Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts

Tuesday, 16 June 2026

A Journey Through Halifax’s Architectural Rebirth

 The skyline of Halifax, West Yorkshire, is a striking dialogue between the industrial grit of the 18th century and the bold, glass-fronted ambition of the 21st. To walk through the town centre is to witness a masterclass in urban regeneration—where hollowed-out ruins have been transformed into cultural powerhouses.

On a crisp, clear day in late September 2018, the low autumn sun hit the Pennine stone just right, illuminating a story of resilience. From the defiant spire of a lost church to the grandest courtyard in Europe, here is a photographic exploration of Halifax’s most iconic landmarks.


The Sentinel: Square Church Spire

A low-angle shot of the tall, ornate stone Gothic spire of the former Square Church in Halifax. It features a large white clock face and intricate masonry, flanked by the clean lines of a modern building under a bright blue sky.

Our journey begins looking skyward. The Square Church Spire stands as a magnificent, solitary finger of stone pointing toward the Yorkshire heavens. For many visitors, it is the first thing they see when arriving by train, a lighthouse of Gothic Revival architecture.

Completed in 1857, the Square Congregational Church was once a sprawling masterpiece designed by Joseph James. However, after two devastating fires in the 1970s, the main body of the church was lost. Most towns might have cleared the rubble and moved on, but Halifax chose a different path. They kept the spire—a Grade II* listed structure—and integrated it into the very fabric of the town's future.

Standing at the base of the tower, you can see the intricate stonework and the looming clock face. The contrast between the weathered, honey-coloured sandstone and the deep cerulean sky of a September afternoon is breathtaking. It serves as a reminder that even when the foundations of our past crumble, the peaks can still reach for the future.


Where History Meets Literacy: The New Halifax Central Library

An interior view of a modern library showing a large, historic stone rose window integrated into a dark stone wall. Glass railings and a wooden ceiling highlight the contrast between the medieval-style architecture and the contemporary library interior.

If the spire represents the past preserved, the Rose Window inside the new Halifax Central Library and Archives represents the past repurposed.

The library, which opened in late 2017, is a stunning example of "old meets new." It was built directly onto the remains of the Square Church. Walking through the sleek, modern entrance, you are suddenly confronted by the massive, skeletal beauty of the church’s original Rose Window.

A View Through the Glass

  • The Contrast: The window is framed by modern glass balustrades and clean, minimalist bookshelves.

  • The Light: As seen in the photography from September 26th, the afternoon sun streams through the tracery, casting geometric shadows across the library floor.

  • The Purpose: It’s no longer a religious icon; it’s a literary one. It provides a quiet, contemplative space for readers to sit with a book, surrounded by centuries of craftsmanship.

Seeing the Rose Window from the interior mezzanine is a visceral experience. It bridges the gap between the industrial Halifax of the Victorian era and the digital, knowledge-driven Halifax of today.


The Gateway to Grandeur: Piece Hall Eastern Entrance

A view of the Eastern Entrance to The Piece Hall, featuring a large silver metal frame with the words "THE PIECE HALL" on top. The gate is positioned between a modern brick building and an older red-brick industrial structure.

Leaving the library, brings you to the Eastern Entrance of The Piece Hall. This specific entrance is a fascinating junction of materials. To your left, the modern brickwork and glass of the library extension; to your right, the rugged red brick of the Calderdale Industrial Museum; and straight ahead, the stone arches that lead into another world.

The metal signage above the gate—THE PIECE HALL—is understated, allowing the architecture to do the talking. This entrance acts as a "compression point." You move from the narrow, busy streets of the town into a sudden, sprawling expanse of history.

Note for Travelers: If you visit the Eastern Entrance, don't miss the Calderdale Industrial Museum right next door. It houses the working machinery that once made this town the "Town of a Hundred Trades."


The Piazza of the North: Inside The Piece Hall

A wide shot of the expansive stone-paved courtyard at The Piece Hall. In the background, the multi-level Georgian colonnades line the square under a clear sky, with stone steps and handrails in the foreground.

Finally, we step into the heart of Halifax: The Piece Hall.

Originally opened on January 1, 1779, this Grade I listed building is the only remaining 18th-century cloth hall in the world. It was built for "pieces" of hand-loomed woollen cloth to be sold, but today, following a multi-million-pound restoration, it feels more like a Mediterranean piazza dropped into the middle of West Yorkshire.

The Grand Scale

The courtyard is vast—66,000 square feet of open space. On a quiet Wednesday in September, the scale is even more apparent. The symmetry of the Rustic, Tuscan, and Arcade levels creates a rhythmic backdrop of columns and arches that seems to go on forever.

