Stones of History and Dales Views: A Photo Journey Through Settle, North Yorkshire

Settle, nestled in the stunning landscape of the Yorkshire Dales, is a market town where the past is visibly woven into the present. A recent trip allowed me to capture a collection of images that perfectly illustrate this blend of history, architecture, and dramatic scenery. Join me as we explore the stories behind these Settle snapshots.

The Folly: A Grand Statement in Stone

One of the most architecturally striking buildings in Settle, and a central feature of any visit, is the magnificent house known as The Folly

This imposing structure, with its multiple gables and magnificent mullioned windows, is a superb example of seventeenth-century gentry house architecture.

• A Solicitor’s Ambition: The Folly was built in the late 1670s (either 1675 or 1679) by a wealthy local solicitor, Richard Preston. He strategically placed it where the main road entered Settle at the time, clearly intending to display his wealth and status to all who arrived.

• The Name: Why "The Folly"? While the name is often associated with a costly but useless structure, in this case, it’s also thought to have derived from the French word feuille, meaning leaves, or even an earlier meaning of "delight."

• A Building of Many Lives: Over the centuries, The Folly has led a remarkable number of lives, including a family home, a farmhouse, a bakery, a furniture shop, a doctor's surgery, and even a fish and chip shop! Today, after meticulous restoration, it is owned by the North Craven Building Preservation Trust and houses the Museum of North Craven Life. Its survival and current use are a testament to the community’s dedication to heritage.

The Talbot Arms: An Ancient Hostelry

The brilliant white facade of the Talbot Arms contrasts sharply with Settle's traditional stone, but its history is just as deep.

• Claiming Antiquity: The Talbot Arms is reputed to be one of Settle's oldest pubs, with claims of a history dating back to 1642. Inns like this were vital stopping points along the ancient trade routes that crossed the Dales.

• On the Old Road: The pub stands on what was historically the main street, the pre-turnpike road to Skipton, a prime location for catching travellers and locals alike. It remains a popular, welcoming free house today, celebrating local Yorkshire ales.

The Town’s Commercial Hub: A Distinctive Facade

Another photograph captures a significant building, now housing commercial premises, standing prominently on a corner. Its formal stone facade, with a central arched entrance and striking circular window above, suggests a public or commercial role, possibly even a bank or municipal building in its past.

This building is an excellent example of the 18th or 19th-century confidence and prosperity that grew in Settle as a central market town, often incorporating architectural grandeur into its commercial premises to reflect its importance. The bunting adds a touch of modern life and festivity to the historic setting.

The Mystery of the Elephants

A quirky and unexpected sight in the town is the pair of metal elephant sculptures. This small installation adds a delightful, slightly eccentric touch to the streetscape, standing in front of what the sign indicates is the Tourist Information Centre.

• A Literary Connection? While a definitive origin is hard to pin down immediately, the elephants might subtly nod to a literary or historical figure with a local connection. Settle is known for its surprising link to the famous novelist and aeronautical engineer, Nevil Shute. Though he is more famously associated with Australia and aviation, there are local stories suggesting connections to the area that sometimes inspire local art or references.

Castlebergh and the Landscape of the Dales

The final photograph pulls back from the town to showcase its magnificent backdrop: the surrounding Yorkshire Dales. Dominating the view is the steep, grass-covered limestone crag that rises directly behind the town.

• Castlebergh Crag: This striking hill, or crag, is known as Castlebergh. It has been a prominent feature and viewpoint for centuries. Notice the column of stone rising from the woods below the crag—this is likely part of the Castlebergh Plantation, a wooded area on the lower slopes.

• Victorian Pleasure Ground: Castlebergh became a popular attraction in the Victorian era, laid out with paths and even serving as a pleasure ground, attracting visitors arriving via the newly constructed Settle-Carlisle Railway. The views from the top, where a flagpole now stands, are truly spectacular, overlooking the town and the vast green expanses of Ribblesdale.

Settle offers a rich tapestry of sights, from grand 17th-century houses and historic pubs to captivating landscapes and charming modern touches. These photographs capture just a few layers of this beautiful and history-rich North Yorkshire town.

I took the pictures with a Nikon d3300 in August 2016, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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All the pictures remain the copyright of Colin Green.

