Standing Tall Over Copley: A Fresh Perspective on Copley Viaduct

 The industrial heritage of West Yorkshire is etched into its landscape through gritstone and mortar. Among these monuments of the Victorian era, few are as imposing yet graceful as the Copley Viaduct. On a crisp Sunday afternoon on the 8th of October 2017, I set out with my camera to capture this engineering marvel, not just as a landmark, but as a living part of the Calder Valley’s natural environment.

Most people see the viaduct from a distance or while passing over it on a train toward Halifax or Sowerby Bridge. My goal for this shoot was different: I wanted to get underneath its skin, exploring the varied angles and hidden paths that reveal the true scale of this 19th-century giant.

---

Exploring the Calder and Hebble Navigation

My journey began along the water. The viaduct doesn't just span a valley; it leaps across the Calder and Hebble Navigation and the River Calder itself.

Standing on the towpath of the canal, the perspective is humbling. In one of the shots, looking directly up at the underside of an arch, you can see the intricate stonework and the weathered staining that tells a story of over 170 years of British weather. The reflection in the still canal water creates a perfect, dark symmetry, only broken by a few fallen autumn leaves—a gentle reminder of the October date.

The way the sunlight hits the gritstone highlights the "rock-faced" texture of the blocks. It’s a testament to the masons of the mid-1840s that these structures remain so formidable and functional today.

A Hidden Path Through History

Moving away from the water’s edge, I followed a narrow, walled path that leads toward the base of the structure. I chose to process one of these shots in a moody, high-contrast monochrome to emphasize the leading lines.

The dry-stone walls, so characteristic of Yorkshire, create a funnel that draws your eye directly toward the massive arches in the background. This "tunnel vision" effect highlights the contrast between the human scale of the walking path and the gargantuan scale of the railway infrastructure. There is something incredibly peaceful about these narrow corridors where nature is slowly reclaiming the edges of the stone.

The Arches in the Autumn Sun

As I moved into the more open areas, the full length of the Copley Viaduct revealed itself. With 23 arches in total, it dominates the skyline. On this particular October day, the sky was a perfect mix of bright blue and scudding white clouds, providing a dynamic backdrop that made the yellow-grey stone "pop."

From the grassy banks, you get a sense of the rhythm of the architecture. The repeating curves create a visual melody across the valley. I made sure to capture a wide-angle view from behind a low stone wall, letting the foreground wildflowers and overgrown brush frame the viaduct. It places the bridge within its ecosystem—it’s not just a cold piece of transit; it’s a permanent fixture that the trees and rivers have grown around.

Key Features of Copley Viaduct:

• Completed: Circa 1847 for the Lancashire and Yorkshire Railway.

• Structure: 23 semi-circular arches.

• Material: Local gritstone with brick-lined arches.

• Purpose: Carrying the Manchester to Leeds line across the Calder Valley.

---

Technical Angles and Texture

Getting close to the piers allows you to appreciate the sheer volume of material used. I found a great angle looking up through the foliage. The green leaves of the sycamores and oaks provide a soft, organic frame for the hard, geometric lines of the bridge.

One of my favorite shots from the day focuses on a single pier rising out of the River Calder. The water here moves a bit faster than the canal, and the base of the stone is smoothed by decades of flow. It’s a reminder that while we build these structures to be permanent, they are in a constant dialogue with the elements.

Why Copley is a Photographer’s Dream

Whether you are a professional or a hobbyist with a smartphone, Copley Viaduct offers endless composition opportunities:

1. Reflections: Use the canal for mirror-like symmetry.

2. Leading Lines: Use the towpath or the walled footpaths to create depth.

3. Nature Contrast: The juxtaposition of the heavy stone against the delicate autumn leaves.

4. Scale: Using the fences or nearby buildings to show just how high those arches reach.

---

Final Thoughts

Capturing Copley Viaduct on that October day was a reminder of why I love architectural photography. It’s about more than just a "record" of a bridge; it’s about capturing the feeling of a place. The way the light shifted between the arches and the way the shadows played across the river made for a rewarding afternoon behind the lens.

