Bridging the Past: An Archival Look at Shrewsbury's English Bridge

 There’s a certain thrill in acquiring a random box of old 35mm slides—you never know what little piece of forgotten history you might uncover. Recently, this striking image of the English Bridge in Shrewsbury caught my eye. It's a beautifully composed shot, capturing the bridge's classic stonework and the distinctive spires of the town rising beyond the River Severn.

Let's dive into the history of this iconic landmark and see if we can use the photograph itself to determine when this particular moment was frozen in time.

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The History of the English Bridge

The English Bridge is a major gateway into the historic loop of Shrewsbury town centre, and its history is a long and winding one, mirroring the River Severn it crosses:

• A Crossing Since Medieval Times: A bridge has stood on this spot since at least the 12th century, likely wooden initially, before being replaced by a more substantial stone structure known as the Stone Bridge or Great Bridge.

• The Second Incarnation (1774): The current structure's direct predecessor was built between 1769 and 1774 by renowned architect John Gwynne. It was considered a magnificent example of Georgian engineering, featuring elegant stone balustrades.

• The Modern Bridge (1926): The bridge we see today is a widening and rebuilding of Gwynne's 18th-century structure. Due to increased traffic and narrowness, it was demolished and reconstructed between 1924 and 1926 by engineer Sir Thomas Peirson Frank and the Shrewsbury Borough Surveyor, A. W. Ward. The new design retained the look of the Georgian original but was significantly wider and structurally reinforced. It was formally opened by Queen Mary on October 20, 1926, and is the Grade II listed structure we admire today.

The spires visible in the background are another clue to the town’s rich past: the tall, Gothic-style spire to the left is likely St Mary's Church, while the one near the centre belongs to St Alkmund's Church.

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Dating the Slide: Clues from the Film and Foliage

While the bridge's architecture confirms it was taken after its 1926 reconstruction, we can narrow the date down significantly by looking at the photograph's characteristics:

1. The Colour Palette: The rich, slightly muted reds and browns in the foliage, the deep green of the grass, and the distinct blue of the sky suggest a colour slide film from the 1970s or early 1980s. The colour saturation and overall "look" are typical of slide film from that era, such as Kodachrome or Ektachrome.

2. The Foliage: Crucially, the trees on the far bank show sparse leaves and definite autumnal tones, while the grass in the foreground is still lush and green. This points clearly to a photograph taken in late autumn (October or November).

3. Modern Clutter: The lack of heavy, modern signage or overt 21st-century street furniture also reinforces an earlier date.

Conclusion on Date: Based on the film's distinct colour rendering and the seasonal state of the trees, this beautiful vista of Shrewsbury’s English Bridge was most likely captured during a clear, crisp day in Autumn between 1975 and 1985.

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The High Andes? A 35mm Mystery on the Mountain Slope

 This latest find from my collected box of 35mm slides is a breath taking one. It’s a truly dramatic shot, capturing a hiking or trekking group making their way up a steep, rocky, scrub-covered slope towards a towering, snow-capped mountain and a visible glacier. The sheer scale and rugged beauty immediately make it one of the most compelling photos in the collection.

The image is so rich in detail that I'm hoping we can use it to pinpoint its location and perhaps even the date it was taken. Let’s do some photographic detective work!

Clues to the Location: Where in the World?

The geography is the biggest clue here. This isn't just any mountain; it possesses specific characteristics:

1. High Altitude Environment: The presence of a large, accessible glacier and the rocky, barren terrain indicates a very high elevation, likely above the treeline.

2. Vegetation: The foreground is covered in tussock grasses and low, tough scrub. This type of vegetation is often characteristic of alpine tundra or páramo environments.

3. Mountain Structure: The peak itself is intensely craggy and heavily glaciated, suggesting a geologically young and very high mountain range. The style of glaciation (steep ice faces, deep crevasses) is notable.

4. Trekking Style: The people visible are carrying significant backpacks and seem to be on a well-established, though rocky, trail. This looks like a multi-day high-altitude trek.

