Unveiling the Hidden Arches: A Norland Perspective of Copley Viaduct

The Copley Viaduct, a stoic sentinel of stone and rail, is a familiar and imposing sight to many in the Calderdale valley. Its grand, rhythmic arches, usually captured and admired from the more accessible Copley side of the river, are a profound testament to the ambition and structural ingenuity of Victorian engineering. However, on a crisp 5th of November in 2016, armed with my trusty Nikon d3300, I embarked on a personal quest to unveil a lesser-seen, often-overlooked side of this magnificent structure – the view from the wilder, higher Norland embankment.

The Quest for a New Angle

My intention was born from a desire for a unique perspective. The viaduct, an integral part of the railway line stretching towards Halifax, is the longer and more impressive of the two major crossings in the area. Yet, the rugged Norland bank of the River Calder at this point is rarely photographed. I wanted to see it through fresh eyes, framed by the wild, untamed beauty of the western slope, capturing the interplay between the raw landscape and the man-made marvel.

The viaduct itself, a Grade II listed structure completed in 1852 for the Lancashire and Yorkshire Railway, is a marvel designed by the prominent engineer Sir John Hawkshaw. Its original purpose was to link Sowerby Bridge and Halifax more directly, bypassing the earlier, circuitous branch line. Its 21 to 23 arches (sources vary slightly) elegantly span the valley, crossing not just the River Calder, but also the historic Calder & Hebble Navigation and the Wakefield Road (A6026). This sheer scale and historical importance add immense weight and character to every stone.

An Unrecommended Ascent

The specific viewpoint I sought demanded an ascent. The climb up the embankment was, to put it mildly, a significant challenge. It was a steep, difficult scramble, weaving through thick undergrowth and navigating treacherous, uneven terrain. As I pushed upwards, my mind was half-expecting to encounter a formidable fence at the summit, a clear, sensible demarcation preventing access to the elevated, active railway line.

To my surprise, when I reached the top of the banking overlooking the line, there was no fence. While this offered an unobstructed view, it instantly reinforced the absolute necessity of extreme caution. I maintained a safe and sensible distance away from the active railway lines at all times. The brief moments at the top were only for two quick, carefully composed shots before I commenced the careful and difficult descent back down the banking.

I must stress this point strongly: I absolutely would not recommend anybody else attempt this climb. The risks involved, especially the proximity to a busy, active main railway line like the Calder Valley route, are far too high, and the terrain itself was unforgiving. Safety, around any railway infrastructure, must always be paramount.

The Rewards of the North Bank

The effort, for me, was justified by the images captured, which offer a rare glimpse into the hidden world beneath and beside the viaduct from this unique vantage point.

Looking up from the base of the embankment, the sheer scale of the viaduct becomes strikingly apparent. The imposing, semi circular arches, usually perceived as elegant distant features, now loom overhead, their weathered, rock-faced sandstone a massive canvas of time and history. They dwarf the surrounding trees and give a visceral sense of the colossal effort that went into their construction.

The scene, captured on an autumnal day, is framed by the skeletal trees, stripped bare by the approaching November chill. Their branches reach like gnarled, dark fingers towards the sky, creating natural, gothic frames for the stone arches. The low, crisp light of the day filters through the canopy and between the arches, creating pockets of illumination and deep shadow—a moody, almost ethereal atmosphere that hints at the industrial and natural secrets held within the valley.

The Norland side, less manicured and more rugged, provides a powerful contrast to the structure itself. It reminds you that this incredible piece of Victorian infrastructure was driven right through a landscape that did not easily surrender, a landscape still defined by the steep banks of the River Calder.

The images taken from the top of the embankment offer the true prize: an unprecedented, sweeping view along the length of the viaduct as it vanishes towards Halifax. This perspective, often monopolized by the distant Copley side, reveals the full, majestic sweep of the arches from a parallel, elevated angle—a fitting reward for a difficult photographic quest to see a familiar landmark with completely new eyes.

Clicking any of the images should open a link in another window to my Colin Green Photography store on Zazzle.

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Where Beer Met Education: Unpacking the History and Transformation of The Maltings, Halifax

Standing proudly on the outskirts of Halifax, amidst a landscape defined by Yorkshire's industrial past and rolling green hills, is a striking stone building that tells a fascinating story of change: The Maltings.

Your photographs perfectly capture the imposing scale and rugged beauty of this structure, revealing its deep roots in the region's brewing tradition while hinting at its modern, revitalised purpose. Far from being a relic, The Maltings is a living example of how Halifax breathes new life into its magnificent heritage architecture.

From Grain to Greatness: A Century of Brewing

To appreciate The Maltings today, we must journey back to its origins. This magnificent building was erected around 1900 as the maltings facility for the nearby Fountainhead Brewery, home to the famous Samuel Webster & Sons.

