Discovering Holmes Park, Luddendenfoot: A Haven of History and Greenery

Nestled in the heart of the Calder Valley, Holmes Park in Luddendenfoot is one of those quiet treasures that beautifully blend history, community spirit, and natural charm. On a clear day, the park is alive with the sounds of children playing, birdsong from the surrounding woodland, and the gentle hum of the nearby River Calder. It’s a place that reflects the enduring character of this proud Yorkshire village.

A Green Escape

Holmes Park offers a peaceful retreat with its wide grassy areas, mature trees, and well-kept paths that invite you to stroll and take in the scenery. The playground and sheltered picnic spots make it a welcoming space for families, while the surrounding hills frame the park with an unmistakably Calderdale feel.

At its heart stands a small pavilion, its moss-covered roof a reminder of time’s passage. It provides a shaded place to rest and watch the life of the park unfold. Whether you’re walking the dog, enjoying a morning jog, or simply pausing to admire the landscape, Holmes Park has a timeless quality that captures the essence of village life.

The Crossfield Fountain

One of the park’s most distinctive landmarks is the Crossfield Fountain, a small but elegant stone structure standing on a raised plinth. It bears the name J.W. Crossfield, dated July 1914 — a poignant reminder of an era when the world was on the brink of great change.

The fountain’s design, with its four pillars and domed top, is classically inspired, and although it no longer flows with water, it remains a symbol of the community’s heritage. It was likely erected as a public drinking fountain or commemorative feature, offering refreshment and reflection to generations past and present.

Luddendenfoot War Memorial

A short walk deeper into the park brings you to a more solemn but deeply important feature — the Luddendenfoot War Memorial. This dignified stone obelisk, surrounded by plaques set into a low wall, honours the brave men of Luddendenfoot who gave their lives in service during the First and Second World Wars.

The inscription reads:

“In memory of Luddenden Foot men who gave their lives for their country in the Great War 1914–1918, and in later wars for peace and freedom.”

Each November, this spot becomes the focus of remembrance as wreaths of red poppies are laid at its base — a moving tribute that connects the present generation with those who came before. The memorial’s setting within the tranquil park makes it a fitting place for contemplation and gratitude.

A Place of Community and Continuity

Holmes Park is more than just a green space — it’s a living piece of Luddendenfoot’s story. From the laughter in the playground to the respectful silence around the war memorial, every corner tells part of the tale of this close-knit Yorkshire community.

As the seasons change, the park transforms — spring brings fresh growth and colour, summer offers light and shade, autumn cloaks the trees in gold, and even in winter, the quiet beauty remains.

For locals and visitors alike, Holmes Park, Luddendenfoot stands as a reminder that heritage and everyday life can coexist gracefully — a place to remember, to relax, and to reconnect.

The pictures were taken on the 27th February 2019 with a Nikon d3300, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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Great Scots: A Vintage Look at Scottish History and Culture Through Cigarette Cards Set 1

I've recently started exploring a fascinating set of vintage Mitchell's Cigarettes cards from 1933. This particular series, focusing on notable figures from Scottish history, literature, and military life, is a treasure trove of cultural history. This first batch of ten cards introduces us to a diverse group—from philosophers and poets to queens and kings. They remind us how popular figures were once packaged for the masses, tucked inside a packet of cigarettes!

Let's dive into the first ten 'Great Scots' from this 50-card collection:

Philosophers and Writers

The collection highlights Scotland's incredible contributions to the world of thought and literature, featuring some of the Enlightenment's giants and later literary masters.

David Hume: Pictured with a thoughtful expression and a book, Hume is one of the most influential figures in Western philosophy. A key figure in the Scottish Enlightenment, his empiricism and scepticism had a profound impact on fields ranging from metaphysics to economics.

Sir Walter Scott: The card shows the author of classics like Ivanhoe and Rob Roy sitting beside a dog. Scott was a hugely successful novelist and poet, often credited with popularizing the historical novel genre. His work played a major role in shaping the modern image of Scotland.