If you find yourself in the Sowerby Bridge or Halifax area, I highly recommend taking the walk down to the valley floor. Don't just look at the viaduct—look through it, look up at it, and appreciate the monumental effort it took to bridge this gap over a century ago.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the images remain the copyright of Colin Green.

Scaling the Skies: A Visit to the Iconic Redcar Beacon

 Nestled on the rugged and beautiful North Yorkshire coastline lies a vertical pier that has sparked conversation, divided opinions, and ultimately become a symbol of modern seaside regeneration. The Redcar Beacon, a striking 80-foot structure, stands as a sentinel over the Esplanade, offering visitors a perspective of the Teesside coast that was once reserved only for the gulls.

Whether you are a local rediscovering your hometown or a traveller exploring the hidden gems of Northern England, the Beacon is a must-visit destination. In this post, we’ll take a deep dive into why this "vertical pier" is the heartbeat of Redcar's seafront.

---

An Architectural Marvel on the Esplanade

The first thing you notice about the Redcar Beacon is its unapologetic design. Rising seven stories into the North Sea breeze, its cylindrical form is wrapped in a shimmering, helical steel mesh that glows with purple and gold accents.

Designed as part of a multi-million-pound regeneration project, the Beacon wasn't just built to be looked at—it was built to be experienced. As you approach from the sandy expanse of Redcar Beach, the structure looms over the concrete sea defences, a futuristic contrast to the traditional Victorian terraces that line the nearby streets.

The Ascent: A Journey Through the Clouds

What makes the Redcar Beacon truly special is the journey to the top. The structure features a series of internal and external walkways that spiral upward.

• The Ground Floor: Often home to small independent businesses or information points, the base is the gateway to your climb.

• The Creative Hub: As you ascend, you’ll notice studio spaces designed for creative industries, adding a layer of functional art to the building.

• The Viewing Platform: This is the crown jewel. Once you reach the top, you are greeted by an open-air gallery that offers 360-degree panoramic views.

A View Like No Other

Standing on the top deck of the Beacon, the wind in your hair and the salt on your lips, the scale of the North East landscape unfolds before you.

Looking South: The Cliffs of Saltburn

Scanning southwards, your eyes follow the curve of the bay toward the dramatic cliffs of Huntcliff near Saltburn-by-the-Sea. On a clear day, the contrast between the deep blue of the North Sea and the lush greenery of the Cleveland Way is breathtaking. You can watch the waves roll in across the "scars"—the rocky outcrops visible at low tide—creating intricate patterns in the sand.

Looking North: The Industrial Skyline

Turning to the north, the view shifts from natural beauty to industrial heritage. You can see the mouth of the River Tees and the sprawling silhouettes of the Teesside industry. It’s a powerful reminder of the region’s "Ironopolis" roots, where the steel that built the world was forged. Beyond the industry, the wind turbines of the Teesside Offshore Windfarm stand like toothpicks in the ocean.

Looking Inland: The Gateway to the Moors

If you turn your back to the sea, you aren't disappointed. The view inland reveals the tight-knit grid of Redcar’s streets, leading the eye toward the distant, rolling silhouettes of the North York Moors. It is a rare spot where you can truly appreciate how the coast and the country collide in this part of England.

---

More Than Just a View: The Regent and Beyond

From the elevated vantage point of the Beacon, you can spot the other new addition to the skyline: The Regent Cinema. This sleek, modern building sits right on the edge of the beach, continuing the theme of modern architecture revitalizing the seafront. Between the Beacon and the Regent, Redcar has successfully blended its nostalgic "lemon top" ice cream heritage with a forward-thinking aesthetic.

Tips for Your Visit

If you're planning a trip to the Redcar Beacon, here are a few things to keep in mind:

1. Check the Weather: The North Sea can be temperamental. While the Beacon is sturdy, the viewing platform is open-air. A clear, sunny day offers the best visibility, but a moody, overcast sky makes for some incredible dramatic photography.

2. Bring Your Camera: Whether you have a professional DSLR or a smartphone, the angles provided by the spiral mesh and the heights are a photographer's dream.

