The Gateway to the Calder Valley: Exploring Halifax Railway Station

 Stepping onto the platform at Halifax Railway Station is more than just a transition between trains; it is an immersion into the industrial heartbeat of West Yorkshire. The station, a blend of mid-Victorian grandeur and rugged Pennine utility, serves as a striking threshold to a town that built its fortune on wool, flour, and engineering. For any traveller or photographer, the views from these platforms offer a vertical slice of history, where 19th-century brickwork meets the ambitious infrastructure projects of the modern era.

A Legacy in Stone: The Station’s Origins

The story of Halifax’s rail connection is one of perseverance against the landscape. While the main Manchester and Leeds line originally bypassed the town due to its steep valleys, a branch line finally reached Halifax in 1844. The station we see today, largely defined by the designs of Thomas Butterworth and opened in 1855, replaced the original terminus.

One of the most evocative sights from Platform 1 is the 1855 building itself. This Grade II listed structure, with its ashlar stone and classical portico, no longer serves as the main passenger entrance—it now houses the nursery for the nearby Eureka! The National Children’s Museum. However, its presence remains a powerful reminder of the "Railway Mania" era, when stations were built as "temples of travel."

The Industrial Skyline: The Halifax Flour Society

Looking out from the station toward the east, your eye is immediately drawn to the massive, five-storey brick edifice that dominates the horizon. This is the Halifax Flour Society building, a monument to Victorian cooperation. Built in 1879, it was once one of the largest grain mills in the country.

The Flour Society was born out of necessity in 1847 to provide affordable, unadulterated bread to the working class during a time of extreme economic hardship. Today, the building stands as part of the Nestlé site, yet the faded lettering of "HALIFAX FLOUR SOCIETY" still whispers from its walls, overlooking the tracks that once brought in the coal and grain required to feed the town.

Into the Hill: The Beacon Hill Tunnel

If you look south from the platforms, the tracks disappear into the darkness of the Beacon Hill Tunnel. This tunnel represents a significant engineering feat, boring through the gritstone and coal measures of Beacon Hill. The hill itself is a landmark of local legend, having hosted everything from Armada warning beacons to the grisly display of the Cragg Vale Coiners in the 18th century.

Watching a train emerge from the tunnel is a favourite moment for rail enthusiasts. It marks the final hurdle of the trans-Pennine journey before the line opens up into the station, framed by the steep, green slopes that give Halifax its dramatic, enclosed character.

The Modern Arrival: The Entrance Bridge

The current entrance to the station is via a high-level pedestrian bridge that spans the tracks, connecting the town centre at Horton Street to the station platforms. This bridge provides a perfect vantage point for photographers. From here, you can see the "layering" of the station: the active platforms below, the Victorian signal box, and the sprawling complex of Eureka! and the Piece Hall just beyond.

While the bridge is a functional piece of 20th-century infrastructure, it is currently at the heart of exciting redevelopment plans. Calderdale Council has proposed a transformational project that includes:

• A new two-storey station building: Replacing the current modular facilities with a modern, glazed concourse.

• A new "Town Footbridge": An iconic structure to improve cycle and pedestrian connectivity to the town’s cultural gateway.

• Reopening historic underpasses: Making the station a "through-route" rather than a dead-end, linking the Hebble Trail to the town centre.

A Photographer's Perspective

For those visiting with a camera, Halifax Railway Station offers a wealth of textures and angles. The contrast between the weathered gritstone of the viaducts and the sharp lines of modern rolling stock creates a compelling narrative.

• The "Beacon Hill Shot": Capturing the station with the looming green hill and the replica beacon in the background.

• The Detail Work: Focusing on the ironwork of the platform canopies or the intricate stone carvings on the 1855 building.

• The Industrial Echo: Using the Flour Society mill as a backdrop for departing trains to emphasize the town’s manufacturing heritage.

