Back to the '60s: Discovering the Charm of the Welsh Coracle

I recently rediscovered a fantastic piece of history—a 35mm slide from my collection, likely dating back to the 1960s. After digitizing it, I just had to share this glimpse into a timeless piece of Welsh heritage: the Coracle boat.

This photograph captures a beautifully rustic coracle resting on a shingle bank beside a river, its single, broad-bladed paddle lying across the wooden seat. It's a snapshot that transports you straight to the quiet waterways of Wales over half a century ago.

The Tiny Boat with a Huge History

If you're not familiar with it, a coracle (cwrwgl in Welsh) is a small, light, round or oval-shaped boat, designed for one person. It’s essentially a frame, historically made of woven willow or ash laths, covered with a waterproof material—in ancient times, animal hide, but by the mid-20th century, typically canvas or calico coated with tar or bitumen paint.

What makes them so fascinating is their incredible history. Coracles date back to pre-Roman times! They are one of the oldest forms of water transport in the world, with Julius Caesar even noting their use by the ancient Britons.

A River-Wise Design

The coracle's design is perfectly suited to its environment:

• Keel-less and Flat-Bottomed: This allows the boat to float in just a few inches of water, making it ideal for navigating shallow streams and fast-flowing rivers like the Teifi and Tywi in West Wales.

• Lightweight: Crucially, a coracle is light enough to be carried on the fisherman's back, often using a strap attached to the seat. This meant they could easily be transported between different stretches of water or carried home along with the day’s catch. This portability is key to the craft's endurance.

• Unique Propulsion: They are propelled by a single paddle, used in a figure-of-eight 'sculling' motion. This allows the fisherman to steer and move while keeping the other hand free for fishing—often for salmon or sea trout using a long, fine net, a traditional method still practised under license in parts of Wales today.

A Glimpse into the 1960s

The boat in the slide looks like a traditional working craft—its dark, tarred covering and simple wooden seat speak to utility and tradition. While the 1960s were a time of rapid change, this image reminds us that some ancient crafts were still very much a part of everyday life along Wales's rivers.

It's a wonderful memory to unearth from an old box of slides. Clicking the image should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The picture remains the copyright of Colin Green.

A Summer's Day in 1986: Abingdon-on-Thames and Its Iconic Bridge

There’s a certain magic to slides that are not only beautiful but also come with a precise date! This 35mm slide from my collection, captured in July 1986, instantly transports you back to a glorious summer's day at Abingdon-on-Thames. What a classic English scene it presents!

The photograph perfectly frames the tranquil River Thames, dotted with an array of pleasure boats, all set against the backdrop of Abingdon's historic architecture and its famous bridge, though only a glimpse of the bridge itself is truly prominent in this angle.

The Heart of Abingdon: The River and its Spire

The most striking feature, beyond the bustling river life, is the magnificent spire of St Helen's Church piercing the blue summer sky. This distinctive spire is an unmistakable landmark of Abingdon, confirming our location instantly. The red-tiled roofs of the buildings nestled among the trees complete the picturesque English townscape.

Life on the Thames in the Mid-80s

The river itself is a hive of gentle activity:

• Pleasure Boats: A variety of motor cruisers and cabin boats are moored along the banks or gliding on the water. These vessels, with their classic 1980s designs, really help to solidify the image's date. They evoke a sense of leisurely summer holidays and weekend escapes.

• Abingdon Bridge: While not the central focus of this specific shot, the Abingdon Bridge is just out of frame to the left, and the scene is set directly alongside the famous crossing. The perspective here shows the lively river banks downstream or upstream of the bridge. The older buildings would be part of the historic riverside.

• Riverside Life: On the left, people are enjoying the sunshine on the grassy bank. Some are seated on a bench, others strolling, taking in the peaceful atmosphere. The relaxed clothing and hairstyles are also subtle nods to the mid-80s fashion.

• Boat Hire/Information: The small building on the right, nestled among the boats, looks like a boat hire facility or a river information point, a common sight on popular stretches of the Thames.

The Charm of a July Day

The light in the photograph is typical of a bright English summer day – a mix of sunshine and soft clouds, creating a lovely, diffused quality. The lush green of the grass and trees speaks to the height of summer, making you almost feel the warmth and hear the gentle lapping of water against the boats.

This slide isn't just a photograph; it's a sensory memory of a specific moment in time. It reminds us of leisurely days spent by the river, the simple joy of a sunny afternoon, and the enduring beauty of historic English towns.

Clicking the image below should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me suing the links below!

From Sepia to Style: Uncovering the 1970s Office Vibe

There's something incredibly evocative about scanning through old 35mm slides, especially when they feature people. This particular slide from my collection immediately caught my eye, capturing a moment that feels both familiar and distinctly from another era. What makes it even more interesting is that this image, originally a black and white photograph, has been colourised, bringing a whole new dimension of vibrancy and detail to the scene.

Let's dive into this fascinating snapshot and try to pinpoint when it might have been taken.

Dating the Image: A Mid-70s Mystery

Several elements in the photograph scream "1970s," helping us to narrow down the potential date:

• Fashion:

  • The Top: Her ribbed, long-sleeved top with cut-out or slashed details on the arms is very characteristic of mid-to-late 1970s fashion, specifically the disco era or more casual stylish wear.