Sir James M. Barrie: The creator of Peter Pan, Sir James M. Barrie, is shown in a scene that looks like a formal gathering or a court setting. Barrie's enduring works, which blend fantasy and whimsy, secured his place as a beloved Scottish playwright and novelist.

James Thomson: Best known as the author of the lyrics to "Rule, Britannia!", Thomson was an influential poet and playwright of the 18th century. His works were instrumental in the development of the Romantic movement in poetry.

James Boswell: Pictured in a social setting, Boswell is famous for his detailed and compelling biography, The Life of Samuel Johnson. He is widely regarded as one of the greatest biographers in the English language.

Royalty, Legend, and War

Other cards focus on figures whose lives were defined by power, conflict, or legend.

Mary Queen of Scots: The card features her portrait alongside an illustration that appears to show her contemplating a chess game or a map with two men. Mary's tumultuous life and tragic end are central to Scottish and British history, making her a compelling and popular historical figure.

Macbeth: This card steps into the realm of legend and Shakespearean drama. The portrait of the man who was historically an 11th-century King of Scotland is accompanied by a dramatic illustration of warriors, underscoring the fierce, epic nature of his story.

The Marquis of Montrose: James Graham, 1st Marquess of Montrose, was a staunch Royalist military commander during the Wars of the Three Kingdoms. His card shows him in an outdoor, military-like scene, reflecting his career as a brilliant but ultimately tragic figure in Scottish civil war.

Donald Cameron (of Lochiel): Representing the fiercely independent spirit of the Highlands, Donald Cameron, the 19th Chief of Clan Cameron, was a major figure in the 1745 Jacobite Rising, a time of great upheaval for Scotland.

Sir John Moore: This card commemorates a great military leader. Sir John Moore was a distinguished British Army general, famous for his courageous and brilliant leadership during the Peninsular War, where he was killed at the Battle of Corunna.

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What Can These Cards Tell Us?

More than just collecting historical portraits, this set gives us a glimpse into early 20th-century popular history. The fact that Mitchell's Cigarettes chose these particular figures shows the enduring cultural resonance of Scottish history and the importance of its literary and military heroes to the public imagination in the 1930s.

Keep an eye out for the next ten cards, as we continue to unpack the "Great Scots" series!

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Early 20th-Century Glamour: Unpacking the Intrigue of Vintage Postcards

It's amazing what a pair of vintage postcards can tell you about a moment in history. My collection recently yielded two fascinating images—likely from the Edwardian era or very early 1910s—that offer a candid, yet carefully staged, look into the evolving world of women's fashion, photography, and social norms.

The Allure of the Edwardian Pin-Up

These images capture a woman in an intimate, boudoir setting, posed on a luxurious-looking bed. This kind of photograph—which circulated widely as postcards—was an early form of the "pin-up." They weren't just personal mementos; they were a popular, mass-produced commodity, blending fashion, fantasy, and mild titillation for the time.

The Lingerie: A Glimpse Underneath

The woman is wearing what appears to be a chemise or nightgown made of light, possibly silk or fine cotton fabric, detailed with delicate lace and small bows. This light, less restrictive style of undergarment was a significant shift from the highly structured, heavily corseted silhouette of the late Victorian era. The black stockings, contrasted with the white lingerie and bed linens, were a classic, visually dramatic choice that often featured in this kind of photography.

The Unexpected Hat

Perhaps the most striking element in both pictures is the large, feather-laden hat the woman is wearing indoors. Hats were an essential, often enormous, accessory of the Edwardian and early 1910s era. Their presence here, worn with lingerie, adds an undeniable element of staged, theatrical glamour and paradox. It's a juxtaposition—the public accessory worn in the most private of settings—that enhances the photo's playful, slightly defiant mood.

Visual Storytelling: Two Sides of a Moment

What's particularly compelling about having two cards of the same model and setting is seeing the slight change in pose that tells a mini-story:

1. The Contemplative Pose: In the first image, the model is seated, head resting thoughtfully on her hand, engaging the camera with a direct, confident, and slightly weary gaze. It's a classic pose of moody allure.