Conclusion

Halifax Railway Station is a place where time seems to fold in on itself. You can stand on a modern platform, look at a 19th-century mill, and walk through an entrance bridge destined for 21st-century renewal. It is a gateway that honours its past while leaning into a future as a world-class transport hub. Whether you are a local commuter or a visitor arriving to explore the Piece Hall, take a moment to look beyond the tracks—there is a whole world of history waiting to be seen.

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Uncovering the Urban Wild: A Stroll Along a Stretch of Halifax's Hebble Trail

There’s a unique charm in finding pockets of forgotten beauty amidst the urban sprawl. On June 13th, 2015, armed with a Polaroid is2132 camera, I ventured onto a stretch of the Hebble Trail in Halifax, specifically the path between Water Lane and Sedburgh Road. What I discovered was a captivating blend of industrial history, rebellious artistry, and nature's resilient reclaim.

The trail itself felt like stepping into a liminal space, a narrow canyon carved between towering walls. On one side, gabion basket walls, overflowing with stones and topped with wire fencing, hinted at past engineering and perhaps flood defences or land stabilization efforts. The raw, exposed rock and mesh provided a stark, almost brutalist aesthetic. Yet, clinging to these walls, and in every available crevice, was an explosion of tenacious greenery – ferns, weeds, and wild grasses pushing through, softening the edges of the man-made structures.

Across the path, older, more ornate brickwork, possibly remnants of bygone industrial buildings, stood as a testament to Halifax's rich manufacturing past. Arched window openings, now mostly bricked in or obscured, whispered stories of bustling factories and forgotten laborers. These walls, however, weren't silent. They were alive with a riot of colour and expression – vibrant graffiti tags, intricate murals, and bold statements painted by countless anonymous artists. One image in particular, a striking green, skull-like creature with glowing red eyes, captured the raw energy and subversive spirit of this urban art gallery.

Walking deeper into this concrete canyon, the path twisted and turned, at times narrowing, at others opening slightly to reveal glimpses of the sky. The ground underfoot shifted from rough asphalt, dappled with moss and fallen leaves, to uneven cobblestones, suggesting an older pathway that once served a different purpose. Litter, unfortunately, was also a constant companion – discarded papers, plastic, and general debris adding to the raw, untamed feel of the place. It's a reminder that even in these hidden gems, the challenges of urban neglect are present.

One of the most intriguing aspects was the presence of the Hebble Brook itself. Peeking through gaps in the foliage and under archways, the dark, fast-flowing water added another layer to the landscape. Its ceaseless movement contrasted with the static permanence of the walls, a natural force carving its way through the man-made environment. The way the brook disappeared into dark culverts and reappeared further along added a sense of mystery, making me wonder what other hidden passages and secrets lay beyond.

The overall impression was one of stark beauty and resilient life. It’s a place where nature battles concrete, where history meets modernity, and where anonymous artists leave their mark. The light shifted throughout my walk – some sections were bathed in bright, diffused light, while others, particularly where the path dipped under structures or narrowed, were shrouded in a captivating gloom. The black and white image, in particular, stripped away the colour to highlight the textures, the stark contrasts, and the interplay of light and shadow, emphasizing the raw, almost melancholic beauty of the trail.

The Hebble Trail, at least this section of it, isn't manicured or picturesque in the traditional sense. It's grittier, more authentic, and in its own way, incredibly beautiful. It's a testament to how urban spaces can evolve, becoming canvases for expression, havens for wildlife, and intriguing pathways for those willing to look beyond the obvious. My Polaroid captured not just images, but the very essence of this urban wild – a truly memorable and inspiring stroll.

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Whispers of Steam and the Rhythms of Rail: A Hour at Milner Royd Junction

 An Ode to a Historic West Yorkshire Rail Hub

Nestled in the lush, wooded valleys of West Yorkshire, just a stone's throw from Sowerby Bridge, lies a seemingly unassuming spot that pulses with the lifeblood of Britain’s rail network: Milner Royd Junction. This is where lines diverge, where commuter services swiftly move passengers, and where, on special days, the magnificent ghosts of the steam era roar back to life.

