Showing posts with label Halifax. Show all posts
Showing posts with label Halifax. Show all posts

Tuesday, 16 June 2026

A Journey Through Halifax’s Architectural Rebirth

 The skyline of Halifax, West Yorkshire, is a striking dialogue between the industrial grit of the 18th century and the bold, glass-fronted ambition of the 21st. To walk through the town centre is to witness a masterclass in urban regeneration—where hollowed-out ruins have been transformed into cultural powerhouses.

On a crisp, clear day in late September 2018, the low autumn sun hit the Pennine stone just right, illuminating a story of resilience. From the defiant spire of a lost church to the grandest courtyard in Europe, here is a photographic exploration of Halifax’s most iconic landmarks.


The Sentinel: Square Church Spire

A low-angle shot of the tall, ornate stone Gothic spire of the former Square Church in Halifax. It features a large white clock face and intricate masonry, flanked by the clean lines of a modern building under a bright blue sky.

Our journey begins looking skyward. The Square Church Spire stands as a magnificent, solitary finger of stone pointing toward the Yorkshire heavens. For many visitors, it is the first thing they see when arriving by train, a lighthouse of Gothic Revival architecture.

Completed in 1857, the Square Congregational Church was once a sprawling masterpiece designed by Joseph James. However, after two devastating fires in the 1970s, the main body of the church was lost. Most towns might have cleared the rubble and moved on, but Halifax chose a different path. They kept the spire—a Grade II* listed structure—and integrated it into the very fabric of the town's future.

Standing at the base of the tower, you can see the intricate stonework and the looming clock face. The contrast between the weathered, honey-coloured sandstone and the deep cerulean sky of a September afternoon is breathtaking. It serves as a reminder that even when the foundations of our past crumble, the peaks can still reach for the future.


Where History Meets Literacy: The New Halifax Central Library

An interior view of a modern library showing a large, historic stone rose window integrated into a dark stone wall. Glass railings and a wooden ceiling highlight the contrast between the medieval-style architecture and the contemporary library interior.

If the spire represents the past preserved, the Rose Window inside the new Halifax Central Library and Archives represents the past repurposed.

The library, which opened in late 2017, is a stunning example of "old meets new." It was built directly onto the remains of the Square Church. Walking through the sleek, modern entrance, you are suddenly confronted by the massive, skeletal beauty of the church’s original Rose Window.

A View Through the Glass

  • The Contrast: The window is framed by modern glass balustrades and clean, minimalist bookshelves.

  • The Light: As seen in the photography from September 26th, the afternoon sun streams through the tracery, casting geometric shadows across the library floor.

  • The Purpose: It’s no longer a religious icon; it’s a literary one. It provides a quiet, contemplative space for readers to sit with a book, surrounded by centuries of craftsmanship.

Seeing the Rose Window from the interior mezzanine is a visceral experience. It bridges the gap between the industrial Halifax of the Victorian era and the digital, knowledge-driven Halifax of today.


The Gateway to Grandeur: Piece Hall Eastern Entrance

A view of the Eastern Entrance to The Piece Hall, featuring a large silver metal frame with the words "THE PIECE HALL" on top. The gate is positioned between a modern brick building and an older red-brick industrial structure.

Leaving the library, brings you to the Eastern Entrance of The Piece Hall. This specific entrance is a fascinating junction of materials. To your left, the modern brickwork and glass of the library extension; to your right, the rugged red brick of the Calderdale Industrial Museum; and straight ahead, the stone arches that lead into another world.

The metal signage above the gate—THE PIECE HALL—is understated, allowing the architecture to do the talking. This entrance acts as a "compression point." You move from the narrow, busy streets of the town into a sudden, sprawling expanse of history.

Note for Travelers: If you visit the Eastern Entrance, don't miss the Calderdale Industrial Museum right next door. It houses the working machinery that once made this town the "Town of a Hundred Trades."


The Piazza of the North: Inside The Piece Hall

A wide shot of the expansive stone-paved courtyard at The Piece Hall. In the background, the multi-level Georgian colonnades line the square under a clear sky, with stone steps and handrails in the foreground.