The 2017 renovation added the sweeping stone steps and the level floor you see today, making it a premier venue for concerts (hosting the likes of Nile Rodgers and Blondie) and community gatherings. In the photo taken on the 26th, you can see the play of light across the York stone paving, emphasizing the sheer cleanliness and revitalized energy of the space.

What to do in The Piece Hall:

  1. Shop Independent: From traditional sweets at Joseph Chance to contemporary art at The Creative Co-op.

  2. Dine Al Fresco: Grab a coffee or a local ale and sit in the courtyard to soak in the architecture.

  3. The Heritage Centre: Located near the North Gate, it tells the story of the cloth trade that built this town.


Why Halifax Matters Now

For decades, Halifax was seen as a town whose best days were behind it. The chimneys had stopped smoking, and the mills were quiet. However, the synergy between the Square Church Spire, the Central Library, and The Piece Hall proves that architectural heritage is not a burden—it’s an asset.

When you stand in the centre of The Piece Hall and look back at the Square Church Spire peeking over the roofline, you aren't just looking at old buildings. You are looking at a town that has successfully reinvented itself without losing its soul.

Halifax is no longer just a stop on the way to Leeds or Manchester; it is a destination in its own right, a place where stone, steel, and sunlight tell a story of triumph.


Plan Your Visit

  • Best Time to Visit: Late September offers beautiful "Golden Hour" light for photographers.

  • Getting There: Halifax is easily accessible by train from Leeds (20 mins) and Manchester (45 mins).

  • Photography Tip: Use a wide-angle lens for The Piece Hall courtyard, but don't forget a zoom for the intricate details on the Square Church Spire.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!



All the pictures remain the copyright of Colin Green.

Tuesday, 2 June 2026

A Corinthian Masterpiece in Transition: Huddersfield Railway Station, 27th May 2023

 Standing in the heart of West Yorkshire, Huddersfield Railway Station is more than just a transit hub; it is a "palace of the people." On the 27th of May 2023, the station stood as a poignant bridge between two worlds: its storied 19th-century past and a multi-billion-pound future. As the spring sun hit the gritstone facade, the station wasn't just a place to catch a train to Manchester or Leeds—it was a living monument to architectural ambition and industrial pride.

The grand, classical facade of Huddersfield Railway Station, featuring a large portico with Corinthian columns and a central clock. In the foreground is the open stone pavement of St George's Square, featuring the bronze statue of Sir Harold Wilson under a clear blue sky.

A white and blue Northern Railway train is stopped at a covered platform at Huddersfield Railway Station. Signs for the "Waiting room" and "Buffet" are visible on the left wall, and passengers are seen sitting on benches in the distance under the Victorian ironwork roof.

A wide view of the interior of Huddersfield Railway Station showing the complex steel truss roof. In the foreground, a blue metal railing surrounds a stairwell, and a modern glass lift shaft stands to the left. Other platforms and tracks are visible across the station under the industrial canopy.

The "Most Splendid" Facade in England

Arrival at St. George’s Square immediately presents you with one of the most celebrated sights in British rail. Designed by James Pigott Pritchett and completed in 1850, the station’s neoclassical frontage is often described as the finest in the country.

The centrepiece is the massive Corinthian portico, featuring six towering columns that give the building the appearance of a Roman temple or a grand stately home rather than a railway terminus. It is no wonder that the legendary poet Sir John Betjeman famously described this frontage as "the most splendid in England." In May 2023, this Grade I listed beauty remained the crown jewel of the town, standing firm while the platforms behind it prepared for a generational shift.

A Statue in the Square: The Legacy of Harold Wilson

Guarding the entrance on that May afternoon was the bronze statue of Sir Harold Wilson, the Huddersfield-born statesman who served as Prime Minister twice. Unveiled in 1999 by Tony Blair, the statue depicts Wilson in a characteristic stride, pipe in hand (symbolically, if not physically), looking toward the town he called home.

For travellers passing through on May 27th, the statue served as a reminder of the town’s political weight. Wilson’s "white heat of technology" speech in the 1960s seems particularly apt today as the station undergoes its most significant technological overhaul since the Victorian era.

The Transpennine Route Upgrade: Change is in the Air

By May 2023, the Transpennine Route Upgrade (TRU) was no longer a distant plan—it was a visible reality. This massive project aims to electrify the line between Manchester and York, bringing faster, greener, and more reliable journeys to the North.

Visitors on this day might have noticed the subtle signs of preparation:

  • Platform Reconfiguration: Work was beginning to bubble under the surface to lengthen platforms to accommodate longer, more modern trains.

  • Heritage Preservation: While the goal is modernization, the TRU team has been tasked with the meticulous restoration of the station's "Euston-style" roof canopy, one of the few remaining examples of its kind.