This visit on the 3rd November 2019, captured in a series of dramatic photographs, was a testament to the enduring allure of the railway, offering a captivating contrast between the past and the present, all within a few yards of each other.

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The Crucible of Calderdale Rail: Milner Royd's History

The web of rails at Milner Royd is more than just a junction; it's a critical intersection whose history stretches back to the golden age of rail. It was established by the Lancashire & Yorkshire Railway (L&YR), the ambitious company that linked the great industrial centres of the north.

Milner Royd is the point where the main Calder Valley line (heading towards Brighouse/Wakefield/York) and the line towards Halifax diverge. This link to Halifax, opened in 1852, was crucial, providing a direct route for the important textile town to the burgeoning rail network.

• The Silent Sentinel: A fascinating piece of history is the nearby Milner Royd Junction Signal Box, which, for many years, stood as a testament to the area’s heritage. The box was of considerable historic interest, one of the last surviving examples built by a small firm named Smith & Yardley for the L&YR around 1878. While the signalling equipment inside was updated over the decades, the very structure was a relic of early railway operations, only recently succumbing to modern rationalisation schemes. When you stand here, you are standing on a piece of ground that has been governing train movements for nearly 150 years.

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The Present: Commuters and the Northern Fleet

The first trains to sweep around the wooded curve were the modern workhorses—the Northern Rail diesel multiple units (DMUs). These brightly-liveried trains, seen in sharp focus as they traverse the intricate points, represent the daily pulse of the region:

• The Daily Grind: They carry the people of Yorkshire to work, school, and leisure, a constant, reliable rhythm that defines the contemporary railway. Their speed and efficiency are a marker of transport progress.

• The Modern Landscape: These trains navigate an environment where the old absolute block signalling has been replaced by modern control systems, yet they follow the same ancient path laid down through the valley by Victorian engineers.

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The Past Returns: The Might of Black Five No. 44871

Then came the star of the show, a magnificent machine whose power and majesty instantly connected the present-day scene with its past: LMS Stanier Class 5 4-6-0 No. 44871.

The images perfectly capture the drama of a mainline steam locomotive in full flight:

1. The Roar: The rhythmic 'chuffing' grew into a thunderous roar as the engine tackled the curve.

2. The Smoke and Steam: A gargantuan, billowing cloud of white steam and black smoke erupts from the chimney. This plume—thick, dramatic, and indicative of the immense effort being demanded of the engine—is the visual signature of steam power that no modern diesel or electric can replicate.

3. A True Survivor: Looking closer at the number, we recognise a railway celebrity. The Black Fives (or 'Mixed Traffic' engines) were the quintessential all-purpose locomotive of the London, Midland and Scottish (LMS) railway and later British Railways. No. 44871, built in 1945, holds a special place in history, as it was one of the locomotives chosen to haul the famous "Fifteen Guinea Special" on August 11, 1968—the very last day of mainline steam operation on British Rail. Withdrawn from service the next day, it was preserved immediately, and today, owned by Ian Riley, it is a regular and powerful presence on heritage tours, often working the famed 'Jacobite' service in Scotland.

Seeing this locomotive thundering through Milner Royd Junction is not just watching a preserved engine; it is watching a living piece of history that participated in the very final chapter of the steam era.

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More Than Tracks: A Living Heritage

Milner Royd Junction, set against the backdrop of the rugged Calder Valley, encapsulates the essence of the railway: a place of dramatic scenery, vital infrastructure, and profound history. It is a venue where the workaday reality of the modern commuter rail intersects with the thrilling, visceral nostalgia of a steam legend like No. 44871, proving that the magic of the railways is as strong today as it was over a century ago.