Based on these factors, my strongest initial suspicion leans toward the South American Andes, specifically in areas known for dramatic glacial peaks and trekking, such as Peru (like the Cordillera Blanca) or Bolivia. The intense light, the nature of the rock, and the type of scrub feel very Andean.

Clues to the Date: A Vintage Vibe

Dating the slide requires looking at the gear and the photographic style:

• The Look of the Film: The image exhibits a high-contrast, slightly grainy quality with a distinctive colour palette—particularly the rich, almost overly saturated golden-browns and olive-greens in the foreground foliage. This is highly suggestive of Ektachrome or a similar film stock from the 1970s or early 1980s.

• The Gear: Take a close look at the trekkers' backpacks. They appear to be external frame or early internal frame packs, which were popular from the 1970s through the 1990s. The colours (greens, reds) and materials look "vintage" compared to modern synthetic, sleek packs.

• Clothing: The visible clothing is bulky and layered, but not necessarily modern technical wear. There's a look of heavy, possibly wool or thick canvas materials.

Combining the film characteristics and the gear suggests this photo was most likely taken sometime in the late 1970s or early 1980s.

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A Glimpse Through Time: The Long Market, Canterbury

It's always a special feeling to hold a piece of history in your hands, and a 35mm slide like the one you've shared offers just that – a vibrant, tangible link to the past. This particular image, depicting the Long Market in Canterbury, Kent, is a fascinating snapshot that allows us to reflect on the area's evolution.

 Let's dive into the history of this intriguing spot and try to pinpoint when your photo might have been taken!

The Long Market: From Humble Beginnings to Modern Hub

The area now known as the Long Market has a deep and continuous history, stretching back centuries. As its name suggests, it has long been associated with trade and commerce, a vital artery for the city of Canterbury. Imagine the hustle and bustle through the ages: medieval merchants hawking their wares, Roman citizens (given the nearby "Roman Pavement" sign in your image!) going about their daily lives, and countless generations passing through this very spot.

The most striking feature in your photograph is undoubtedly the modernist building with its large glass windows, housing "Frank & Tony Wares Shop" and "Lotus" – names that instantly evoke a certain mid-20th-century charm. This architectural style, often characterized by clean lines, functional design, and a focus on light, was a prominent feature of post-war reconstruction and urban development across Britain.

Dating Your Photograph: A Detective's Task!

Dating historical photographs can be a fun challenge, and your slide gives us some excellent clues!

1. Architecture: The prominent modernist building is a key indicator. Such designs became popular from the late 1940s through the 1960s and early 70s. Its style suggests it was likely built as part of Canterbury's post-war regeneration efforts after the significant damage sustained during World War II.

2. Shop Names: "Frank & Tony Wares Shop" and "Lotus" provide potential avenues for research. While "Lotus" is a well-known brand (though perhaps not for the type of shop seen here), "Frank & Tony" sounds like a local business. Checking old city directories or business records from Canterbury might reveal when these shops operated at this specific location.

3. Fashion: The two women in the foreground are excellent fashion indicators. Their coats, hairstyles, and handbags appear consistent with late 1960s to early 1970s styles. The hemlines, structured silhouettes, and general aesthetic lean strongly towards this period.

4. Vehicles (or lack thereof): While no cars are clearly visible in the immediate foreground, the absence of more contemporary vehicle designs (or the presence of older ones in the distance if zoomed in) could also offer clues.

5. "Roman Pavement" Sign: This sign refers to an archaeological site of interest, likely a preserved section of Roman road or mosaic uncovered during building works. Such discoveries were often made during urban redevelopment, further cementing the post-war context of the surrounding buildings.

Considering all these elements, especially the fashion and the architectural style, I would confidently place your photograph somewhere in the late 1960s, possibly around 1968-1972. It's a fantastic example of the era's urban landscape!

The Long Market Today

The Long Market, like many urban spaces, has continued to evolve. While the exact shops may have changed, it remains a bustling part of Canterbury, connecting the city's ancient past with its vibrant present. The modernist building might still stand, perhaps repurposed, or it might have been replaced by even newer developments. The essence of the market, however, as a place of gathering and commerce, undoubtedly endures.