  • The Tea Room: Even the Grade II listed Victorian tea room was being prepared for its own journey—a careful "dismantle and rebuild" process to ensure it remains part of the station’s soul.

Felix and Bolt: The Station’s Famous Residents

No visit to Huddersfield Station is complete without a mention of its most famous staff members: Felix and Bolt, the Senior and Junior Pest Controllers. These two cats have become global celebrities, with their own Facebook page and a dedicated following. On a warm May day, eagle-eyed commuters might have spotted them patrolling Platform 1 or lounging in the station's administrative offices, unbothered by the looming construction and the rush of commuters.

The Station as a Community Hub

Beyond the trains, the station serves as a social anchor. Flanking the main entrance are two of the best station pubs in the UK: The Head of Steam and The King’s Head. In late May, with the bank holiday weekend approaching, these venues were bustling with locals and "Rail Ale Trail" enthusiasts enjoying craft ales beneath high Victorian ceilings.

Why May 27th, 2023, Was Significant

This particular date sat at the precipice of the "Big Blockade." Shortly after this period, the station saw major service changes and temporary closures to allow for the heavy lifting of the TRU project. Capturing the station on this day was like taking a snapshot of a titan before it went into surgery—still magnificent, still functional, but aware that things were about to change forever.

Looking Ahead: Huddersfield in 2026 and Beyond

As we look back from 2026, the progress is staggering. The station is on track to fully reopen in its new form by early 2027, featuring:

  1. Full Electrification: Slashing carbon emissions and improving air quality.

  2. Step-Free Access: A new footbridge and lifts making the station accessible to everyone.

  3. Increased Capacity: More frequent trains and more seats for the trans-Pennine commute.

Huddersfield Railway Station remains a testament to the idea that we don't have to destroy the past to build the future. Its Corinthian columns still stand tall, Harold Wilson still strides across the square, and the spirit of West Yorkshire remains as resilient as the stone the station was built from.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!


All the images remain the copyright of Colin Green.

Tuesday, 26 May 2026

Timeless Todmorden: A Monochrome Journey Through St. Mary’s Church

 There is a specific kind of magic that happens when you strip away the vibrant greens of the Pennine hills and the modern red of passing buses. When you view St. Mary’s Church in Todmorden through a lens of sepia and monochrome, you aren't just looking at a building; you are looking at the heartbeat of a town that has weathered centuries of industrial revolution and Northern grit.

In this photo essay, I’ve moved away from standard high-definition realism. Instead, I’ve introduced a heavy grain and deep vignettes, embracing the "aged" aesthetic to honour the layers of history held within these stone walls.

A low-angle, sepia photograph showing the square, crenelated stone clock tower of St Mary’s Church. In the foreground, a tall stone obelisk stands on a dark pedestal next to a wooden bench and a paved courtyard.

A monochrome landscape showing St Mary’s Church nestled behind a dense layer of evergreen and deciduous trees. The clock tower rises above the foliage against a cloudy sky.

A sepia-toned shot of the church’s gritstone facade featuring arched windows and a classic doorway. Several wooden benches face a flat, weathered ledger stone in the foreground, with an obelisk monument visible in the distance.

The Silent Sentinel of the Upper Calder Valley

St. Mary’s is more than just a place of worship; it is a landmark that defines the skyline of Todmorden. For those unfamiliar with this corner of West Yorkshire, Todmorden sits right on the border of Lancashire and Yorkshire—a fact that historically led to the town hall literally being split down the middle by the old county line.

St. Mary’s, however, stands firm as the "Old Church" of the parish. As you approach the site, the first thing that strikes you is the square-set clock tower. In the monochrome edits (particularly in the wide shots from the road), the tower stands out against the brooding sky like a defiant sentinel. The use of a vignette here draws your eye inward, focusing on the Roman numerals of the clock face that has counted the hours for generations of mill workers.

A Brief History of St. Mary’s

While the current structure reflects various stages of renovation and expansion—notably the significant work in the 18th and 19th centuries—the site has been a religious centre since at least the 15th century. Originally a "chapel of ease" under the parish of Rochdale, it eventually became the independent spiritual home for the growing population of Todmorden.

The church you see today is a fascinating architectural hybrid. It possesses a rugged, almost defensive quality typical of Pennine architecture, designed to withstand the damp, misty climate of the valley.


Photography: The Art of Aging Stone

When I began processing these images, I realized that the modern digital clarity felt almost too "new" for a subject this ancient. To bridge the gap between the 21st century and the 1800s, I applied several specific techniques:

  1. Monochrome Conversion: By removing colour, we stop looking at the surface and start looking at the texture. You can feel the roughness of the gritstone and the weight of the slabs.

  2. Sepia Toning: I used a warm sepia for the close-up architectural shots. This evokes the feeling of a late-Victorian "Cabinet Card" or an early postcard.