3. Explore the Beach: After your descent, take a walk on the vast sands. At low tide, the beach is enormous, perfect for dog walking, sand art, or simply clearing your head.

4. Support Local: The area surrounding the Beacon is filled with charming cafes and traditional fish and chip shops. Nothing beats a warm bag of chips after a breezy climb!

Final Thoughts

The Redcar Beacon is more than just a building; it’s a statement of intent. It celebrates the height, the heritage, and the horizon of a town that is proudly evolving. It offers a moment of reflection—a chance to stand above the hustle and bustle of the Esplanade and look out at the infinite beauty of the North Yorkshire coast.

Next time you find yourself in the North East, don't just drive past. Stop, climb, and see the world from the Beacon.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the images remain the copyright of Colin Green

Discovering the Beauty of Bradford Cathedral (Exterior Exploration)

On a crisp December day (December 10th, 2022, to be precise!), I took my Nikon D3300 out to explore a true architectural gem in the heart of Bradford: Bradford Cathedral. While I focused my lens solely on the exterior – understanding that interior photography often requires special permission – the building itself offered an abundance of captivating details and a sense of timeless grandeur.

My journey began with the approach to the cathedral, and what an interesting entrance it is! The area around it feels steeped in history, with some beautifully intricate stonework.

Walking closer, I was drawn to the unique arched passageway leading up towards the main structure. It almost felt like stepping back in time, with the impressive stone staircase hinting at stories from centuries past. The ornate lantern hanging overhead added a touch of old-world charm.

Just beyond this entrance, nestled within an archway, I was pleasantly surprised to discover a beautifully arranged nativity scene. It was a lovely, festive touch, and the colourful figures against the ancient stone made for a striking contrast, especially with the subtle dappled lighting.

Continuing my ascent, another set of steps, complete with a distinctive blue handrail, guided me further up the grounds. The architecture here is a fantastic blend of robust stone and delicate decorative elements.

As I reached the higher ground, I was able to appreciate the full scale of the cathedral's impressive structure. Surrounded by a mix of evergreen and bare winter trees, the sheer size and intricate details of the building truly stand out. It’s remarkable how well it blends into the urban landscape while simultaneously commanding attention.

One of the most striking features, of course, is the towering clock tower. The beautiful blue clock face with its golden hands against the grey sky was particularly captivating. You can really get a sense of the craftsmanship that went into its construction, with every arch and buttress telling a story.

Taking a moment to wander around the perimeter, I noticed the peaceful pathways and scattered autumn leaves that still clung to the ground. Even in winter, there's a quiet beauty to the cathedral grounds.

Another charming entrance caught my eye, with its inviting open door and the warmth of the stonework. The lush bushes and smaller trees around it add a touch of softness to the grand architecture.

Finally, a wider shot encompassing the full glory of the cathedral from a slightly different angle. The intricate rooflines, the impressive tower, and the surrounding greenery all come together to create a truly magnificent sight. It makes you wonder about all the history and lives that have passed through its doors.

Even without venturing inside, Bradford Cathedral offers a profound sense of history and architectural splendor. It's a testament to enduring craftsmanship and a peaceful haven in the bustling city. If you find yourself in Bradford, I highly recommend taking some time to walk around its impressive exterior – you won't be disappointed!

A Glimpse into the Past

While the building is a stunning sight today, the site itself has been a place of Christian worship for nearly 1,400 years, dating back to Saxon times. The core of the present church, originally known as St. Peter's Parish Church, was largely rebuilt in the 15th century after an earlier stone church was burned down by Scottish raiders around 1327. The beautiful Perpendicular Gothic tower you can see today was added later, finished in 1508. The church was elevated to cathedral status in 1919 when the Diocese of Bradford was created, and subsequent extensions by architect Sir Edward Maufe in the mid-22th century gave the building its current, comprehensive form.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the images remain the copyright of Colin Green.

A Glimpse into the Past: Brotton Railway Station and Its Story

This beautifully colorized postcard of Brotton Railway Station truly brings a piece of history to life. It’s more than just a picture of a building; it’s a snapshot of a bygone era, bustling with local life and hinting at the stories held within its brick walls.