Echoes of the Past: The Lost Railway of Blake Dean

Hardcastle Crags is a place of timeless natural beauty, but hidden beneath the lush green slopes of Blake Dean are the fascinating, almost unbelievable, remnants of a short-lived industrial marvel. This is the story of the Blake Dean Railway and its spectacular wooden trestle bridge—a forgotten piece of engineering that briefly transformed the Hebden Valley over a century ago.

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A Railway to the Sky

In the early 1900s, the booming town of Halifax needed water, and the remote moorland above Hardcastle Crags, at Walshaw Dean, was chosen for three new reservoirs. Contractor Enoch Tempest needed a way to transport thousands of navvies, materials, and supplies to the high, distant construction site. His solution? A narrow-gauge railway, a daring 5.5-mile line that skirted the valley's edge.

The railway's most dramatic feature was the incredible trestle bridge at Blake Dean. Designed by Hebden Bridge architect William Henry Cockcroft and built by local joiner George Greenwood, this wooden giant was a sight to behold:

• Length: Over 700 feet

• Height: 105 feet (the equivalent of a ten-story building!)

• Material: Constructed entirely of sturdy pitch pine.

Locals considered it the Eighth Wonder of the World. Imagine the sight of steam locomotives and carriages packed with workers trundling over that massive wooden structure, high above the valley floor.

The mighty wooden trestle bridge at Blake Dean, a stunning temporary marvel, over 100 feet high.

🛠️ The Work and the Wonder

For just over a decade, the serene valley was alive with the sound of the railway. The line started at "Dawson City," a temporary workers' shantytown near Heptonstall, and delivered its precious cargo—the men and materials—to Walshaw Dean.

The bridge stood up to everything the Pennines threw at it, even a small fire caused by engine sparks in 1906. It was, however, a place of danger. Safety warnings were often ignored by curious visitors, and tragically, at least one death occurred on the bridge when a local lady fell from it in 1909.

A close-up of the dizzying height and complex structure of the trestle viaduct.

All That Remains

The Blake Dean railway was always destined to be temporary. Once the Walshaw Dean reservoirs were completed, the line had served its purpose. In 1912, the massive bridge was dismantled, the valuable pitch pine sold off for recycling, and the rails lifted. The valley quickly reclaimed its peaceful silence.

Today, if you walk deep into Blake Dean, following the path that winds down to the Hebden Water, you can find the only tangible evidence of this incredible feat of engineering: the stone foundations, or 'stumps,' that once supported the monumental wooden legs.

Standing here, looking up and across the deep ravine, it takes a leap of imagination to picture that massive structure soaring overhead. These moss-covered stones are a profound reminder of the ambition and hard labour of the past.

All that remains—the stone foundations of the trestle bridge, now peacefully reclaimed by the valley floor.

🚶 Visit the Ghost Railway

For those who enjoy a piece of history with their walk, seeking out the remains of the Blake Dean trestle bridge is a rewarding detour on a hike through Hardcastle Crags. You can also trace the level, overgrown trackbed (or 'terrace') high on the hillside, which once carried the trains on their journey to Walshaw. It is a stunning, quiet corner of Yorkshire where nature and history meet.

The wider valley view, showing the railway's level track bed high on the slope and the foundation ruins below.

I can not give credit on the first 2 pictures as the name has been lost to time, the second 2 of the foundation stones were taken by me on the 10th September 2016.

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The Untamed Beauty of Carter Bar: Where England Meets Scotland

Nestled amidst the rolling hills of the Cheviots, high in the wild expanse of Northumberland National Park, lies a place steeped in history, breathtaking views, and an undeniable sense of raw, untamed beauty: Carter Bar.

More than just a point on a map, Carter Bar is a symbolic gateway, marking the exact spot where England bids farewell and Scotland extends a welcoming embrace (or vice-versa, depending on your direction of travel!). For centuries, this strategic mountain pass has witnessed countless tales – from fierce border reivers and warring clans to the peaceful passage of travellers seeking new adventures.

A Panoramic Welcome to Scotland

Driving north on the A68, the ascent to Carter Bar is a journey in itself. As you climb, the landscape gradually transforms, opening up to ever-more spectacular vistas. Then, you arrive.