  3. Film Grain: Adding a layer of digital grain mimics the silver halide crystals of old film stock. It softens the digital "perfection" and adds a tactile, organic quality.

  4. Heavy Vignetting: The darkened corners focus the viewer's attention on the centre of the frame, creating a sense of tunnel vision that feels like looking through a historical portal.


Exploring the Details: Graves and Glass

A close-up sepia photograph of two rectangular stone memorial tablets embedded in a wall between stone pillars. The inscriptions mention names like Sarah and William Ingham and Edmund Woodhead, dating back to the 19th century.

The Voice of the Dead

One of the most moving aspects of St. Mary’s is the stonework. In the close-up shot of the grave markers, the sepia tone brings out the intricate calligraphy of the 19th-century masons. We see the memorial for Sarah, daughter of William and Charlotte, who died in 1822 at just 11 days old. Next to her lies Edmund Woodhead, who passed in 1838.

These stones are a visceral reminder of the fragility of life during the Industrial Revolution. The grain in the photograph gives the stone a "dusty" appearance, as if you’ve just uncovered these names in a forgotten archive.

A high-angle black and white photograph looking down the nave toward the altar. The sanctuary features a large stained-glass window, a central altar covered in a decorative cloth, and rows of modern chairs facing forward.

A black and white interior shot focusing on the altar area. A prominent stained-glass window sits above a dark wood reredos, with a banner for the "Mothers' Union" (M.U.) visible on a pillar to the right.

The Interior: Light and Shadow

Stepping inside (as seen in the striking black-and-white interior shots), the atmosphere shifts. The high-contrast monochrome highlights the Pointed Arches and the dark timber of the roof. The altar, draped in a cloth featuring the Dove of Peace, becomes a bright focal point against the darker shadows of the pews.

The stained glass, usually a riot of colour, takes on a different life in black and white. Instead of hues, we see the composition. We notice the lead-work (the cames) and the way the light spills across the floor, creating a sense of ethereal stillness that colour often distracts from.


The Landscape Context

A monochrome photo taken from the road, showing the sprawling church architecture. In the foreground, modern street signs point toward "Rochdale" and the "Leisure centre," creating a contrast between the old stone building and modern infrastructure.

A black and white exterior view focusing on the large Gothic-style East Window. The church is positioned at a street corner, surrounded by a low stone wall and a wrought-iron fence under a dramatic, cloudy sky.

In the wider shots, St. Mary’s is shown in its modern context—surrounded by road signs, street lights, and the "Leisure Centre" placard. This is where the monochrome edit truly shines. It allows the church to "separate" from the modern clutter. The church retains its dignity, appearing as a permanent fixture while the modern signs and asphalt feel like temporary additions to the landscape.

A wide sepia shot of the church exterior. Large, sweeping branches of a weeping willow tree dominate the left side of the frame, partially obscuring the stone building and a courtyard with a sundial and benches.

The weeping willow tree provides a beautiful, soft contrast to the hard lines of the stone. In black and white, the cascading branches look like a waterfall of shadow, framing the church wall and providing a natural "curtain" for the scene.


Tips for Photographing Historic Churches

If you’re inspired to visit Todmorden or any of the beautiful churches in the Calder Valley, here are a few tips for capturing that "timeless" look:

  • Look for Texture: Don't just shoot the whole building. Get close to the lichen-covered stones, the rusted iron gates, and the weathered wood of the doors.

  • Embrace the Overcast: Many people wait for the sun, but Northern churches look best under a moody, grey sky. This provides soft, even lighting that is perfect for monochrome conversion.

  • Perspective Matters: Shoot from a low angle to make the tower feel more imposing. Conversely, use a long lens from across the road to compress the church against the hillside.

  • Post-Processing is Your Friend: Don't be afraid to experiment. Like I did here, try adding a vignette to hide distracting modern elements at the edges of your frame.


Final Thoughts

St. Mary’s Church, Todmorden, is a testament to the endurance of community and faith in the North of England. By stripping away the colour and adding the patina of age through post-processing, we can view the building not as it is in 2026, but as it has always been: a stoic, beautiful anchor in an ever-changing world.

Whether you are a history buff, a spiritual seeker, or a photographer with a love for moody aesthetics, this church is a must-see.

I took these with a Samsung Galaxy Tablet on the 9th November 2013. Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!


All the pictures remain the copyright of Colin Green.

Friday, 15 May 2026

Where Brutalism Meets the River: A Photography Guide to The Hepworth Wakefield

 The skyline of Wakefield is a curious mix of the ancient and the avant-garde. Standing at the edge of the River Calder, one is greeted by a sight that feels both like a futuristic fortress and a natural geological formation. This is The Hepworth Wakefield, a gallery that has redefined the cultural identity of West Yorkshire since it opened in 2011. For photographers and history buffs alike, this site offers a masterclass in how architecture can honour industrial heritage while pushing the boundaries of modern design.