Let's take a closer look at what this image tells us about Brotton, a village with deep roots in the ironstone mining industry of North Yorkshire.

The Heart of Brotton: The Railway Station

Brotton Railway Station was a vital artery for the community, especially after the discovery of ironstone in the Cleveland Hills in the mid-19th century. The railway wasn't just for passengers; it was crucial for transporting the extracted ironstone to the smelters in Teesside, fuelling the industrial revolution.

In this image, we see the station's rather grand and substantial architecture, suggesting its importance. The distinctive chimneys and roofline give it a sturdy, almost institutional feel, typical of many railway buildings constructed during the Victorian and Edwardian periods.

Fashion, Faces, and a Fenced Future

The most captivating elements of this photograph are undoubtedly the people. We see a group of children and adults gathered near the station entrance, some looking towards the camera, others seemingly engaged in conversation or movement. Their attire offers valuable clues:

• Children: Dressed in simple, practical clothing, many in dresses and pinafores.

• Adults: The women's hats and long skirts, and the men's more formal wear (one figure on the left appears to be wearing a cap and coat, while another in the group seems to be in a uniform of some sort, perhaps a railway worker or a local constable), all point to an earlier time.

The presence of the wooden fence along the right side of the image, the unpaved ground, and the general air of a growing, yet still somewhat rural, settlement further inform our perspective. The "WHITBY" sign on the left near the fence is also a wonderful detail, highlighting connections to other local towns and likely signifying the train's destination or a local business.

Dating the Image: A Best Guess

Based on the architectural style of the station, the clothing worn by the people, and the overall feel of the scene, we can make an educated guess about the photograph's date.

Brotton Station opened in 1875. The clothing styles visible, particularly the women's and children's outfits, strongly suggest the late Victorian or early Edwardian period. The formality of dress, even for children, was common until well into the 20th century.

Considering these factors, a likely timeframe for this photograph would be between 1890 and 1910. It captures an era just before the dramatic changes brought about by the First World War and the subsequent shifts in fashion and daily life.

What a wonderful piece of local history brought to life with this colorization! It prompts us to imagine the sounds and smells of the station – the hiss of steam, the whistle of a departing train, and the chatter of villagers going about their day.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

The Closed All Saints Church at Whitley

There's a certain melancholic beauty to a building that has outlived its original purpose, especially a church. Standing silent amidst the changing seasons, these structures become quiet sentinels, holding stories in their very stones. Such is the case with the closed All Saints Church at Whitley, a poignant landmark spotted from the A19, near junction 34 of the M62.

Recently, I had the opportunity to visit this intriguing site, drawn by its gothic charm and the air of quiet mystery that surrounds it. Approaching the church, the first thing that strikes you is its isolation. Surrounded by tall, unkempt grass and framed by mature trees, it feels like a forgotten piece of history, tucked away just out of reach. My Canon R100 was ready, eager to capture its essence, but a firmly padlocked gate barred access to the grounds. While the temptation to explore further was strong, my respect for property and the distinction between a photographer and an urban explorer kept me to the roadside. This meant the hidden side of the church remained unseen, adding to its enigmatic allure, but what was visible offered plenty to ponder.

The architecture itself speaks volumes. Built of a warm, honey-toned stone, characteristic of many Yorkshire churches, All Saints features classic Gothic Revival elements: lancet windows with elegant tracery, a steeply pitched roof, and a prominent bell tower crowned with a modest spire. Even from a distance, the craftsmanship is evident, hinting at a time when this building was the heart of the Whitley community. The bell, still visible in its belfry, seems to stand in eternal readiness, though its chime has long been silenced.

The overcast sky on that 10th November 2025 only enhanced the church's evocative atmosphere, casting it in a dramatic light. In black and white, the church takes on an even more timeless quality, its textures and forms emphasized against the brooding sky. It’s a scene that prompts reflection: what stories unfolded within these walls? What baptisms, weddings, and funerals did this church witness?

