lush valleys. It looks peaceful, almost frozen. But flip it over, and you find a message from February 1904. The writer mentions arriving home at "3:30 the other evening with a most lovely puncture in the front tyre."

It’s a perfect human moment. Over 120 years ago, someone was annoyed by a flat tyre, yet they still took the time to write home to Corfe Castle about enjoying the "contents of that bottle."

Caption: Architecture meets anecdote. The 1904 Boscombe card reminds us that even a century ago, travel had its hiccups.

From Regency Grandeur to 80s Sunsets

The collection spans the breadth of British history and photography styles. We move from the classical, painterly lithographs of Hyde Park Corner—capturing the "rough nature of the road surface" in 1829—to the saturated, warm glows of the 1980s.

There is something incredibly grounding about reading a card from Jennifer, John, Simon, and Matthew sent from Newquay. Written with a felt-tip pen and bearing a 13p stamp, it captures a universal truth of the British summer: "The boys like it here—it’s ideal for them with lots to do." It’s a snapshot of a family growing up, pinned to a moment where the tide was rising and the world felt at peace.

Caption: A 1980s sunset in Cornwall. The "Postscript" here is the simplicity of a family holiday well spent.

Take a Moment to View

I’ve designed this series to be viewed slowly. In the Postcard-Postscripts gallery, each entry features high-resolution scans of both sides. I encourage you to:

1. Study the Image: Look at the composition. Notice the grain of the print and the way the light was captured (or painted) at the time.

2. Read the Script: Observe the handwriting. From the elegant, flowing cursives of the early 1900s to the hurried block letters of the modern era, the penmanship is a photograph in itself.

3. Imagine the Journey: Think about the postmen, the sorting offices, and the hands this piece of card passed through before landing in this digital archive.

Join the Conversation

Photography is about more than just the "shot"; it’s about the story that survives the click of the shutter. Postcard-Postscripts is my way of honouring those small, fleeting stories.

I’ll be updating the gallery weekly with new finds from my collection. I invite you to take five minutes today—put the kettle on, move away from the "scroll"—and step into a different era.

The full stories behind these postcards featured and many more can be seen only on postcard-postscripts.uk.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

Keep the art of connection alive—visit www.postcard-postscripts.uk for more.

Auld Lang Syne and Tiny Trombones: The Charming Symbolism of Vintage New Year's Cards

As we cross the threshold into a New Year, our modern traditions involve resolutions, sparkling wine, and firework displays. But what did a "Happy New Year" look like a century ago?

This wonderful collection of vintage postcards and greeting cards from the early 1900s reveals a world rich in peculiar and delightful symbolism. These images were not just simple greetings; they were packed with meaning, featuring four key figures: the whimsical Gnome, the powerful Father Time, the innocent New Year Baby, and the ever-present Clock.

1. The Clock and the New Year Gnomes: Whimsical Celebration

The clock is the most literal symbol of the passing hour, but it’s often accompanied by surprisingly energetic characters—like the gnomes in this image!

This card is a burst of joyful noise. Five gnomes, wearing their classic pointed hats and sporting long white beards, are perched on a grandfather clock that clearly shows the hour is midnight (or high noon, but given the context, midnight).

The gnome was a common Victorian/Edwardian motif for luck and prosperity. Here, they act as the town criers, blowing horns and trumpets to literally usher in the new day, marked prominently by the "JAN 1" calendar face. This embodies the chaotic, joyous, and slightly tipsy spirit of New Year’s Eve celebrations.

2. Father Time and the New Year's Apprentice

The most powerful figure in New Year’s iconography is Father Time, the old man who represents the previous year passing away.

This card is a masterclass in visual storytelling. Father Time, with his long, white beard and hooded cloak, stands tall with his scythe—a reminder of the harvest of time. He’s overseeing a young boy—the symbolic New Year Baby—who is diligently recording the year’s events in a large ledger.

The message is clear: The old year hands over the responsibility and lessons to the new. The small red suitcase marked "JAN 1" shows the boy is ready to take over the calendar and begin his 365-day journey, while the hourglasses above confirm the finite nature of time. It’s an oddly serious, but profound, meditation on continuity.

3. Innocence and Prosperity: The Children of the New Year

The New Year Baby is often shown as an infant, but in early cards, children symbolized hope, innocence, and the fresh start of the year ahead.

This beautiful lithograph is less about explicit symbolism and more about charm. Four beautifully dressed children—one in a sailor suit, another with a straw hat—peep over a wooden fence adorned with roses that spell out "A Happy New Year." The rose was a classic sign of beauty and goodwill. This card emphasizes the social aspect of the holiday, offering a personal, heartfelt wish from one family to another, surrounded by the promise of spring and growth.

4. The Grand Finale: Champagne and the Clock

Another prominent theme was the promise of a joyful future, often mixed with luxury and an almost fantastical scale.

This dramatic card combines several elements: the giant clock framed by roses, and the child (again, symbolizing the New Year) standing beside a massively oversized Champagne bottle with its cork ready to pop. The champagne bottle—a symbol of celebration and affluence—is scaled to the size of a giant, underscoring the enormous hope and excitement people held for the coming year. The bouquet of roses the child holds reinforces the theme of prosperity and good fortune.

Wishing You a Year of Good Fortune!

These cards are more than just pretty pictures; they are cultural artifacts that show how people once grappled with time, change, and hope. From tiny, noisy gnomes to solemn Father Time, the wishes for a "Happy New Year" remain timeless.