A wide landscape shot of the Hepworth Wakefield's angular, grey concrete blocks situated on the bank of the River Calder. In the foreground, water rushes over a wide weir, creating white foam and texture. Lush green trees frame the left side, while a weeping willow hangs over the water on the right.

A composed view of the Hepworth Wakefield gallery seen from across the river. The building's geometric, windowed facades are reflected in the calm surface of the water. A black metal railing runs across the lower foreground, and a leafy tree branch hangs from the top left corner, framing the scene. A faint jet trail streaks across the clear blue sky.

The Weight of History: From Waterwheels to World-Class Art

To understand the beauty of The Hepworth, one must first look at the water that flows past its concrete walls. The River Calder was once the lifeblood of Wakefield's industry. Since the 1200s, a weir has stood here, providing the power for corn mills. By the 18th and 19th centuries, this stretch of the river was a bustling highway of the Industrial Revolution, with the Aire and Calder Navigation bringing vessels laden with grain, coal, and textiles.

The gallery itself sits on a headland that was once a site for boat-building. As you walk the perimeter, you are walking on ground that echoes with the sounds of hammers on hulls and the rushing of the weir. This industrial grit is the "soul" of the location. Architect David Chipperfield didn't ignore this; he leaned into it. The gallery is composed of ten trapezoidal blocks that appear to rise directly out of the riverbed, mimicking the shapes of the old mills and warehouses that still dot the waterfront.

Barbara Hepworth: A Return to the Source

The gallery is named after Barbara Hepworth, one of the most significant sculptors of the 20th century, who was born in Wakefield in 1903. Her work was deeply influenced by the Yorkshire landscape—the "texture" of the hills and the "rhythm" of the water. Inside the gallery, the Hepworth Family Gift showcases the plaster and aluminium prototypes she used, allowing visitors to see the tactile, raw beginnings of her smooth, finished masterpieces.


The Photographer’s Perspective: Capturing the "Geological" Form

As an architectural subject, The Hepworth is a dream. It is built from self-compacting pigmented concrete, the first of its kind in the UK. The material has a matte, almost velvet-like quality that reacts uniquely to the soft, often overcast light of Northern England.

1. The Power of Monochrome

While the gallery has a subtle earthy pigment, it is a "colour-blind" masterpiece. On a grey Yorkshire day, switch your camera to Black and White mode. The lack of colour forces the viewer to focus on the "compositional geometry"—the sharp angles of the roofs meeting the sky and the dark, churning water of the weir. Brutalism thrives in high contrast.

A composed view of the Hepworth Wakefield gallery seen from across the river. The building's geometric, windowed facades are reflected in the calm surface of the water. A black metal railing runs across the lower foreground, and a leafy tree branch hangs from the top left corner, framing the scene. A faint jet trail streaks across the clear blue sky. This is rendered in high-contrast black and white with a slight blue tint.

2. The Weir and Shutter Speed

The River Calder’s weir provides a constant source of "dynamic energy" in your shots.

  • Long Exposure: Use a tripod and a Neutral Density (ND) filter to blur the water into a silky white veil. This creates a stunning contrast against the static, heavy concrete of the building.

  • Fast Shutter: Alternatively, use a fast shutter speed to freeze the droplets of the weir. This highlights the power and "violence" of the river that once drove the town’s industry.

3. Framing through the Garden

In 2019, the Hepworth Wakefield Garden, designed by Tom Stuart-Smith, added a layer of softness to the site. For a "nature-meets-man" shot, use the tall grasses and perennials in the foreground to frame the gallery’s sharp corners. The organic curves of the plants provide a perfect foil to Chipperfield’s rigid lines.


Essential Photography Gear for the Site

ItemWhy you need it
Wide-Angle Lens (16-35mm)To capture the sheer scale of the ten interlocking blocks from the pedestrian bridge.
Circular PolarizerTo manage reflections on the River Calder and saturate the sky.
Sturdy TripodEssential for long-exposure shots of the river and the weir.
Telephoto Lens (70-200mm)To isolate the "light slots" on the roof or the textures of the concrete walls.

Technical Spotlight: The Architecture of Light

One of the most impressive features of the gallery is how it handles light. Inside, the galleries are lit by "natural light" from large windows in the pitched roofs. Outside, these windows appear as dark, mysterious slits.

Pro Tip: Visit at "Golden Hour". The low sun hits the pigmented concrete at an angle, revealing the subtle textures of the casting process and creating deep, dramatic shadows in the recesses between the blocks.