On one side, the Saltire of Scotland proudly flutters, while on the other, the St. George's Cross of England stands sentinel. Between them, a stone cairn marks the precise border. But it's the view that truly captures the soul. Looking out across the vast, undulating moorland, often swathed in a vibrant purple haze of heather during late summer, you feel an incredible sense of scale and wilderness.

Echoes of a Turbulent Past

Today, Carter Bar is a peaceful, popular stopping point for tourists. However, its history is anything but tranquil. For centuries, the Anglo-Scottish border was a lawless land, a battleground where the "Border Reivers" – notorious raiders from both sides – wreaked havoc, stealing cattle and clashing in bloody skirmishes. The very landscape seems to whisper tales of these turbulent times. You can almost imagine the clang of steel and the thundering hooves of horses echoing across these very hills.

While the conflicts are long past, the distinct identities of both nations remain strong, making the border crossing a tangible experience.

More Than Just a View: What to Do at Carter Bar

Even if you're just passing through, a stop at Carter Bar is highly recommended.

• Soak in the Views: Take your time to absorb the magnificent panoramic scenery. On a clear day, you can see for miles across both English and Scottish terrain.

• Photo Opportunities: Naturally, the border marker with the flags provides an iconic backdrop for photographs. Get a picture with one foot in England and one in Scotland!

• Visitor Information: There's usually a small mobile shop or visitor information point where you can grab a warm drink, a snack, and perhaps a souvenir to commemorate your visit.

• Continue Your Journey: From here, you can choose to delve deeper into the Scottish Borders or continue your exploration of Northumberland.

Planning Your Visit

• Location: Carter Bar is located on the A68 road, approximately 8 miles north of Byrness, England, and 12 miles south of Jedburgh, Scotland.

• Accessibility: There's a free car park right at the viewpoint.

• Weather: Be prepared for all types of weather, even in summer. It's an exposed location, so wind and rain are not uncommon. Layers are always a good idea!

Whether you're a history buff, a nature lover, or simply passing through on a road trip, Carter Bar offers a memorable experience. It's a place where the grandeur of the landscape meets the echoes of history, and where two proud nations meet in a stunning embrace. So next time you're traversing the Anglo-Scottish border, make sure to pull over, take a breath, and truly appreciate the untamed beauty of Carter Bar.

I took the pictures below with a Polaroid is2132 camera on the 21st February 2014, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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All the pictures remain the copyright of Colin Green.

A Waterscape Transformed: Boxing Day Floods at Sowerby Bridge

The spirit of Boxing Day 2015 across the Calder Valley was shattered by a deluge that turned the familiar, picturesque waterways into a formidable, muddy torrent. The photographs you've shared capture this profound moment of transformation, specifically along the Calder and Hebble Navigation between Chain Bridge and the Canal Wharf in Sowerby Bridge.

This wasn't the gentle, reflective water canal users know. It was a raw display of the River Calder asserting its dominance, overwhelming the engineered boundaries of the navigation and reshaping the landscape entirely.

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The Calm Before the Storm’s Surge

Sowerby Bridge is defined by its water. It’s where the Rochdale Canal, the Calder and Hebble Navigation, and the River Calder all converge. Historically, the Wharf was the bustling heart of industry, surrounded by magnificent stone mills and warehouses—many now converted into modern apartments, as seen clearly in the background of these images.

On an ordinary day, the navigation holds a clear, deep line, its water level neatly contained by the towpath walls and grassy banks. Narrowboats sit calmly in their moorings, perfectly mirrored in the still water.

However, the relentless rain leading up to and on Boxing Day stripped away this sense of calm. The river level rose dramatically, and its connection to the adjacent canal system meant the navigation quickly became a repository for the swollen river's volume.

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Overspill and Overwhelm

The images show a waterway that has completely burst its banks, though the boundary between river and canal is blurred by the sheer volume of water.

• Elevated Water Level: In several shots, the water is seen almost to the top of the retaining walls, turning the low banks and grassy verges into extensions of the water itself. Where normally there would be dry land and walking paths, there is only the swirling, brown current.