Finally, we step into the heart of Halifax: The Piece Hall.

Originally opened on January 1, 1779, this Grade I listed building is the only remaining 18th-century cloth hall in the world. It was built for "pieces" of hand-loomed woollen cloth to be sold, but today, following a multi-million-pound restoration, it feels more like a Mediterranean piazza dropped into the middle of West Yorkshire.

The Grand Scale

The courtyard is vast—66,000 square feet of open space. On a quiet Wednesday in September, the scale is even more apparent. The symmetry of the Rustic, Tuscan, and Arcade levels creates a rhythmic backdrop of columns and arches that seems to go on forever.

The 2017 renovation added the sweeping stone steps and the level floor you see today, making it a premier venue for concerts (hosting the likes of Nile Rodgers and Blondie) and community gatherings. In the photo taken on the 26th, you can see the play of light across the York stone paving, emphasizing the sheer cleanliness and revitalized energy of the space.

What to do in The Piece Hall:

  1. Shop Independent: From traditional sweets at Joseph Chance to contemporary art at The Creative Co-op.

  2. Dine Al Fresco: Grab a coffee or a local ale and sit in the courtyard to soak in the architecture.

  3. The Heritage Centre: Located near the North Gate, it tells the story of the cloth trade that built this town.


Why Halifax Matters Now

For decades, Halifax was seen as a town whose best days were behind it. The chimneys had stopped smoking, and the mills were quiet. However, the synergy between the Square Church Spire, the Central Library, and The Piece Hall proves that architectural heritage is not a burden—it’s an asset.

When you stand in the centre of The Piece Hall and look back at the Square Church Spire peeking over the roofline, you aren't just looking at old buildings. You are looking at a town that has successfully reinvented itself without losing its soul.

Halifax is no longer just a stop on the way to Leeds or Manchester; it is a destination in its own right, a place where stone, steel, and sunlight tell a story of triumph.


Plan Your Visit

  • Best Time to Visit: Late September offers beautiful "Golden Hour" light for photographers.

  • Getting There: Halifax is easily accessible by train from Leeds (20 mins) and Manchester (45 mins).

  • Photography Tip: Use a wide-angle lens for The Piece Hall courtyard, but don't forget a zoom for the intricate details on the Square Church Spire.

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All the pictures remain the copyright of Colin Green.

Friday, 16 January 2026

The Gateway to the Calder Valley: Exploring Halifax Railway Station

 Stepping onto the platform at Halifax Railway Station is more than just a transition between trains; it is an immersion into the industrial heartbeat of West Yorkshire. The station, a blend of mid-Victorian grandeur and rugged Pennine utility, serves as a striking threshold to a town that built its fortune on wool, flour, and engineering. For any traveller or photographer, the views from these platforms offer a vertical slice of history, where 19th-century brickwork meets the ambitious infrastructure projects of the modern era.



A Legacy in Stone: The Station’s Origins

The story of Halifax’s rail connection is one of perseverance against the landscape. While the main Manchester and Leeds line originally bypassed the town due to its steep valleys, a branch line finally reached Halifax in 1844. The station we see today, largely defined by the designs of Thomas Butterworth and opened in 1855, replaced the original terminus.

One of the most evocative sights from Platform 1 is the 1855 building itself. This Grade II listed structure, with its ashlar stone and classical portico, no longer serves as the main passenger entrance—it now houses the nursery for the nearby Eureka! The National Children’s Museum. However, its presence remains a powerful reminder of the "Railway Mania" era, when stations were built as "temples of travel."

The Industrial Skyline: The Halifax Flour Society

Looking out from the station toward the east, your eye is immediately drawn to the massive, five-storey brick edifice that dominates the horizon. This is the Halifax Flour Society building, a monument to Victorian cooperation. Built in 1879, it was once one of the largest grain mills in the country.

The Flour Society was born out of necessity in 1847 to provide affordable, unadulterated bread to the working class during a time of extreme economic hardship. Today, the building stands as part of the Nestlé site, yet the faded lettering of "HALIFAX FLOUR SOCIETY" still whispers from its walls, overlooking the tracks that once brought in the coal and grain required to feed the town.