Conclusion: A Living Landmark

The Hepworth Wakefield isn't just a box for art; it is a piece of sculpture in its own right, standing guard over the River Calder. It bridges the gap between Wakefield's industrial past and its creative future. Whether you are capturing the "brutalist" shadows or reflecting on the history of the navigations, this site remains one of the most photogenic locations in the North.

A wide landscape shot of the Hepworth Wakefield's angular, grey concrete blocks situated on the bank of the River Calder. In the foreground, water rushes over a wide weir, creating white foam and texture. Lush green trees frame the left side, while a weeping willow hangs over the water on the right. Warm sepia tone.

I took these with a Nikon d3300 on the 11th May 2024, please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!



All the pictures remain the copyright of Colin Green.

Sunday, 5 April 2026

Todmorden Railway Station Art

Stepping onto the platforms of Todmorden Railway Station feels like walking through a living sketch of British rail history. Located in the heart of West Yorkshire, this station has been a vital link in the Calder Valley since it first opened its doors in March 1841.

Originally built by the Manchester and Leeds Railway, the station sits at a fascinating geographical and historical crossroads. For decades, it served as a key junction on the border of Lancashire and Yorkshire, a legacy still visible in the town’s unique architecture.

A monochrome pencil sketch of Todmorden railway station shows a curving railway track next to a two-story stone station building with multiple windows, chimneys, and benches on the platform under a cloudy sky, on textured paper.

What Makes It Special?

  • Art on the Platform: Beyond its transit role, the station is home to the Platform One Gallery. Run by the Todmorden Art Group, this creative space hosts rotating exhibitions, proving that beauty can be found even in our daily commutes.

  • Engineering Heritage: Keep an eye out for the plaque dedicated to John Ramsbottom, a legendary mechanical engineer born in Todmorden who left an indelible mark on the railway industry.

  • The "Todmorden Curve": After being closed for over 40 years, the famous "Todmorden Curve" was reinstated in 2014, finally restoring a direct link between Burnley and Manchester.

Whether you are catching a train toward Leeds or Manchester, or simply admiring the stone structures that have stood for nearly two centuries, Todmorden Station remains a charming testament to the golden age of rail.

The picture remains the copyright of Colin Green.

Friday, 20 March 2026

Standing Tall Over Copley: A Fresh Perspective on Copley Viaduct

 The industrial heritage of West Yorkshire is etched into its landscape through gritstone and mortar. Among these monuments of the Victorian era, few are as imposing yet graceful as the Copley Viaduct. On a crisp Sunday afternoon on the 8th of October 2017, I set out with my camera to capture this engineering marvel, not just as a landmark, but as a living part of the Calder Valley’s natural environment.

Most people see the viaduct from a distance or while passing over it on a train toward Halifax or Sowerby Bridge. My goal for this shoot was different: I wanted to get underneath its skin, exploring the varied angles and hidden paths that reveal the true scale of this 19th-century giant.


A tall stone pier of the Copley Viaduct rising directly from the still waters of the Calder and Hebble Navigation canal, surrounded by lush woodland.

A low-angle view looking up at a massive stone arch of the Copley Viaduct, framed by green leaves in the foreground and a green security fence on the hillside.

A perspective view of the Copley Viaduct showing several stone arches receding into the distance under a blue sky with white clouds.

A wide landscape shot showing the full length of the Copley Viaduct’s many stone arches crossing a green valley, viewed from behind a stone wall.

A black and white photograph of a narrow dirt path between two old dry-stone walls, leading toward the arches of the Copley Viaduct in the background.

The River Calder flowing past a large stone bridge support of the Copley Viaduct, with dense green trees lining the riverbanks.

Exploring the Calder and Hebble Navigation

My journey began along the water. The viaduct doesn't just span a valley; it leaps across the Calder and Hebble Navigation and the River Calder itself.

Standing on the towpath of the canal, the perspective is humbling. In one of the shots, looking directly up at the underside of an arch, you can see the intricate stonework and the weathered staining that tells a story of over 170 years of British weather. The reflection in the still canal water creates a perfect, dark symmetry, only broken by a few fallen autumn leaves—a gentle reminder of the October date.

The way the sunlight hits the gritstone highlights the "rock-faced" texture of the blocks. It’s a testament to the masons of the mid-1840s that these structures remain so formidable and functional today.

A Hidden Path Through History

Moving away from the water’s edge, I followed a narrow, walled path that leads toward the base of the structure. I chose to process one of these shots in a moody, high-contrast monochrome to emphasize the leading lines.

The dry-stone walls, so characteristic of Yorkshire, create a funnel that draws your eye directly toward the massive arches in the background. This "tunnel vision" effect highlights the contrast between the human scale of the walking path and the gargantuan scale of the railway infrastructure. There is something incredibly peaceful about these narrow corridors where nature is slowly reclaiming the edges of the stone.