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Unveiling the Hidden Arches: A Norland Perspective of Copley Viaduct

The Copley Viaduct, a stoic sentinel of stone and rail, is a familiar and imposing sight to many in the Calderdale valley. Its grand, rhythmic arches, usually captured and admired from the more accessible Copley side of the river, are a profound testament to the ambition and structural ingenuity of Victorian engineering. However, on a crisp 5th of November in 2016, armed with my trusty Nikon d3300, I embarked on a personal quest to unveil a lesser-seen, often-overlooked side of this magnificent structure – the view from the wilder, higher Norland embankment.

The Quest for a New Angle

My intention was born from a desire for a unique perspective. The viaduct, an integral part of the railway line stretching towards Halifax, is the longer and more impressive of the two major crossings in the area. Yet, the rugged Norland bank of the River Calder at this point is rarely photographed. I wanted to see it through fresh eyes, framed by the wild, untamed beauty of the western slope, capturing the interplay between the raw landscape and the man-made marvel.

The viaduct itself, a Grade II listed structure completed in 1852 for the Lancashire and Yorkshire Railway, is a marvel designed by the prominent engineer Sir John Hawkshaw. Its original purpose was to link Sowerby Bridge and Halifax more directly, bypassing the earlier, circuitous branch line. Its 21 to 23 arches (sources vary slightly) elegantly span the valley, crossing not just the River Calder, but also the historic Calder & Hebble Navigation and the Wakefield Road (A6026). This sheer scale and historical importance add immense weight and character to every stone.

An Unrecommended Ascent

The specific viewpoint I sought demanded an ascent. The climb up the embankment was, to put it mildly, a significant challenge. It was a steep, difficult scramble, weaving through thick undergrowth and navigating treacherous, uneven terrain. As I pushed upwards, my mind was half-expecting to encounter a formidable fence at the summit, a clear, sensible demarcation preventing access to the elevated, active railway line.

To my surprise, when I reached the top of the banking overlooking the line, there was no fence. While this offered an unobstructed view, it instantly reinforced the absolute necessity of extreme caution. I maintained a safe and sensible distance away from the active railway lines at all times. The brief moments at the top were only for two quick, carefully composed shots before I commenced the careful and difficult descent back down the banking.

I must stress this point strongly: I absolutely would not recommend anybody else attempt this climb. The risks involved, especially the proximity to a busy, active main railway line like the Calder Valley route, are far too high, and the terrain itself was unforgiving. Safety, around any railway infrastructure, must always be paramount.

The Rewards of the North Bank

The effort, for me, was justified by the images captured, which offer a rare glimpse into the hidden world beneath and beside the viaduct from this unique vantage point.

Looking up from the base of the embankment, the sheer scale of the viaduct becomes strikingly apparent. The imposing, semi circular arches, usually perceived as elegant distant features, now loom overhead, their weathered, rock-faced sandstone a massive canvas of time and history. They dwarf the surrounding trees and give a visceral sense of the colossal effort that went into their construction.

The scene, captured on an autumnal day, is framed by the skeletal trees, stripped bare by the approaching November chill. Their branches reach like gnarled, dark fingers towards the sky, creating natural, gothic frames for the stone arches. The low, crisp light of the day filters through the canopy and between the arches, creating pockets of illumination and deep shadow—a moody, almost ethereal atmosphere that hints at the industrial and natural secrets held within the valley.

The Norland side, less manicured and more rugged, provides a powerful contrast to the structure itself. It reminds you that this incredible piece of Victorian infrastructure was driven right through a landscape that did not easily surrender, a landscape still defined by the steep banks of the River Calder.

The images taken from the top of the embankment offer the true prize: an unprecedented, sweeping view along the length of the viaduct as it vanishes towards Halifax. This perspective, often monopolized by the distant Copley side, reveals the full, majestic sweep of the arches from a parallel, elevated angle—a fitting reward for a difficult photographic quest to see a familiar landmark with completely new eyes.