• Submerged Features: The water has risen to consume parts of the infrastructure. The cobbled and paved areas surrounding the canal basin at the Wharf are underwater, turning the quay into a shallow, muddy lake. The scene by the dramatic old railway bridge (often called the Chain Bridge or a nearby canal bridge) shows the water aggressively lapping at the grass verge, reaching a level far above the towpath.

• The Narrowboats: The boats moored along the canal and at Kirkham Turn—the very heart of the Sowerby Bridge boating community—are suddenly sitting much higher. Instead of having a clear line between the boat and the bank, the water is right up to the grassy edge. While they are designed to float, the sight of them surrounded by the flood and the sheer volume of the murky water highlights the danger to these floating homes and leisure craft.

• Kirkham Turn's Transformation: The section at Kirkham Turn (where the canal bends past the large, contemporary apartment buildings) is particularly striking. The water stretches far wider than the canal's original width, flooding the low-lying ground by the trees and transforming the view from a controlled waterway into a vast, temporary lake reflecting the grey winter sky.

These photographs aren't just a record of a flood; they are a stark visual reminder of the vulnerability of our built environment when faced with the raw power of nature, and the dramatic reality faced by this resilient, historic Calder Valley town on that unforgettable Boxing Day.

The pictured below were taken with a Polaroid is2132, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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All the images remain the copyright of Colin Green.

The Mystery of the Monolith: Dating a 35mm Inca Statue Slide

There’s nothing quite like the discovery of an old 35mm slide to launch an armchair archaeological expedition. Tucked away in a box marked simply "Inca Statue," this little piece of photographic history presents a beautiful puzzle. The image itself—a rugged, imposing stone figure standing in an open, grassy landscape—is a testament to the enduring power of ancient Andean civilizations.

Let's dive into the clues held within this single transparency to try and unlock its secrets: Where is this statue, and when was this photograph taken?

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Clue #1: The Medium – Dating the Slide

The biggest clue to the when of this photograph isn't the statue itself, but the format: a 35mm colour slide.

The peak era for amateur travel photography on 35mm slides, particularly using popular film stocks like Kodachrome and Ektachrome, was roughly from the 1950s through the 1980s.

During this time, slides were the preferred way to capture and share vacation memories, viewed on a projector in a darkened living room. While slides continued to be used into the 1990s, the digital camera revolution quickly phased them out after the year 2000. This strongly suggests your photograph is a snapshot of history taken by a traveller sometime in the mid-20th century.

Clue #2: The Subject – Identifying the Statue Style

The only definitive label we have is "Inca Statue." However, a closer look at common Andean stone monuments may reveal a different origin, or at least narrow down the possibilities.

Most authentic Inca stonework is characterized by finely cut, mortar-less masonry (like at Machu Picchu), but large, carved monoliths are more typical of Pre-Inca cultures across the Andes.

Assuming the slide shows a monumental, anthropomorphic stone statue—likely standing, carved from a rough, blocky stone—with stylized features such as a headdress and possibly arms folded across its chest or stomach (a common pose in ancient Andean art), the style is distinct.

This appearance hints at a few locations:

• San Agustín Archaeological Park, Colombia: This site is famous for having the largest collection of megalithic, anthropomorphic statues in Latin America, dating to between 500 BC and AD 400. They are large, stone, and displayed in a natural, park-like setting—a perfect subject for a mid-century travel photograph. The style of these statues is often rough-hewn and highly expressive.

• Tiwanaku/Puma Punku, Bolivia: Home to massive, famous pre-Inca monoliths like the Ponce and Bennett monoliths. These are highly recognizable and were a major tourist draw.

• The Peruvian Andes: While pure Inca monoliths are less common, numerous pre-Inca ceremonial stone figures (huancas) exist throughout the region and could have been a secondary site visited by a dedicated tourist.

Given the ambiguity of the title, it's highly likely the traveller simply labelled it "Inca" as a general term for the most well-known Andean civilization, even if the statue itself is technically from a much older, separate culture like the one at San Agustín. San Agustín, Colombia, therefore stands out as a top candidate for its large, sculptural monoliths displayed in a park setting, which would have been a significant destination for intrepid travellers in the 1960s or 70s.