The Arches in the Autumn Sun

As I moved into the more open areas, the full length of the Copley Viaduct revealed itself. With 23 arches in total, it dominates the skyline. On this particular October day, the sky was a perfect mix of bright blue and scudding white clouds, providing a dynamic backdrop that made the yellow-grey stone "pop."

From the grassy banks, you get a sense of the rhythm of the architecture. The repeating curves create a visual melody across the valley. I made sure to capture a wide-angle view from behind a low stone wall, letting the foreground wildflowers and overgrown brush frame the viaduct. It places the bridge within its ecosystem—it’s not just a cold piece of transit; it’s a permanent fixture that the trees and rivers have grown around.

Key Features of Copley Viaduct:

  • Completed: Circa 1847 for the Lancashire and Yorkshire Railway.

  • Structure: 23 semi-circular arches.

  • Material: Local gritstone with brick-lined arches.

  • Purpose: Carrying the Manchester to Leeds line across the Calder Valley.


Technical Angles and Texture

Getting close to the piers allows you to appreciate the sheer volume of material used. I found a great angle looking up through the foliage. The green leaves of the sycamores and oaks provide a soft, organic frame for the hard, geometric lines of the bridge.

One of my favorite shots from the day focuses on a single pier rising out of the River Calder. The water here moves a bit faster than the canal, and the base of the stone is smoothed by decades of flow. It’s a reminder that while we build these structures to be permanent, they are in a constant dialogue with the elements.

Why Copley is a Photographer’s Dream

Whether you are a professional or a hobbyist with a smartphone, Copley Viaduct offers endless composition opportunities:

  1. Reflections: Use the canal for mirror-like symmetry.

  2. Leading Lines: Use the towpath or the walled footpaths to create depth.

  3. Nature Contrast: The juxtaposition of the heavy stone against the delicate autumn leaves.

  4. Scale: Using the fences or nearby buildings to show just how high those arches reach.


Final Thoughts

Capturing Copley Viaduct on that October day was a reminder of why I love architectural photography. It’s about more than just a "record" of a bridge; it’s about capturing the feeling of a place. The way the light shifted between the arches and the way the shadows played across the river made for a rewarding afternoon behind the lens.

If you find yourself in the Sowerby Bridge or Halifax area, I highly recommend taking the walk down to the valley floor. Don't just look at the viaduct—look through it, look up at it, and appreciate the monumental effort it took to bridge this gap over a century ago.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!


All the images remain the copyright of Colin Green.

Tuesday, 3 March 2026

Scaling the Skies: A Visit to the Iconic Redcar Beacon

 Nestled on the rugged and beautiful North Yorkshire coastline lies a vertical pier that has sparked conversation, divided opinions, and ultimately become a symbol of modern seaside regeneration. The Redcar Beacon, a striking 80-foot structure, stands as a sentinel over the Esplanade, offering visitors a perspective of the Teesside coast that was once reserved only for the gulls.

Whether you are a local rediscovering your hometown or a traveller exploring the hidden gems of Northern England, the Beacon is a must-visit destination. In this post, we’ll take a deep dive into why this "vertical pier" is the heartbeat of Redcar's seafront.


A wide-angle view of Redcar beach at low tide, featuring the vertical Redcar Beacon tower with its purple accents and spiral walkway against a cloudy sky.

A ground-level view from the beach looking up at the Redcar Beacon, showing the distinct purple and gold spiral walkway wrapped around the glass tower, set behind a tall concrete sea wall.

A medium-distance view of the Redcar Beacon tower featuring a purple and gold spiral walkway, seen from the wet sand of Redcar beach with a row of coastal houses in the background under a grey sky.

A street-level close-up of the Redcar Beacon showing people walking by the glass base, with the intricate purple and gold helical walkways wrapping around the tower against a cloudy sky.

A centred, eye-level photograph of the Redcar Beacon taken from across the road, highlighting the repeating gold and purple patterns of the spiral walkway wrapping around the vertical structure.

A low-angle shot of the Redcar Beacon from the promenade, focusing on the purple and gold helical walkways as they ascend the tower, with a street lamp and signage in the foreground.

An Architectural Marvel on the Esplanade

The first thing you notice about the Redcar Beacon is its unapologetic design. Rising seven stories into the North Sea breeze, its cylindrical form is wrapped in a shimmering, helical steel mesh that glows with purple and gold accents.

Designed as part of a multi-million-pound regeneration project, the Beacon wasn't just built to be looked at—it was built to be experienced. As you approach from the sandy expanse of Redcar Beach, the structure looms over the concrete sea defences, a futuristic contrast to the traditional Victorian terraces that line the nearby streets.