Maltings buildings were crucial components of any large brewery. This is where the barley, the heart of the beer, was prepared through the complex process of malting—steeping, germinating, and drying the grain to produce the sugars necessary for brewing. The sheer size and distinct, multi-level architecture of The Maltings reflect this industrial process:

• The Architecture: The building is a superb example of large-scale, late-Victorian industrial architecture. Constructed from local, finely grained York stone with a steeply pitched Westmorland slate roof, it was built to last. The height and generous windows, visible in the images, were designed to manage the critical temperature and ventilation needed for germinating the barley.

• A Landscape Landmark: Situated on Maltings Road in the Ovenden Wood area, the structure was built to dominate the landscape. Even today, long-ranging views across the valley show the building's importance, a silent monument to the commercial power of the Halifax brewing industry at the turn of the 20th century.

Webster's was a dominant force, building up a portfolio of over 100 tied public houses by the 1880s and becoming known for its iconic brands like Green Label and Pennine Bitter. The Maltings was thus a powerhouse of the regional economy.

A Sympathetic Second Act

By the late 20th century, the brewing industry had consolidated, and the Fountainhead Brewery complex faced an uncertain future. Crucially, the main maltings building was listed as a Grade II Listed Building in 1990, securing its architectural future.

In a remarkable act of preservation and redevelopment, The Maltings was sympathetically restored and converted into commercial office space as part of a multi-million-pound project in the late 1980s. This conversion was so successful that it was recognised with a European Heritage Award (Diploma) in 1991, an accolade that speaks volumes about the quality of the restoration work, which involved:

• Restoring the original York stone exterior.

• Replacing 1930s metal windows with new, traditionally styled hardwood units.

• Internally restructuring the floors to maximise natural light while retaining the raw, industrial character of the space—a perfect blend of heritage and contemporary functionality.

The Modern Maltings: A Hub of Education

Today, The Maltings has found its most inspiring purpose yet: as a central hub for Trinity Multi-Academy Trust (MAT).

It now serves as the group’s main offices, housing the administration and supporting education initiatives across the region. This is a wonderfully poetic transformation: a building once dedicated to producing the raw material for a commercial beverage is now dedicated to cultivating the minds of the next generation. The imposing structure, which once held vast stores of barley, now houses the strategic core of a major educational group.

The presence of the Trinity Institute of Education at The Maltings continues its legacy as a site of production—not of beer, but of knowledge and opportunity. When you look at its robust stone walls and towering form today, you see more than just an old brewery building; you see the enduring spirit of Yorkshire's innovation, repurposed for the 21st century.

It stands as a perfect symbol of Halifax: a town proud of its magnificent past, but always looking forward.

I took these pictures with a Nikon d3300 on the 11th July 2020, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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Exploring St. John the Divine: A Historic Gem in the Cliviger Valley

Tucked away in the scenic Cliviger valley, on the outskirts of Burnley, lies the beautiful and historic Church of St. John the Divine. This Grade II listed building is a testament to history, with a fascinating story that dates back to the 18th century, and even earlier.

A New Beginning on Ancient Ground

The current church was consecrated in 1794, but its history is much older. It stands on higher ground, a short distance from the site of an earlier, more rustic chapel that had served the community since the reign of King Henry VIII. When the original chapel became too dilapidated and small for the growing parish, it was demolished in 1788 to make way for the new structure. The new church, built in a simple classical style with squared sandstone, was largely funded by Dr. T. D. Whitaker, a local landowner and historian from the nearby Holme Hall.

Architectural Highlights and Hidden Treasures

The church's architecture is a striking departure from the more common Gothic style found in many English parishes. Its clean, classical lines, a pedimented entrance, and a bell turret topped with an octagonal cupola give it a unique and elegant character. But the real treasures are found both inside and out. The churchyard itself is a peaceful and beautiful space, with a winding path leading through a sea of old headstones and memorials.

One of the most notable features of the churchyard is the burial site of General Sir James Yorke Scarlett, the celebrated leader of the Charge of the Heavy Brigade during the Battle of Balaclava in the Crimean War. Despite his fame, Scarlett's grave is a humble memorial in this quiet corner of Lancashire. The church also houses remnants of its past, including a 16th-century oak pulpit and two intricately carved oak stalls with misericords, believed to have been moved here from the ruins of Whalley Abbey.

Another interesting detail is the large archway at the entrance, a lychgate, which stands as a welcoming portal to this historic site. Nearby, you'll find a war memorial in the shape of a cross, a poignant tribute to local lives lost in conflict. The church and its grounds are a peaceful place, where history, nature, and community intertwine, making it a compelling spot for a quiet stroll and a moment of reflection.

I took these pictures on the 23rd April 2016 with a Nikon d3300, clicking on any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the pictures remain the copyright of Colin Green.