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A Glimpse into History: Bradshaw's Church of St John the Evangelist and War Memorial

Bradshaw, a charming village nestled near Halifax, holds within its boundaries not only picturesque scenery but also significant historical markers. In June 2015, I had the pleasure of capturing some moments around two such important sites: the Church of St John the Evangelist and the Bradshaw War Memorial. Join me as we delve into their stories.

The Church of St John the Evangelist: A Victorian Gem

The Church of St John the Evangelist stands as a beautiful example of Victorian architecture and a testament to the enduring faith of the local community.

A Brief History: Before the mid-19th century, residents of Bradshaw would have had to travel to Halifax or other nearby parishes for worship. As the population grew, the need for a local church became apparent. The foundation stone for St John the Evangelist was laid in 1837, and the church was consecrated in 1839. It was designed by a prominent architect of the time, though sometimes sources vary on the exact name, it's generally attributed to John Oates, a well-known Yorkshire architect.

Architectural Highlights: The church is built in the Gothic Revival style, a popular architectural movement of the Victorian era that sought to emulate medieval Gothic designs. You'll notice features like pointed arches, stained glass windows, and a sturdy bell tower.

Inside, the church is known for its beautiful stained glass and intricate wooden features, creating a serene and contemplative atmosphere.

Interesting Fact: The church was built as a "Commissioners' Church," meaning it received funding from the Church Building Commission, established after the Napoleonic Wars to build new churches in rapidly growing industrial areas. This highlights its importance in catering to the spiritual needs of a burgeoning community during the Industrial Revolution.

The Bradshaw War Memorial: A Solemn Tribute

Just as poignant, and equally important, is the War Memorial that stands as a silent sentinel to the sacrifices made by the men of Bradshaw.

A Community's Remembrance: Erected after the First World War, the memorial is a deeply personal tribute from the community to those who gave their lives in both World Wars and subsequent conflicts. It serves as a permanent reminder of the human cost of war and the bravery of those who served.

I took these images with a Polaroid is2132 camera in June 2014. Clicking any of the images above should open a link in another window to my Colin Green Photography store on Zazzle.

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Postcard from the Past: Bankfield Museum and the Golden Age of Halifax

 The beauty of collecting vintage postcards lies in holding a physical, tangible piece of history. This week, I’ve been working on a new acquisition—an old sepia postcard of Bankfield Museum in Halifax. After digitally colourising it (a little artistic license to bring its beautiful architecture to life!), I wanted to dive into the history of the building itself, a true monument to Halifax’s industrial glory days.

The Architecture: A Monument to Victorian Wealth

The image itself is fantastic. It captures the contrasting architectural styles of Bankfield, highlighting the sheer grandeur and confidence of Victorian design. The building wasn't originally intended as a museum; it was the opulent home of one of Halifax's most successful textile barons.

Edward Akroyd (1810–1887), a name synonymous with Halifax's vast wool and worsted industry, built this mansion. He was a visionary who was not only focused on production but also on the welfare of his workers and the intellectual life of his community.

• The Original Core (Right): The darker, more restrained side of the building reflects the original home, built in the earlier Victorian style.

• The Akroyd Expansion (Left): The grander, lighter-coloured section on the left, with its distinctive Italianate and Byzantine Revival features, was the magnificent extension Akroyd added. Note the prominent stone quoins, the arched windows, and the confident, solid structure—it was designed to impress and reflect the wealth generated by his vast mills, particularly Dean Clough.

This architectural masterpiece eventually became too grand for the next generation, and the family sold it to the Halifax Corporation in 1887, where it was established as a museum to benefit the public—a wonderful legacy of Akroyd’s civic-mindedness.

The Postcard Clues: Dating the Image

Since this postcard was originally sepia, it’s safe to assume it dates from the early 20th century, likely pre-1920. The golden age of postcards, when they were the primary means of quick communication, was roughly 1900 to 1914.

Looking at the photo's style, there are some clues:

• Hand-Colouring Style: The slightly uneven, tinted appearance you see in the colourised version often mirrors the look of early colour postcards where sepia or black-and-white photos were hand-tinted before printing. This technique was very common in the 1900s–1910s.