The Verdict: A Mid-Century Mystery from the Andes

While only a side-by-side comparison could confirm the exact location, the evidence points to a stunning piece of history:

Clue	Conclusion
35mm Slide Format	Likely photographed between 1950 and 1980.
"Inca Statue"	A monumental, standing, carved stone figure, likely from the broader Andean Pre-Columbian tradition.
Park Setting	Located at a major, publicly accessible archaeological site or park.
Strongest Location Candidate	The San Agustín Archaeological Park in Colombia (or a similar Pre-Inca monolith site in the Andes).

This slide captures a moment of travel to a remote archaeological wonder before the age of digital photography, offering a genuine glimpse into the ancient, silent power of a lost civilization's artistry.

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A Mighty Fortress, a Majestic Landscape: Dating Harlech Castle from a 35mm Slide

There are some views that are simply timeless, and this 35mm slide from my collection perfectly encapsulates one of them: the imposing silhouette of Harlech Castle against the dramatic backdrop of Snowdonia. It's a truly iconic Welsh vista, and this particular photograph, with its distinct colours and atmosphere, offers a wonderful opportunity to delve into its history and try to pinpoint when this moment was captured.

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Harlech Castle: A UNESCO World Heritage Site

Let's start with the star of the show. Harlech Castle is one of Wales' most spectacular medieval fortresses, a testament to the might of King Edward I.

• Edward I's Iron Ring: Built between 1283 and 1289 as part of Edward I's ambitious "Iron Ring" of castles designed to subdue the Welsh, Harlech was a marvel of military engineering. Its concentric design, with two rings of walls and towers, made it almost impregnable.

• A Symbol of Resistance: Despite its English origins, Harlech became a powerful symbol for the Welsh. It famously endured a seven-year siege during the War of the Roses, leading to the inspirational song "Men of Harlech."

• The Landscape: Perched dramatically on a rocky outcrop overlooking Tremadog Bay, the castle once stood directly on the sea. Over the centuries, the sea has receded, leaving it overlooking a vast dune system, but the views across to the mountains of Snowdonia remain breathtaking.

This slide perfectly captures that sense of commanding presence, with the castle dominating the foreground and the rugged peaks in the distance, testament to Wales' stunning natural beauty.

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Dating the Slide: A Quest for Clues

Now for the fun part: trying to place this photograph on a timeline. The castle itself hasn't changed dramatically structurally since the medieval period (aside from some partial demolitions after the English Civil War, and subsequent conservation), so we need to look at other indicators:

1. Film Stock and Colour Rendition: The most significant clue comes from the colours. We see:

   • A somewhat muted green in the foreground grass and distant fields, without the intense saturation of modern digital cameras.

   • A distinctive reddish-brown hue to the castle stonework and the low-lying scrub around it, especially in the shadows.

   • A slightly cool, almost desaturated blue/grey sky.

   • These characteristics are highly typical of Kodachrome film, particularly earlier generations from the 1960s to early 1980s. Kodachrome was known for its fine grain, sharpness, and unique colour palette, which could lean towards these specific tones.

2. Vegetation and Landscaping: The trees and bushes immediately around the castle and the small house to its right appear mature but not overly overgrown, suggesting a consistent level of maintenance as a tourist attraction. There are no obvious signs of recent major landscaping.

3. Lack of Modern Infrastructure: We don't see any modern cars prominently displayed, no overly aggressive signage, or obvious large-scale modern tourism infrastructure that might suggest a more recent date. The road winding up to the castle looks like it always has.

4. Weather/Light: The slightly overcast sky with patches of brighter light is also consistent with typical Welsh weather, but doesn't offer specific dating clues beyond suggesting it's not mid-winter (due to the green foliage).

Potential Date Range:

Given the strong lean towards the Kodachrome aesthetic and the general lack of modern intrusions, I would confidently place this slide somewhere in the 1970s. The colours feel very much of that decade, perhaps leaning slightly earlier towards the mid-to-late 70s rather than the early 80s.

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It's amazing how much information a single 35mm slide can hold! This photograph isn't just a picture; it's a window to a specific point in time, allowing us to appreciate Harlech Castle as it stood almost half a century ago.

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A Rare Sight in the Valley: TransPennine Express Diverted Past Brearley

The Calder Valley Line is a gem of Northern rail travel, known for its winding route through deep, green valleys and historic mill towns. But on June 1st, 2024, it offered up a sight rail enthusiasts rarely, if ever, get to see: a TransPennine Express (TPE) train from Manchester Victoria to Saltburn roaring through the valley floor at Brearley (near Luddendenfoot).