The Ascent: A Journey Through the Clouds

What makes the Redcar Beacon truly special is the journey to the top. The structure features a series of internal and external walkways that spiral upward.

  • The Ground Floor: Often home to small independent businesses or information points, the base is the gateway to your climb.

  • The Creative Hub: As you ascend, you’ll notice studio spaces designed for creative industries, adding a layer of functional art to the building.

  • The Viewing Platform: This is the crown jewel. Once you reach the top, you are greeted by an open-air gallery that offers 360-degree panoramic views.

A View Like No Other

Standing on the top deck of the Beacon, the wind in your hair and the salt on your lips, the scale of the North East landscape unfolds before you.

An elevated coastal view from the Redcar Beacon looking south along the North Yorkshire coastline. On the left, a wide sandy beach is marked by tire tracks and tide pools, stretching toward a distant rocky headland under an overcast sky. In the center, a concrete promenade with tiered sea defenses separates the beach from a seaside road lined with cars, colorful storefronts, and amusement arcades like "Playland." Several people are walking along the sidewalk, and blue shipping containers are positioned near a construction area along the sea wall.

Looking South: The Cliffs of Saltburn

Scanning southwards, your eyes follow the curve of the bay toward the dramatic cliffs of Huntcliff near Saltburn-by-the-Sea. On a clear day, the contrast between the deep blue of the North Sea and the lush greenery of the Cleveland Way is breathtaking. You can watch the waves roll in across the "scars"—the rocky outcrops visible at low tide—creating intricate patterns in the sand.

An elevated view looking north from the Redcar Beacon across the coastal town of Redcar. To the left, a long row of traditional multi-story Victorian terraced houses with red-tiled roofs lines the Esplanade. A wide road with parked cars and a few pedestrians separates the houses from a modern, white rectangular building identified as "The Regent" cinema. On the right, a vast sandy beach meets the North Sea under a pale, overcast sky, with concrete sea defenses and a paved promenade running parallel to the shore.

Looking North: The Industrial Skyline

Turning to the north, the view shifts from natural beauty to industrial heritage. You can see the mouth of the River Tees and the sprawling silhouettes of the Teesside industry. It’s a powerful reminder of the region’s "Ironopolis" roots, where the steel that built the world was forged. Beyond the industry, the wind turbines of the Teesside Offshore Windfarm stand like toothpicks in the ocean.

A high-angle view looking inland over the rooftops of Redcar from the Beacon's observation deck. In the foreground, a purple structural column and a metal safety railing frame the scene. Below, a dense mix of residential and commercial buildings with varied rooflines stretches toward the horizon. In the distance, the green slopes of the Cleveland Hills rise under a bright, cloudy sky. Prominent signs for local businesses, including "Daisy-Mae’s Vintage Tea Room," are visible at street level.

Looking Inland: The Gateway to the Moors

If you turn your back to the sea, you aren't disappointed. The view inland reveals the tight-knit grid of Redcar’s streets, leading the eye toward the distant, rolling silhouettes of the North York Moors. It is a rare spot where you can truly appreciate how the coast and the country collide in this part of England.


More Than Just a View: The Regent and Beyond

From the elevated vantage point of the Beacon, you can spot the other new addition to the skyline: The Regent Cinema. This sleek, modern building sits right on the edge of the beach, continuing the theme of modern architecture revitalizing the seafront. Between the Beacon and the Regent, Redcar has successfully blended its nostalgic "lemon top" ice cream heritage with a forward-thinking aesthetic.

Tips for Your Visit

If you're planning a trip to the Redcar Beacon, here are a few things to keep in mind:

  1. Check the Weather: The North Sea can be temperamental. While the Beacon is sturdy, the viewing platform is open-air. A clear, sunny day offers the best visibility, but a moody, overcast sky makes for some incredible dramatic photography.

  2. Bring Your Camera: Whether you have a professional DSLR or a smartphone, the angles provided by the spiral mesh and the heights are a photographer's dream.

  3. Explore the Beach: After your descent, take a walk on the vast sands. At low tide, the beach is enormous, perfect for dog walking, sand art, or simply clearing your head.

  4. Support Local: The area surrounding the Beacon is filled with charming cafes and traditional fish and chip shops. Nothing beats a warm bag of chips after a breezy climb!

Final Thoughts

The Redcar Beacon is more than just a building; it’s a statement of intent. It celebrates the height, the heritage, and the horizon of a town that is proudly evolving. It offers a moment of reflection—a chance to stand above the hustle and bustle of the Esplanade and look out at the infinite beauty of the North Yorkshire coast.

Next time you find yourself in the North East, don't just drive past. Stop, climb, and see the world from the Beacon.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!


All the images remain the copyright of Colin Green