Into the Hill: The Beacon Hill Tunnel

If you look south from the platforms, the tracks disappear into the darkness of the Beacon Hill Tunnel. This tunnel represents a significant engineering feat, boring through the gritstone and coal measures of Beacon Hill. The hill itself is a landmark of local legend, having hosted everything from Armada warning beacons to the grisly display of the Cragg Vale Coiners in the 18th century.

Watching a train emerge from the tunnel is a favourite moment for rail enthusiasts. It marks the final hurdle of the trans-Pennine journey before the line opens up into the station, framed by the steep, green slopes that give Halifax its dramatic, enclosed character.

The Modern Arrival: The Entrance Bridge

The current entrance to the station is via a high-level pedestrian bridge that spans the tracks, connecting the town centre at Horton Street to the station platforms. This bridge provides a perfect vantage point for photographers. From here, you can see the "layering" of the station: the active platforms below, the Victorian signal box, and the sprawling complex of Eureka! and the Piece Hall just beyond.

While the bridge is a functional piece of 20th-century infrastructure, it is currently at the heart of exciting redevelopment plans. Calderdale Council has proposed a transformational project that includes:

  • A new two-storey station building: Replacing the current modular facilities with a modern, glazed concourse.

  • A new "Town Footbridge": An iconic structure to improve cycle and pedestrian connectivity to the town’s cultural gateway.

  • Reopening historic underpasses: Making the station a "through-route" rather than a dead-end, linking the Hebble Trail to the town centre.

A Photographer's Perspective

For those visiting with a camera, Halifax Railway Station offers a wealth of textures and angles. The contrast between the weathered gritstone of the viaducts and the sharp lines of modern rolling stock creates a compelling narrative.

  • The "Beacon Hill Shot": Capturing the station with the looming green hill and the replica beacon in the background.

  • The Detail Work: Focusing on the ironwork of the platform canopies or the intricate stone carvings on the 1855 building.

  • The Industrial Echo: Using the Flour Society mill as a backdrop for departing trains to emphasize the town’s manufacturing heritage.

Conclusion

Halifax Railway Station is a place where time seems to fold in on itself. You can stand on a modern platform, look at a 19th-century mill, and walk through an entrance bridge destined for 21st-century renewal. It is a gateway that honours its past while leaning into a future as a world-class transport hub. Whether you are a local commuter or a visitor arriving to explore the Piece Hall, take a moment to look beyond the tracks—there is a whole world of history waiting to be seen.

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All the images remain the copyright of Colin Green.

Sunday, 14 December 2025

Uncovering the Urban Wild: A Stroll Along a Stretch of Halifax's Hebble Trail

There’s a unique charm in finding pockets of forgotten beauty amidst the urban sprawl. On June 13th, 2015, armed with a Polaroid is2132 camera, I ventured onto a stretch of the Hebble Trail in Halifax, specifically the path between Water Lane and Sedburgh Road. What I discovered was a captivating blend of industrial history, rebellious artistry, and nature's resilient reclaim.

The trail itself felt like stepping into a liminal space, a narrow canyon carved between towering walls. On one side, gabion basket walls, overflowing with stones and topped with wire fencing, hinted at past engineering and perhaps flood defences or land stabilization efforts. The raw, exposed rock and mesh provided a stark, almost brutalist aesthetic. Yet, clinging to these walls, and in every available crevice, was an explosion of tenacious greenery – ferns, weeds, and wild grasses pushing through, softening the edges of the man-made structures.

Across the path, older, more ornate brickwork, possibly remnants of bygone industrial buildings, stood as a testament to Halifax's rich manufacturing past. Arched window openings, now mostly bricked in or obscured, whispered stories of bustling factories and forgotten laborers. These walls, however, weren't silent. They were alive with a riot of colour and expression – vibrant graffiti tags, intricate murals, and bold statements painted by countless anonymous artists. One image in particular, a striking green, skull-like creature with glowing red eyes, captured the raw energy and subversive spirit of this urban art gallery.