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The Unexpected Visitor

Typically, the TPE services that run between Manchester and Saltburn use the main Leeds and York routes. These are the fast intercity links, and the local, slower-paced Calder Valley Line is usually reserved for Northern services.

However, due to scheduled engineering works elsewhere on the network—the inevitable weekend maintenance that keeps the UK rail network running—this particular TPE service had to take a detour. And what a magnificent detour it was.

I was positioned above the line at Brearley, near the historic stone retaining walls, with the lush, vibrant greenery of the valley providing a perfect frame. The sun, dappled by the clouds, illuminated the scene, making the purple rhododendron blossoms on the embankment pop against the deep forest green.

When the train appeared, it was a blur of blue and yellow against the landscape. The TPE livery is a familiar sight at major stations, but here, in the secluded valley, it felt like an interloper—a high-speed express briefly slowing its pace to appreciate the West Yorkshire scenery.

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Capturing the Moment

I had my Nikon D3300 ready. Capturing a moving train in a forested valley is a classic photography challenge, especially when you want to convey the sense of motion against a stationary, beautiful backdrop.

To achieve that wonderful blur on the train while keeping the surroundings relatively sharp, I used a technique called panning. It involves:

1. Setting a Slower Shutter Speed: Around 1/125th or 1/160th of a second was perfect to blur the wheels and the carriages just enough.

2. Tracking the Subject: As the train approached, I smoothly moved my camera, keeping the main engine or a specific carriage door exactly in the same spot in the viewfinder.

3. The Shot: Firing the shutter while still panning.

The result is a photograph where the train appears to stretch and streak, emphasising its speed and momentum, while the detail of the surrounding trees and purple flowers remains a sharp frame for the action. The motion blur on the train perfectly contrasts with the solidity of the valley.

This wasn't just a photograph of a train; it was a snapshot of a railway story—a fleeting moment where operational necessity created a beautiful, one-off photographic opportunity.

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The Beauty of Brearley

The location itself, near the village of Luddendenfoot, is a photographer’s dream. The Calder Valley is one of the most rugged and rewarding sections of the Pennine route, carving its way through what was once a powerhouse of the Industrial Revolution. Today, it’s a tranquil scene of stone-built villages nestled into the hillside, with the railway tracing the ribbon of the River Calder below.

For anyone looking to capture the romance of British railways, the Calder Valley Line—even on an ordinary day—offers endless compositions.

But seeing that big TPE heading to Saltburn on these tracks? That's one for the logbook! Always remember to keep your eyes open, because sometimes the best photo opportunities are the unexpected diversions.

Clicking any of the pictures should open a link in another window to my Colin Green Photography store on Zazzle.

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All the images remain the copyright of Colin Green.

Vintage View: The Quiet Majesty of Pendle Hill, 1975

There's a unique magic in an old 35mm slide. It's a tiny, luminous window back in time, often to a place or moment that time has smoothed over. Today, I'm sharing one of the simplest, yet most evocative, finds from my collection: a landscape shot simply labelled, "Pendle Hills, Lancashire 1975."

Forget the drama of exotic ruins; this photograph captures the quiet, rolling heart of the English North West.

Dating the View: Mid-Seventies Lancashire

The date on the slide, 1975, places this photograph firmly in the mid-century era, a time when colour slides were the go-to format for amateur travel and holiday memories. The slightly muted, warm tones and the visible film grain are characteristic of the colour film stocks popular during that period, like Kodachrome or Ektachrome, which reigned supreme from the 1950s through the 1980s.

The image itself is pure Lancashire in the 70s:

• The Foreground Mystery: In the immediate foreground, we have the rough texture of a dry-stone wall, a quintessential feature of the Pennine landscape, suggesting the photographer was standing near a field boundary or a lane.

• The Middle Distance: The terrain is a mix of rough, grassy fields, some appearing quite marshy or boggy with a distinct yellow-brown hue, typical of moorland or marginal farmland. Intriguingly, there are some subtly raised, rounded mounds in the middle distance that give the landscape a structured, almost managed feel. Given that the hill is famously bordered by towns like Nelson and Clitheroe, it’s worth noting that the landscape around Pendle includes areas like the Nelson Municipal Golf Course, which had been expanded to 18 holes by this time, or similar stretches of open parkland and roughs. The slight manicured appearance of some areas could hint at this.