2. The Action Pose: The second image shifts to a moment of "action" as she handles her high-heeled shoe, suggesting she is either dressing or undressing. This pose offers a slightly more active and dynamic look at her attire and the setting, making the viewer feel like they've caught her in media res.

These postcards are more than just photographs; they are small pieces of social history. They show us a time when photography was becoming more accessible and when a woman's image—even one conveying a sense of private glamour—could be mass-produced and shared, revealing the shifting boundaries between the private and public spheres.

The 2 images below are scanned from my postcard collection, clicking either of them should open a link in another window to my Colin Green Photography store on Zazzle.

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Sowerby Bridge Railway Station: A Gateway Through Time

Tucked into the heart of the Calder Valley, Sowerby Bridge railway station is more than just a stop along the line—it’s a beautifully preserved piece of industrial history that continues to serve the community today. Opened in 1876 by the Manchester and Leeds Railway, to replace the earlier 1840 station, this station has witnessed the evolution of West Yorkshire’s transport network, from the age of steam to the modern Northern Rail services that still call here daily.

The Jubilee Refreshment Rooms – A Taste of the Past

The first image captures the charming Jubilee Refreshment Rooms, a rare surviving example of Victorian railway hospitality. Originally opened in the late 19th century, the building was once a bustling rest stop for travellers and railway staff alike, offering tea, coffee, and light refreshments to those journeying through the valley.

After years of neglect and near demolition, the structure was lovingly restored and reopened in 2009, reviving its role as a welcoming hub for passengers. Today, the building continues to echo with history—its brickwork, chimney stacks, and sash windows all whispering stories from the golden age of rail.

The Support Arches – Engineering with Purpose

The second image highlights a series of impressive brick support arches underneath the station, remnants of the engineering ingenuity that defined the railway age. These arches form part of the elevated sections that once supported sidings and goods facilities, essential for handling coal, textiles, and other cargo central to Sowerby Bridge’s industrial economy.

Beyond their functional strength, the arches demonstrate the Victorian engineers’ mastery of form and utility. Their curved design distributes weight evenly, allowing heavy locomotives and loads to pass safely above while enduring the test of time and weather. In recent decades, they’ve stood as silent witnesses to change—part of the enduring industrial landscape that defines this corner of Yorkshire.

A Living Heritage

Sowerby Bridge station remains a working reminder of Britain’s railway heritage. With the restored refreshment rooms, the solid arches, and the echoes of steam still lingering in the air, it connects past and present in a way few modern stations can. Whether you’re arriving for a scenic walk along the Calder or simply watching the trains pass by, there’s a sense that history is always just around the corner.

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Echoes of Faith and Stone: Photographing Dewsbury Minster

April sunlight filtered gently through the skeletal branches of spring trees, scattering dappled patterns across the worn gravestones and honeyed stone walls of Dewsbury Minster. The air was still, the churchyard hushed except for the faint hum of distant traffic — a reminder that this ancient place, once a spiritual heart of Yorkshire, now rests quietly amid the rhythms of modern life.

A Lens on a Thousand Years of Worship

Photographing Dewsbury Minster feels like walking through a dialogue between centuries. The Minster, officially known as The Minster Church of All Saints, Dewsbury, stands on ground sanctified long before the Norman Conquest. Tradition holds that Paulinus of York, one of the early missionaries who brought Christianity to northern England, founded a church here in AD 627. That makes Dewsbury one of the earliest centres of Christian worship in West Yorkshire — a place where history is literally layered into the stone.

Through the viewfinder, the Minster’s Norman tower and Gothic windows speak of evolving craftsmanship — a blend of Saxon spirit and medieval devotion. Its sandstone blocks glow warmly in the afternoon light, each carrying the weight of centuries of prayer, conflict, and renewal.

The Soul of the Building

Stepping inside, the Minster reveals its quiet grandeur. The arched arcades, carved columns, and stained glass windows create a dance of colour and shadow that shifts with every passing hour. One photograph captures the Great East Window, a masterpiece of Victorian glasswork, depicting the crucifixion surrounded by saints and angels — a kaleidoscope of devotion frozen in light.