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Stonehenge, July 1977: A Look Back Through the Lens

Stonehenge. The name conjures up mystery, ancient rites, and the sheer scale of human ambition. But beyond the geology and archaeology, a photograph of the site often captures something else: a particular moment in time.

I recently rediscovered this black-and-white image—a 35mm slide taken in July 1977—and it instantly transported me back to a pivotal era for this iconic monument.

The Monumental and the Mundane

What immediately strikes me about this photograph is the contrast. The Neolithic sarsens and bluestones dominate the frame, dark and imposing against the bright sky, emphasizing their enormous presence. It’s a shot that speaks to the sheer mass and mystery of the structure.

But look closer, and you see the details that anchor it firmly in the late 1970s:

• Proximity to the Stones: Notice the two figures nestled right between the towering uprights. Today, visitors view the stones from behind a rope barrier, kept at a respectful distance to prevent damage. This photograph is a fantastic reminder of a time when people could walk directly among the stones, touching the cold, ancient surfaces.

• A Snapshot of Visitors: The figures—perhaps a family or a couple—are dressed in the casual attire of the era. Their small scale relative to the trilithons highlights the truly monumental nature of the site. They are just a fleeting moment in the thousands of years of history that the stones have witnessed.

• The Black-and-White Aesthetic: The photograph’s monochrome nature, typical of many 35mm slides processed into prints, adds a dramatic, almost brooding atmosphere. It accentuates the texture of the stone and strips away the distractions of colour, focusing the viewer purely on form, shadow, and scale.

Stonehenge in 1977: A Changing Landscape

The late 1970s marked a transition for Stonehenge. While it was still relatively accessible, the number of visitors was rapidly increasing, leading to necessary changes in management and conservation that would be implemented over the coming decades.

This image captures the end of an era—a time just before the site became fully roped off, a time when the stones felt a little more personal, a little more accessible, and perhaps a little more susceptible to being touched and experienced up close.

Holding this slide, I'm reminded that Stonehenge isn't just an ancient ruin; it's a living, breathing landmark that constantly changes how we interact with it.

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The Silent Watcher: A 1969 Snapshot of Aros Castle, Isle of Mull

There are some moments in my slide collection that just resonate with a deep sense of history and solitude, and this image of Aros Castle on the Isle of Mull, captured in 1969, is one of them. It's a striking portrait of rugged Scottish beauty, frozen in a time when travel to the islands felt like a genuine expedition.

The Castle on the Cliff

The photograph perfectly frames the romantic, jagged ruins of Aros Castle, perched atop a grassy cliff overlooking a wide body of water—the Sound of Mull. You can practically feel the history clinging to the stone.

• A Medieval Sentinel: Aros Castle, also known as Heynish, has stood here since the 13th century. It was a strategic stronghold, controlling passage through the Sound of Mull, first for the powerful Clan MacDougall and later for the Lords of the Isles, the Clan MacDonald. Today, only two storeys of the main keep and some curtain wall fragments remain, their ruins telling a story of sieges, abandonments, and centuries of exposure to the Atlantic weather.

• The Landscape: The castle sits against a backdrop of distant, hazy hills—likely the mainland of Morvern—giving the scene immense depth. The foreground is dominated by the water, which is clearly at a low tide, revealing a textured, reddish-brown foreshore covered in seaweed and mud. The shallow water here reflects the sky, creating a beautiful interplay of light and colour between the earth and the heavens.

The Spirit of 1969

The date 1969 gives this photograph a beautiful sense of its era:

• The Road Less Travelled: Before widespread ferry links and modern tourism infrastructure, visiting the more remote Scottish islands, especially with camera equipment, felt more like an adventure. The scene is utterly devoid of modern clutter—no large car parks, visitor centres, or even other people visible. The focus is entirely on the untouched natural and historical beauty.

• Vintage Colour: The rich, saturated greens of the grassy headland and the deep blue of the sky and water are typical of the slide film stock used in the late 1960s. This specific colour palette adds a nostalgic warmth that contemporary digital photography often struggles to replicate.

• A Quiet Moment: The image captures a profound stillness. The water is calm, the clouds are high, and the ruined castle stands in silent watch. It evokes a feeling of peace and timelessness that defines the allure of the Scottish West Coast.