Walking deeper into this concrete canyon, the path twisted and turned, at times narrowing, at others opening slightly to reveal glimpses of the sky. The ground underfoot shifted from rough asphalt, dappled with moss and fallen leaves, to uneven cobblestones, suggesting an older pathway that once served a different purpose. Litter, unfortunately, was also a constant companion – discarded papers, plastic, and general debris adding to the raw, untamed feel of the place. It's a reminder that even in these hidden gems, the challenges of urban neglect are present.

One of the most intriguing aspects was the presence of the Hebble Brook itself. Peeking through gaps in the foliage and under archways, the dark, fast-flowing water added another layer to the landscape. Its ceaseless movement contrasted with the static permanence of the walls, a natural force carving its way through the man-made environment. The way the brook disappeared into dark culverts and reappeared further along added a sense of mystery, making me wonder what other hidden passages and secrets lay beyond.

The overall impression was one of stark beauty and resilient life. It’s a place where nature battles concrete, where history meets modernity, and where anonymous artists leave their mark. The light shifted throughout my walk – some sections were bathed in bright, diffused light, while others, particularly where the path dipped under structures or narrowed, were shrouded in a captivating gloom. The black and white image, in particular, stripped away the colour to highlight the textures, the stark contrasts, and the interplay of light and shadow, emphasizing the raw, almost melancholic beauty of the trail.

The Hebble Trail, at least this section of it, isn't manicured or picturesque in the traditional sense. It's grittier, more authentic, and in its own way, incredibly beautiful. It's a testament to how urban spaces can evolve, becoming canvases for expression, havens for wildlife, and intriguing pathways for those willing to look beyond the obvious. My Polaroid captured not just images, but the very essence of this urban wild – a truly memorable and inspiring stroll.









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Saturday, 13 December 2025

Whispers of Steam and the Rhythms of Rail: A Hour at Milner Royd Junction

 An Ode to a Historic West Yorkshire Rail Hub

Nestled in the lush, wooded valleys of West Yorkshire, just a stone's throw from Sowerby Bridge, lies a seemingly unassuming spot that pulses with the lifeblood of Britain’s rail network: Milner Royd Junction. This is where lines diverge, where commuter services swiftly move passengers, and where, on special days, the magnificent ghosts of the steam era roar back to life.

This visit on the 3rd November 2019, captured in a series of dramatic photographs, was a testament to the enduring allure of the railway, offering a captivating contrast between the past and the present, all within a few yards of each other.


The Crucible of Calderdale Rail: Milner Royd's History

The web of rails at Milner Royd is more than just a junction; it's a critical intersection whose history stretches back to the golden age of rail. It was established by the Lancashire & Yorkshire Railway (L&YR), the ambitious company that linked the great industrial centres of the north.

Milner Royd is the point where the main Calder Valley line (heading towards Brighouse/Wakefield/York) and the line towards Halifax diverge. This link to Halifax, opened in 1852, was crucial, providing a direct route for the important textile town to the burgeoning rail network.

  • The Silent Sentinel: A fascinating piece of history is the nearby Milner Royd Junction Signal Box, which, for many years, stood as a testament to the area’s heritage. The box was of considerable historic interest, one of the last surviving examples built by a small firm named Smith & Yardley for the L&YR around 1878. While the signalling equipment inside was updated over the decades, the very structure was a relic of early railway operations, only recently succumbing to modern rationalisation schemes. When you stand here, you are standing on a piece of ground that has been governing train movements for nearly 150 years.


The Present: Commuters and the Northern Fleet

The first trains to sweep around the wooded curve were the modern workhorses—the Northern Rail diesel multiple units (DMUs). These brightly-liveried trains, seen in sharp focus as they traverse the intricate points, represent the daily pulse of the region:




  • The Daily Grind: They carry the people of Yorkshire to work, school, and leisure, a constant, reliable rhythm that defines the contemporary railway. Their speed and efficiency are a marker of transport progress.