• Lack of Automobiles: The grounds are immaculately kept, but there is a distinct absence of modern vehicles or extensive paved parking, suggesting a time before widespread car ownership.

• The Trees and Garden: The landscaping, particularly the small, young tree on the right, also provides a sense of the era, suggesting a period when the grounds were already established as a public park/museum setting.

This postcard, therefore, gives us a snapshot of Bankfield Museum during the zenith of the postcard era—a time when Halifax was at its economic peak and sharing its civic pride, like this beautiful museum, with the world.

Bankfield Today

Today, Bankfield Museum continues Akroyd's legacy, housing impressive collections focused on local history, textiles, and military history. It stands as a powerful reminder of the industrial titans who shaped the North of England, and is an essential stop for anyone visiting Halifax.

I love that this small, hand-coloured view allows us to look back across a century and appreciate the monumental architecture of a city built on wool.

(Note: The colour in the image is a digital interpretation by the author to enhance the architectural detail.)

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Steeped in History: A Visit to Steep Lane Baptist Chapel, Sowerby (June 2015)

Back in June 2015, armed with my Polaroid iS2132 bridge camera, I took a series of photographs around the exterior of Steep Lane Baptist Chapel in Sowerby, near Halifax. These images, rendered in a classic monochrome, perfectly capture the enduring character of this historic building and its picturesque Pennine setting.

Walking around chapels like this always sparks a sense of connection to the past, and Steep Lane is no exception. It's a place that tells a story not just of faith, but of community, industry, and the landscape itself.

A Beacon of Faith on the Hillside

The first image captures the chapel's impressive façade. Built of local stone, its Georgian-style architecture is both sturdy and elegant. Above the entrance, the inscription "BAPTIST CHAPEL" is clearly visible, along with the date of its construction or significant renovation. This chapel was built in 1808, replacing an earlier meeting house from 1754, making it a truly venerable institution in the area. The circular motif above the inscription, perhaps a sunburst or wheel, adds a touch of decorative flair.

The notice board on the right, even in monochrome, hints at the continued life within: "STEEP LANE BAPTIST CHAPEL, SOWERBY. Worshipping God for over 250 years." It’s incredible to think of the generations who have passed through those doors.

Resting in the Pennine Landscape

The other photographs provide a broader context, showcasing the chapel's relationship with its environment.

• The Graveyard: The second image looks towards the side of the chapel, with its arched windows, framed by an ancient-looking graveyard. The old headstones, some leaning, some ornate, are testament to the countless lives connected to this chapel and the surrounding community. The long grass and wildflowers give it a natural, almost wild beauty.

• Nestled in the Valley: The wider shots (Images 3 and 4) truly bring home the chapel's location. It sits proudly on the hillside, overlooking the vast, undulating landscape of the Pennine valleys. The drystone walls crisscrossing the fields, the distant farmhouses, and the scattered trees all paint a picture of rural England, yet still within sight of the industrial heartlands that once thrived nearby. The small houses with their characteristic stone roofs are typical of the Sowerby area.

Historical Footnotes

Steep Lane Baptist Chapel holds significant historical importance:

• Early Nonconformity: Nonconformist chapels like Steep Lane were vital centres of community life in the industrialising North of England. They provided not only spiritual guidance but also education and social support for their congregations, many of whom were involved in the burgeoning textile industries of the region.

• A Continuous Presence: For over two centuries, this chapel has served its community, witnessing immense change in Sowerby and beyond. Its continued presence is a testament to the enduring faith and spirit of the people who built and maintained it.

Capturing these images with a camera that itself feels a little nostalgic (a Polaroid bridge camera!) seems fitting for such a timeless subject. This collection of photographs isn't just about a building; it's about the history, the community, and the rugged beauty of a very special corner of Yorkshire.

Clicking any of the images above should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

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