This slide is more than just a historical record; it is a precious memory of a quieter era on the Isle of Mull, where the history of the Highlands and Islands was easily accessible, standing proud and unpolished against the vast, beautiful wilderness. It reminds us that some views, like this one, are truly eternal.

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Unwinding the Bend: Dating a Timeless View of the Wye Valley

This stunning 35mm slide, simply labelled "Wye Valley," captures the classic, tranquil beauty of the English and Welsh borderlands. The image is a broad, sweeping panorama of the River Wye winding through lush farmland, anchored by a cluster of charming, traditional houses in the foreground.

While the specific location along the 134-mile-long River Wye is a detective job, we can make some highly educated guesses about both the spot and the date based on the visual clues provided.

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Pinpointing the Location: The River's Embrace

The key feature here is the highly meandering bend of the river that almost creates an oxbow lake around a large field. This kind of pronounced meander is characteristic of the Wye as it flows through the flatter sections of its course, particularly as it heads south towards the Severn Estuary.

• Lookout Point: The photograph is clearly taken from an elevated position, looking down over the scene. This suggests it was taken from a hill, a high bank, or perhaps an upstairs window of a property along the river.

• The Village: The cluster of traditional houses in the foreground, with their steep roofs and classic British architecture, suggests the viewpoint is near a small village or hamlet. The white or cream-coloured houses are typical of many settlements in the area.

• Likely Area: Sections of the Wye near Symonds Yat (though this view seems flatter) or between Hereford and Ross-on-Wye are known for these magnificent, looping bends and wide, pastoral landscapes. A very strong candidate area is the beautiful scenery around Bodenham, north of Hereford, where the Wye performs dramatic loops through the low-lying agricultural land.

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Dating the Image: A Mid-Century Mystery

The best clue for dating this image lies, as often is the case, with the motor vehicle in the foreground.

• The Car: Just visible on the road is a small, two-tone classic car. Based on its rounded body shape, pronounced headlights, and compact size, this appears to be a Morris Minor, likely a late-model saloon.

  • The Morris Minor was produced until 1971 (though some variants earlier).

  • The styling suggests it's a model from the late 1950s or 1960s. Its presence on the road means the photo must be from the period when these cars were common, or shortly after production ceased.

• The Colour Palette: The rich, slightly saturated, and warm tones of the slide film are very typical of colour film stock used in the late 1960s or early 1970s (Kodak Ektachrome or similar). The deep greens and intense blue sky are characteristic of this era of slide photography.

• Absence of Modern Features: There is a notable lack of modern road signs, street furniture, or highly developed infrastructure. The scene feels distinctly unhurried.

Estimated Date: Combining the car's presence and the film's characteristics, I would confidently place this slide in the late 1960s, possibly 1968–1972. The car is still clearly in regular use, but the technology points away from the mid-70s.

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The Timeless Allure of the Wye Valley

This slide beautifully encapsulates why the Wye Valley is one of Britain's most cherished landscapes. It’s a scene of pastoral perfection:

• The Meander: The river acts as a gentle, guiding ribbon through the flat fields, defining the landscape.

• The Farmland: The open fields suggest a traditional agricultural use, reinforcing the peaceful, rural character.

• The Sky: The dramatic sky, featuring large, puffy cumulus clouds, adds depth and drama, a quintessential feature of the British weather and light that photographers love.

This photograph is a moment of pure, uninterrupted English countryside, preserved perfectly on a small piece of film. It is a true time capsule of the beauty that has endured along the banks of the River Wye for generations.

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A Journey Through Time: Unpacking a 35mm Slide of Brocklesby Junction Station

There's a unique thrill in revisiting old 35mm slides. Each one is a frozen fragment of history, offering clues that can unlock the story of when and where it was taken. This particular slide, from my personal collection, instantly grabbed my attention – a serene railway scene at a station clearly labelled "Brocklesby Jn".

Let's dive in and see what we can discover about this intriguing image, starting with the all-important question of when it was captured.