  • The Modern Landscape: These trains navigate an environment where the old absolute block signalling has been replaced by modern control systems, yet they follow the same ancient path laid down through the valley by Victorian engineers.


The Past Returns: The Might of Black Five No. 44871

Then came the star of the show, a magnificent machine whose power and majesty instantly connected the present-day scene with its past: LMS Stanier Class 5 4-6-0 No. 44871.




The images perfectly capture the drama of a mainline steam locomotive in full flight:

  1. The Roar: The rhythmic 'chuffing' grew into a thunderous roar as the engine tackled the curve.

  2. The Smoke and Steam: A gargantuan, billowing cloud of white steam and black smoke erupts from the chimney. This plume—thick, dramatic, and indicative of the immense effort being demanded of the engine—is the visual signature of steam power that no modern diesel or electric can replicate.

  3. A True Survivor: Looking closer at the number, we recognise a railway celebrity. The Black Fives (or 'Mixed Traffic' engines) were the quintessential all-purpose locomotive of the London, Midland and Scottish (LMS) railway and later British Railways. No. 44871, built in 1945, holds a special place in history, as it was one of the locomotives chosen to haul the famous "Fifteen Guinea Special" on August 11, 1968—the very last day of mainline steam operation on British Rail. Withdrawn from service the next day, it was preserved immediately, and today, owned by Ian Riley, it is a regular and powerful presence on heritage tours, often working the famed 'Jacobite' service in Scotland.

Seeing this locomotive thundering through Milner Royd Junction is not just watching a preserved engine; it is watching a living piece of history that participated in the very final chapter of the steam era.


More Than Tracks: A Living Heritage

Milner Royd Junction, set against the backdrop of the rugged Calder Valley, encapsulates the essence of the railway: a place of dramatic scenery, vital infrastructure, and profound history. It is a venue where the workaday reality of the modern commuter rail intersects with the thrilling, visceral nostalgia of a steam legend like No. 44871, proving that the magic of the railways is as strong today as it was over a century ago.

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All the images remain the copyright of Colin Green.

Tuesday, 9 December 2025

Unveiling the Hidden Arches: A Norland Perspective of Copley Viaduct

The Copley Viaduct, a stoic sentinel of stone and rail, is a familiar and imposing sight to many in the Calderdale valley. Its grand, rhythmic arches, usually captured and admired from the more accessible Copley side of the river, are a profound testament to the ambition and structural ingenuity of Victorian engineering. However, on a crisp 5th of November in 2016, armed with my trusty Nikon d3300, I embarked on a personal quest to unveil a lesser-seen, often-overlooked side of this magnificent structure – the view from the wilder, higher Norland embankment.

The Quest for a New Angle

My intention was born from a desire for a unique perspective. The viaduct, an integral part of the railway line stretching towards Halifax, is the longer and more impressive of the two major crossings in the area. Yet, the rugged Norland bank of the River Calder at this point is rarely photographed. I wanted to see it through fresh eyes, framed by the wild, untamed beauty of the western slope, capturing the interplay between the raw landscape and the man-made marvel.

The viaduct itself, a Grade II listed structure completed in 1852 for the Lancashire and Yorkshire Railway, is a marvel designed by the prominent engineer Sir John Hawkshaw. Its original purpose was to link Sowerby Bridge and Halifax more directly, bypassing the earlier, circuitous branch line. Its 21 to 23 arches (sources vary slightly) elegantly span the valley, crossing not just the River Calder, but also the historic Calder & Hebble Navigation and the Wakefield Road (A6026). This sheer scale and historical importance add immense weight and character to every stone.

An Unrecommended Ascent

The specific viewpoint I sought demanded an ascent. The climb up the embankment was, to put it mildly, a significant challenge. It was a steep, difficult scramble, weaving through thick undergrowth and navigating treacherous, uneven terrain. As I pushed upwards, my mind was half-expecting to encounter a formidable fence at the summit, a clear, sensible demarcation preventing access to the elevated, active railway line.