• The Star: Dominating the skyline is the unmistakable, isolated shape of Pendle Hill. At 557m, it’s not a mountain, but its commanding presence over the surrounding lowlands makes it the most dominant local landmark. The hill itself is famous for its history—from the Bronze Age cairns on its summit, to the 1612 Pendle Witch trials, and George Fox's vision that inspired the Quaker movement in 1652.

A View Steeped in Legend

In 1975, the hill was already a landmark deeply associated with the infamous witch trials and the bleak, rugged history of the region. The photo doesn't capture the drama of the Witches' Sabbat, but rather the quiet beauty that surrounds the legend. It’s a peaceful, yet wild, vista, likely taken on a day of changeable English weather, with a mix of sun and heavy clouds scudding across the sky.

This little transparency is more than just a snapshot; it’s a moment of solitude captured by a traveller nearly five decades ago, a timeless view of one of Lancashire’s most mysterious and beloved hills.

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Postcard from the Past: Bankfield Museum and the Golden Age of Halifax

 The beauty of collecting vintage postcards lies in holding a physical, tangible piece of history. This week, I’ve been working on a new acquisition—an old sepia postcard of Bankfield Museum in Halifax. After digitally colourising it (a little artistic license to bring its beautiful architecture to life!), I wanted to dive into the history of the building itself, a true monument to Halifax’s industrial glory days.

The Architecture: A Monument to Victorian Wealth

The image itself is fantastic. It captures the contrasting architectural styles of Bankfield, highlighting the sheer grandeur and confidence of Victorian design. The building wasn't originally intended as a museum; it was the opulent home of one of Halifax's most successful textile barons.

Edward Akroyd (1810–1887), a name synonymous with Halifax's vast wool and worsted industry, built this mansion. He was a visionary who was not only focused on production but also on the welfare of his workers and the intellectual life of his community.

• The Original Core (Right): The darker, more restrained side of the building reflects the original home, built in the earlier Victorian style.

• The Akroyd Expansion (Left): The grander, lighter-coloured section on the left, with its distinctive Italianate and Byzantine Revival features, was the magnificent extension Akroyd added. Note the prominent stone quoins, the arched windows, and the confident, solid structure—it was designed to impress and reflect the wealth generated by his vast mills, particularly Dean Clough.

This architectural masterpiece eventually became too grand for the next generation, and the family sold it to the Halifax Corporation in 1887, where it was established as a museum to benefit the public—a wonderful legacy of Akroyd’s civic-mindedness.

The Postcard Clues: Dating the Image

Since this postcard was originally sepia, it’s safe to assume it dates from the early 20th century, likely pre-1920. The golden age of postcards, when they were the primary means of quick communication, was roughly 1900 to 1914.

Looking at the photo's style, there are some clues:

• Hand-Colouring Style: The slightly uneven, tinted appearance you see in the colourised version often mirrors the look of early colour postcards where sepia or black-and-white photos were hand-tinted before printing. This technique was very common in the 1900s–1910s.

• Lack of Automobiles: The grounds are immaculately kept, but there is a distinct absence of modern vehicles or extensive paved parking, suggesting a time before widespread car ownership.

• The Trees and Garden: The landscaping, particularly the small, young tree on the right, also provides a sense of the era, suggesting a period when the grounds were already established as a public park/museum setting.

This postcard, therefore, gives us a snapshot of Bankfield Museum during the zenith of the postcard era—a time when Halifax was at its economic peak and sharing its civic pride, like this beautiful museum, with the world.

Bankfield Today

Today, Bankfield Museum continues Akroyd's legacy, housing impressive collections focused on local history, textiles, and military history. It stands as a powerful reminder of the industrial titans who shaped the North of England, and is an essential stop for anyone visiting Halifax.

I love that this small, hand-coloured view allows us to look back across a century and appreciate the monumental architecture of a city built on wool.

(Note: The colour in the image is a digital interpretation by the author to enhance the architectural detail.)

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