The interior today feels welcoming and alive, with curved rows of wooden chairs replacing traditional pews, their purple cushions adding a modern warmth against the ancient stone. The altar, framed by the great arch of the chancel, glows under soft illumination — a focal point both for worship and artistic contemplation.

The Curfew Bell of Dewsbury

Perhaps Dewsbury’s most famous tradition is the “Curfew Bell”, also known as the “Devil’s Knell.” Each Christmas Eve, the church bell tolls once for every year since the birth of Christ — a haunting and beautiful ritual said to date back to the 15th century. The custom was established by Sir Thomas de Soothill, who donated the bell in penance for a violent crime, and it continues to this day, linking the modern town to its medieval conscience.

Stories in Stone

Wandering the churchyard, I was drawn to the worn gravestones and memorials that circle the Minster like sentinels of memory. The Kohima Epitaph memorial, inspired by the words from the Battle of Kohima (“When you go home, tell them of us and say…”), stands humbly on the cobblestones — a small yet deeply moving tribute to sacrifice.

Nearby, a carved statue of St Philip watches over visitors inside the Minster, his serene face illuminated by a shaft of natural light — a moment that felt quietly timeless through the lens.

Reflections Through the Camera

Photographing Dewsbury Minster in April 2015 with a modest Polaroid iS2132 camera, I was reminded how photography can bridge time. The church’s textured stone, filtered sunlight, and intricate glass challenged the lens to balance detail and atmosphere. In every image, the Minster seems to breathe — ancient yet alive, sacred yet rooted in the everyday life of Dewsbury.

A Living Heritage

Today, Dewsbury Minster stands not only as a house of worship but as a community hub — hosting concerts, art exhibitions, and social initiatives that reflect its enduring mission of faith and fellowship. To photograph it is to witness continuity: the sacred and the ordinary woven together, much as they have been here for nearly 1,400 years.

I took these pictures with a Polaroid is2132 bridge camera in April 2015, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Kohima Epitaph Memorial.

It consists of a cylindrical stone column resting upon a large six-pointed star set into the cobblestone path of the churchyard. The column is engraved with the famous lines from the Battle of Kohima: "When you go home, tell them of us and say, for your tomorrow, we gave our today." This humble yet deeply moving tribute commemorates the sacrifices made by the Commonwealth forces during the Battle of Kohima in World War II, connecting the ancient Yorkshire church to a moment of modern global conflict and remembrance.

The statue of St Philip is one of a series of carved wooden figures that form a magnificent Reredos (an ornamental screen or partition covering the wall at the back of an altar). This Reredos, dating from 1912, was designed by Temple Moore and carved by Bridgeman of Lichfield.

Originally installed behind the high altar of the Minster, it is now situated in the church's Narthex (entrance area) and depicts Christ surrounded by the Twelve Apostles, with each saint holding the symbol associated with their martyrdom or life story. The figure represents St Philip the Apostle, and he is typically identified by a long staff topped with a small cross or by a basket or loaves (referencing his role in the Feeding of the Five Thousand), serving as a beautiful example of early 20th-century religious art within the historic Minster.

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The image displays the Great East Window of Dewsbury Minster, a magnificent example of Victorian stained glass. The window was made by Meyer of Munich and was erected in 1884. It is noted for its impressive scale and design, standing as a prominent piece of the Minster's collection of stained glass. While the Minster also houses some beautiful medieval stained glass which is mainly 14th century, the Great East Window itself is a later, Victorian addition.

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The Silent Watcher: A 1969 Snapshot of Aros Castle, Isle of Mull

There are some moments in my slide collection that just resonate with a deep sense of history and solitude, and this image of Aros Castle on the Isle of Mull, captured in 1969, is one of them. It's a striking portrait of rugged Scottish beauty, frozen in a time when travel to the islands felt like a genuine expedition.

The Castle on the Cliff

The photograph perfectly frames the romantic, jagged ruins of Aros Castle, perched atop a grassy cliff overlooking a wide body of water—the Sound of Mull. You can practically feel the history clinging to the stone.