The Key to Dating: The Train Itself

The most significant clue in dating this photograph lies in the train pulling into the station. This is a British Rail Class 142 "Pacer" diesel multiple unit (DMU).

• Introduction: The Class 142 Pacer units were introduced into service by British Rail between 1985 and 1987.

• Livery: The train is wearing the distinctive "Sprinter" livery (blue and grey with a yellow front). This livery was standard for British Rail's new generation of DMUs in the mid-to-late 1980s.

Given this information, we can confidently place the photograph sometime after 1985.

Pinpointing the Location: Brocklesby Junction

The station sign, proudly proclaiming "Brocklesby Jn", makes the location unambiguous.

• Brocklesby Junction Station: Located in Lincolnshire, England, this station has a fascinating history. It's a junction where the line from Grimsby splits, with one branch heading towards Lincoln and the other towards Barton-on-Humber.

• Architectural Features: The station buildings themselves are quite distinctive, with ornate gables and prominent chimneys, suggesting a Victorian era construction. They stand as a testament to the grander days of railway architecture. The building on the left, with the large multi-paned window, appears to be the main station building or perhaps a waiting room. The building on the right looks like the opposite platform's waiting room or building.

The "Pacer" Era at Brocklesby

The Pacer trains were designed as a low-cost solution for rural and branch lines, utilizing bus body technology. They became a very common sight on lines like those serving Brocklesby Junction.

• Operation at Brocklesby: Class 142s regularly operated services on the Grimsby to Barton-on-Humber line and the Grimsby to Lincoln line, both of which pass through Brocklesby Junction.

• Decommissioning: The Class 142 Pacers were eventually withdrawn from service between 2019 and 2020 as part of fleet modernization plans.

The "Feel" of the Image

Beyond the technical details, the photograph exudes a particular atmosphere:

• Clear, Bright Day: The lighting suggests a clear day, possibly morning or late afternoon, given the shadows.

• Quiet Station: There's a sense of tranquillity; no passengers are visible on the platforms, giving the impression of a quiet rural station between trains. This is very characteristic of smaller junction stations during the Pacer era, especially outside of peak commuting times.

• Well-Maintained but Classic: The station buildings, though clearly older, appear well-maintained. The platforms look tidy, and the track is clear.

Putting it All Together

Based on the evidence:

• Train Type: British Rail Class 142 "Pacer" DMU.

• Train Livery: British Rail "Sprinter" livery.

• Station: Brocklesby Junction, Lincolnshire.

This photo was almost certainly taken sometime between 1985 (when the Pacers were introduced) and the early 1990s. By the mid-90s, the privatised railway companies started to introduce new liveries, making it less likely to see a Pacer in full BR "Sprinter" colours much beyond that point, although some did last. A safer bet would be the late 1980s, perhaps 1987-1990.

It's a wonderful capture of a specific era in British railway history, showcasing both the functional, modern (for its time) rolling stock and the enduring, historical architecture of the railway network. These images truly are little time capsules!

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A Summer's Day in 1986: Abingdon-on-Thames and Its Iconic Bridge

There’s a certain magic to slides that are not only beautiful but also come with a precise date! This 35mm slide from my collection, captured in July 1986, instantly transports you back to a glorious summer's day at Abingdon-on-Thames. What a classic English scene it presents!

The photograph perfectly frames the tranquil River Thames, dotted with an array of pleasure boats, all set against the backdrop of Abingdon's historic architecture and its famous bridge, though only a glimpse of the bridge itself is truly prominent in this angle.

The Heart of Abingdon: The River and its Spire

The most striking feature, beyond the bustling river life, is the magnificent spire of St Helen's Church piercing the blue summer sky. This distinctive spire is an unmistakable landmark of Abingdon, confirming our location instantly. The red-tiled roofs of the buildings nestled among the trees complete the picturesque English townscape.

Life on the Thames in the Mid-80s

The river itself is a hive of gentle activity:

• Pleasure Boats: A variety of motor cruisers and cabin boats are moored along the banks or gliding on the water. These vessels, with their classic 1980s designs, really help to solidify the image's date. They evoke a sense of leisurely summer holidays and weekend escapes.