To my surprise, when I reached the top of the banking overlooking the line, there was no fence. While this offered an unobstructed view, it instantly reinforced the absolute necessity of extreme caution. I maintained a safe and sensible distance away from the active railway lines at all times. The brief moments at the top were only for two quick, carefully composed shots before I commenced the careful and difficult descent back down the banking.

I must stress this point strongly: I absolutely would not recommend anybody else attempt this climb. The risks involved, especially the proximity to a busy, active main railway line like the Calder Valley route, are far too high, and the terrain itself was unforgiving. Safety, around any railway infrastructure, must always be paramount.

The Rewards of the North Bank

The effort, for me, was justified by the images captured, which offer a rare glimpse into the hidden world beneath and beside the viaduct from this unique vantage point.



Looking up from the base of the embankment, the sheer scale of the viaduct becomes strikingly apparent. The imposing, semi circular arches, usually perceived as elegant distant features, now loom overhead, their weathered, rock-faced sandstone a massive canvas of time and history. They dwarf the surrounding trees and give a visceral sense of the colossal effort that went into their construction.

The scene, captured on an autumnal day, is framed by the skeletal trees, stripped bare by the approaching November chill. Their branches reach like gnarled, dark fingers towards the sky, creating natural, gothic frames for the stone arches. The low, crisp light of the day filters through the canopy and between the arches, creating pockets of illumination and deep shadow—a moody, almost ethereal atmosphere that hints at the industrial and natural secrets held within the valley.

The Norland side, less manicured and more rugged, provides a powerful contrast to the structure itself. It reminds you that this incredible piece of Victorian infrastructure was driven right through a landscape that did not easily surrender, a landscape still defined by the steep banks of the River Calder.

The images taken from the top of the embankment offer the true prize: an unprecedented, sweeping view along the length of the viaduct as it vanishes towards Halifax. This perspective, often monopolized by the distant Copley side, reveals the full, majestic sweep of the arches from a parallel, elevated angle—a fitting reward for a difficult photographic quest to see a familiar landmark with completely new eyes.



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Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!



All the pictures remain the copyright of Colin Green.

Wednesday, 3 December 2025

A Glimpse into History: Bradshaw's Church of St John the Evangelist and War Memorial

Bradshaw, a charming village nestled near Halifax, holds within its boundaries not only picturesque scenery but also significant historical markers. In June 2015, I had the pleasure of capturing some moments around two such important sites: the Church of St John the Evangelist and the Bradshaw War Memorial. Join me as we delve into their stories.

The Church of St John the Evangelist: A Victorian Gem

The Church of St John the Evangelist stands as a beautiful example of Victorian architecture and a testament to the enduring faith of the local community.

A Brief History: Before the mid-19th century, residents of Bradshaw would have had to travel to Halifax or other nearby parishes for worship. As the population grew, the need for a local church became apparent. The foundation stone for St John the Evangelist was laid in 1837, and the church was consecrated in 1839. It was designed by a prominent architect of the time, though sometimes sources vary on the exact name, it's generally attributed to John Oates, a well-known Yorkshire architect.

Architectural Highlights: The church is built in the Gothic Revival style, a popular architectural movement of the Victorian era that sought to emulate medieval Gothic designs. You'll notice features like pointed arches, stained glass windows, and a sturdy bell tower.

Inside, the church is known for its beautiful stained glass and intricate wooden features, creating a serene and contemplative atmosphere.

Interesting Fact: The church was built as a "Commissioners' Church," meaning it received funding from the Church Building Commission, established after the Napoleonic Wars to build new churches in rapidly growing industrial areas. This highlights its importance in catering to the spiritual needs of a burgeoning community during the Industrial Revolution.








The Bradshaw War Memorial: A Solemn Tribute

Just as poignant, and equally important, is the War Memorial that stands as a silent sentinel to the sacrifices made by the men of Bradshaw.

A Community's Remembrance: Erected after the First World War, the memorial is a deeply personal tribute from the community to those who gave their lives in both World Wars and subsequent conflicts. It serves as a permanent reminder of the human cost of war and the bravery of those who served.


I took these images with a Polaroid is2132 camera in June 2014. Clicking any of the images above should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!


All the pictures remain the copyright of Colin Green.