  • The Skirt: While partially obscured, the patterned, slightly flared or A-line mini-skirt silhouette was popular in the 70s.

  • The Boots: Those boots! High, often chunky heels and a sleek, mid-calf or knee-high rise were incredibly fashionable throughout the 1970s. The light colour (thanks to the colourisation!) also aligns with trends of the time.

  • Hair: Her long, straight, parted hair is a classic 1970s style, often referred to as 'Farrah Fawcett' hair, though hers is a straighter, earlier version of that trend.

• Office Equipment:

  • The Typewriter: The electric typewriter, with its beige casing and sleek (for its time) design, looks like a model from the mid-to-late 1970s. Manual typewriters were still around, but electric models were becoming more common in modern offices.

  • The Telephone: The push-button telephone (rather than a rotary dial) with its distinctive shape also points to the 1970s or very early 80s.

  • The Desk and Chair: The metal-framed office chair with its relatively simple upholstery and the sturdy wooden desk are typical of office furniture from this period.

Putting it together, I'd estimate this image was originally taken around 1974-1978, with a strong lean towards the mid-1970s.

The Magic of Colourisation

What's truly remarkable about this slide is the transformation from its original black and white state. Colourisation, whether done by hand historically or through modern digital techniques, breathes new life into an image. It allows us to:

• See the Fashion: The creamy white of her top, the pattern of her skirt, and especially the light beige of her boots pop, giving us a much clearer sense of the style of the era.

• Appreciate the Office Environment: The muted browns of the desk, the darker tones of the office equipment, and the subtle variations in her blonde hair become apparent, adding depth and realism.

• Feel the Atmosphere: Colour adds a layer of warmth and immediacy that sepia or monochrome often can't convey, making the scene feel more present and less like a distant past. It’s almost as if you can walk right into that office.

The woman herself, with her focused yet gentle expression as she types, seems to embody the changing role of women in the workplace during the 1970s. She's stylish, professional, and engaged in her task.

This slide is more than just a picture; it's a window into a specific cultural and aesthetic moment, made all the more vivid by the wonderful addition of colour. It makes you wonder about her story, the office gossip, and what she was typing!

Clicking either of the pictures below should open a link in another window to my Colin Green photography store on Zazzle.

My original 35mm slide, the one below is a version I colourised.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

A Glimpse into Maritime History: Admiralty Pier, Dover Postcard

There's something uniquely captivating about old postcards. They're not just pieces of paper; they're tiny time capsules, offering a snapshot of a moment long past, a glimpse into landscapes, architecture, and daily life that may have changed dramatically. Today, I want to share a particular treasure from my collection: a vintage postcard depicting the iconic Admiralty Pier in Dover.

Looking at this sepia-toned image, I'm immediately transported to a bustling scene on the English Channel. The perspective from the pier itself stretches out into the vastness of the water, with the sturdy railings leading the eye towards the distant horizon. The details are what truly bring this image to life:

• The imposing structure of the Admiralty Pier: Built to withstand the relentless power of the sea, the pier itself is a testament to Victorian engineering ambition. Its robust construction speaks volumes about its purpose – to provide shelter and facilitate the vital maritime traffic of Dover.
• The lighthouse at the end: A beacon of safety for countless mariners, the lighthouse stands as a silent sentinel, guiding ships through the busy waters.
• Vessels in the background: Although somewhat indistinct, we can make out what appears to be a ship further out, perhaps a cross-channel ferry or a cargo vessel, highlighting Dover's role as a major port. The smaller structures in the water hint at the complex infrastructure needed to support such a busy maritime gateway.
• The vastness of the Channel: The sea itself, with its gentle swells, evokes the constant movement and energy of this critical waterway.

Why is the Admiralty Pier so significant?

The Admiralty Pier in Dover is more than just a pier; it's a monument to Britain's maritime heritage and its strategic importance. Its construction began in 1847, driven by the need for a deep-water harbour to accommodate the growing naval fleet and to serve as a vital link for cross-channel communication and trade. For decades, it was a hub of activity, witnessing the departure and arrival of countless ships, soldiers, royalty, and ordinary travellers.

Think of the stories this pier could tell! It would have seen:

• Victorian grandeur: The departure of well-dressed passengers on their grand tours of Europe.
• Wartime readiness: The comings and goings of naval vessels during various conflicts, especially the World Wars, given Dover's critical role in defending the realm.
• The evolution of travel: From paddle steamers to more modern vessels, the pier adapted to the changing face of maritime transport.

Dating the Postcard

While there's no precise date on the postcard itself, the style of the photograph, the sepia tone, and the general appearance of the vessels and pier suggest it likely dates from the early 20th century, perhaps between 1900 and 1930. This was a golden age for postcards, which served as both mementos and a primary means of quick communication. The "208/105" in the bottom right corner is a publisher's reference number, common on postcards of that era.

A Piece of My Collection, A Piece of History

For me, this postcard is more than just an image; it's a tangible link to a pivotal location in British history. It sparks curiosity about the people who walked that pier, the ships that docked there, and the events that unfolded against its backdrop. It serves as a reminder of Dover's enduring role as the "Gateway to England" and the sheer ambition and engineering prowess of generations past.

Clicking the images below should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Photo4Me and Clickasnap using the links below. Your support means a lot!