• Abingdon Bridge: While not the central focus of this specific shot, the Abingdon Bridge is just out of frame to the left, and the scene is set directly alongside the famous crossing. The perspective here shows the lively river banks downstream or upstream of the bridge. The older buildings would be part of the historic riverside.

• Riverside Life: On the left, people are enjoying the sunshine on the grassy bank. Some are seated on a bench, others strolling, taking in the peaceful atmosphere. The relaxed clothing and hairstyles are also subtle nods to the mid-80s fashion.

• Boat Hire/Information: The small building on the right, nestled among the boats, looks like a boat hire facility or a river information point, a common sight on popular stretches of the Thames.

The Charm of a July Day

The light in the photograph is typical of a bright English summer day – a mix of sunshine and soft clouds, creating a lovely, diffused quality. The lush green of the grass and trees speaks to the height of summer, making you almost feel the warmth and hear the gentle lapping of water against the boats.

This slide isn't just a photograph; it's a sensory memory of a specific moment in time. It reminds us of leisurely days spent by the river, the simple joy of a sunny afternoon, and the enduring beauty of historic English towns.

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From Sepia to Style: Uncovering the 1970s Office Vibe

There's something incredibly evocative about scanning through old 35mm slides, especially when they feature people. This particular slide from my collection immediately caught my eye, capturing a moment that feels both familiar and distinctly from another era. What makes it even more interesting is that this image, originally a black and white photograph, has been colourised, bringing a whole new dimension of vibrancy and detail to the scene.

Let's dive into this fascinating snapshot and try to pinpoint when it might have been taken.

Dating the Image: A Mid-70s Mystery

Several elements in the photograph scream "1970s," helping us to narrow down the potential date:

• Fashion:

  • The Top: Her ribbed, long-sleeved top with cut-out or slashed details on the arms is very characteristic of mid-to-late 1970s fashion, specifically the disco era or more casual stylish wear.

  • The Skirt: While partially obscured, the patterned, slightly flared or A-line mini-skirt silhouette was popular in the 70s.

  • The Boots: Those boots! High, often chunky heels and a sleek, mid-calf or knee-high rise were incredibly fashionable throughout the 1970s. The light colour (thanks to the colourisation!) also aligns with trends of the time.

  • Hair: Her long, straight, parted hair is a classic 1970s style, often referred to as 'Farrah Fawcett' hair, though hers is a straighter, earlier version of that trend.

• Office Equipment:

  • The Typewriter: The electric typewriter, with its beige casing and sleek (for its time) design, looks like a model from the mid-to-late 1970s. Manual typewriters were still around, but electric models were becoming more common in modern offices.

  • The Telephone: The push-button telephone (rather than a rotary dial) with its distinctive shape also points to the 1970s or very early 80s.

  • The Desk and Chair: The metal-framed office chair with its relatively simple upholstery and the sturdy wooden desk are typical of office furniture from this period.

Putting it together, I'd estimate this image was originally taken around 1974-1978, with a strong lean towards the mid-1970s.

The Magic of Colourisation

What's truly remarkable about this slide is the transformation from its original black and white state. Colourisation, whether done by hand historically or through modern digital techniques, breathes new life into an image. It allows us to:

• See the Fashion: The creamy white of her top, the pattern of her skirt, and especially the light beige of her boots pop, giving us a much clearer sense of the style of the era.

• Appreciate the Office Environment: The muted browns of the desk, the darker tones of the office equipment, and the subtle variations in her blonde hair become apparent, adding depth and realism.

• Feel the Atmosphere: Colour adds a layer of warmth and immediacy that sepia or monochrome often can't convey, making the scene feel more present and less like a distant past. It’s almost as if you can walk right into that office.

The woman herself, with her focused yet gentle expression as she types, seems to embody the changing role of women in the workplace during the 1970s. She's stylish, professional, and engaged in her task.

This slide is more than just a picture; it's a window into a specific cultural and aesthetic moment, made all the more vivid by the wonderful addition of colour. It makes you wonder about her story, the office gossip, and what she was typing!

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My original 35mm slide, the one below is a version I colourised.

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