• A Medieval Sentinel: Aros Castle, also known as Heynish, has stood here since the 13th century. It was a strategic stronghold, controlling passage through the Sound of Mull, first for the powerful Clan MacDougall and later for the Lords of the Isles, the Clan MacDonald. Today, only two storeys of the main keep and some curtain wall fragments remain, their ruins telling a story of sieges, abandonments, and centuries of exposure to the Atlantic weather.

• The Landscape: The castle sits against a backdrop of distant, hazy hills—likely the mainland of Morvern—giving the scene immense depth. The foreground is dominated by the water, which is clearly at a low tide, revealing a textured, reddish-brown foreshore covered in seaweed and mud. The shallow water here reflects the sky, creating a beautiful interplay of light and colour between the earth and the heavens.

The Spirit of 1969

The date 1969 gives this photograph a beautiful sense of its era:

• The Road Less Travelled: Before widespread ferry links and modern tourism infrastructure, visiting the more remote Scottish islands, especially with camera equipment, felt more like an adventure. The scene is utterly devoid of modern clutter—no large car parks, visitor centres, or even other people visible. The focus is entirely on the untouched natural and historical beauty.

• Vintage Colour: The rich, saturated greens of the grassy headland and the deep blue of the sky and water are typical of the slide film stock used in the late 1960s. This specific colour palette adds a nostalgic warmth that contemporary digital photography often struggles to replicate.

• A Quiet Moment: The image captures a profound stillness. The water is calm, the clouds are high, and the ruined castle stands in silent watch. It evokes a feeling of peace and timelessness that defines the allure of the Scottish West Coast.

This slide is more than just a historical record; it is a precious memory of a quieter era on the Isle of Mull, where the history of the Highlands and Islands was easily accessible, standing proud and unpolished against the vast, beautiful wilderness. It reminds us that some views, like this one, are truly eternal.

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The Legacy of Stone: A Look at St Mary's Church, Cottonstones

Tucked away in the beautiful, hilly landscape of West Yorkshire, St Mary's Church, Cottonstones stands as a proud landmark, overlooking the surrounding valley and hillsides. It's a place steeped in local history, particularly tied to the industrial heritage of the area, and serves as a quiet witness to the generations that have called Cottonstones and Mill Bank home.

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A Gift to the Workers

The history of St Mary's is rooted in a significant act of philanthropy during the 19th century. The church was officially opened in 1848. Its establishment was made possible by the Hadwin Family, who gifted the church to the workers of Cottonstones, Mill Bank, and Soyland. This donation underscores the close relationship between the prosperous local families and the communities they employed during the height of the area's textile industry.

The church's prominent position in the landscape is a testament to its importance to the surrounding villages, a spiritual anchor visible from afar.

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Architectural and Parish Facts

St Mary's Church, Cottonstones, is a Grade II listed building. It boasts a relatively intimate size, with a seating capacity for approximately 80 people.

In more recent history, the church joined a larger community of churches in May 2013 when it became part of the Ryburn Benefice. This new "family of churches" includes St. Luke's Norland and St. Peter's Sowerby, working together to serve the parishes of Norland and Sowerby with Cottonstones.

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A Community of Remembrance

The church and its grounds are a repository of local memory. Inside the church, a bronze plaque serves as a memorial to the men from the parish who were killed during the First World War. This memorial, located to the left of the chancel arch behind the pulpit, bears the names of 23 men, including one with the surname Hadwen. This is another powerful link between the founding family and the community they helped establish.

St Mary's also maintains strong ties to the local community through its relationship with the nearby Church of England school. The children visit the church for key events during the school year, such as Easter and the Leavers' Celebrations, continuing the tradition of St Mary's as a central part of village life.

As a structure that has stood for over 175 years, the church offers a charming and peaceful atmosphere, which is a popular draw for special occasions, such as weddings. It's a true piece of West Yorkshire's history, quietly serving its community through the centuries.

I took these pictures in February 2014 with a Polaroid is2132, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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All the pictures remain the copyright of Colin Green.