A Glimpse into Whitley's Past

While the exact opening and closing dates of All Saints Church can be elusive without deeper archival research, its architectural style suggests it likely dates from the Victorian era, a period of significant church building and restoration across England. Villages like Whitley, though now somewhat overshadowed by major road networks, would have once been vibrant agricultural communities. The church would have been more than just a place of worship; it would have been the social hub, a place for community gatherings, local news, and spiritual guidance.

The decision to close a church is never taken lightly. It often reflects changing demographics, dwindling congregations, and the significant financial burden of maintaining old, often listed, buildings. For All Saints, its closure likely marks a shift in the local population, perhaps with residents moving to larger towns or finding their spiritual homes elsewhere.

The Future of All Saints

So, what becomes of a beautiful, closed church like All Saints? Its future is uncertain, but there are several possibilities:

• Dereliction: Sadly, some churches fall into disrepair, becoming victims of the elements and neglect. Given its sturdy construction, All Saints appears to have resisted this fate for now, but without intervention, it's a risk.

• Conversion: Many redundant churches find new life through conversion into homes, community centres, art studios, or even unique commercial spaces. This requires sensitive planning to preserve the architectural integrity while adapting it for modern use.

• Preservation by a Trust: Organizations like The Churches Conservation Trust acquire and care for historic churches no longer needed for regular worship, ensuring their preservation for future generations to enjoy.

• Occasional Use: Sometimes, a closed church might still be used for special services, local events, or as a filming location, though regular public access remains limited.

For now, All Saints Church at Whitley stands as a beautiful, silent monument to its past, a landmark that prompts passers-by to pause and reflect. It's a reminder of the enduring power of architecture and the ever-changing tapestry of rural England. My brief encounter with it, even from behind a locked gate, left a lasting impression, a sense of history whispered on the wind that sweeps across the fields of Whitley.

I took these pictures on the 10th November 2025 with a Canon r100, Clicking either of them should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the pictures remain the copyright of Colin Green.

Where Beer Met Education: Unpacking the History and Transformation of The Maltings, Halifax

Standing proudly on the outskirts of Halifax, amidst a landscape defined by Yorkshire's industrial past and rolling green hills, is a striking stone building that tells a fascinating story of change: The Maltings.

Your photographs perfectly capture the imposing scale and rugged beauty of this structure, revealing its deep roots in the region's brewing tradition while hinting at its modern, revitalised purpose. Far from being a relic, The Maltings is a living example of how Halifax breathes new life into its magnificent heritage architecture.

From Grain to Greatness: A Century of Brewing

To appreciate The Maltings today, we must journey back to its origins. This magnificent building was erected around 1900 as the maltings facility for the nearby Fountainhead Brewery, home to the famous Samuel Webster & Sons.

Maltings buildings were crucial components of any large brewery. This is where the barley, the heart of the beer, was prepared through the complex process of malting—steeping, germinating, and drying the grain to produce the sugars necessary for brewing. The sheer size and distinct, multi-level architecture of The Maltings reflect this industrial process:

• The Architecture: The building is a superb example of large-scale, late-Victorian industrial architecture. Constructed from local, finely grained York stone with a steeply pitched Westmorland slate roof, it was built to last. The height and generous windows, visible in the images, were designed to manage the critical temperature and ventilation needed for germinating the barley.

• A Landscape Landmark: Situated on Maltings Road in the Ovenden Wood area, the structure was built to dominate the landscape. Even today, long-ranging views across the valley show the building's importance, a silent monument to the commercial power of the Halifax brewing industry at the turn of the 20th century.

Webster's was a dominant force, building up a portfolio of over 100 tied public houses by the 1880s and becoming known for its iconic brands like Green Label and Pennine Bitter. The Maltings was thus a powerhouse of the regional economy.

A Sympathetic Second Act

By the late 20th century, the brewing industry had consolidated, and the Fountainhead Brewery complex faced an uncertain future. Crucially, the main maltings building was listed as a Grade II Listed Building in 1990, securing its architectural future.

In a remarkable act of preservation and redevelopment, The Maltings was sympathetically restored and converted into commercial office space as part of a multi-million-pound project in the late 1980s. This conversion was so successful that it was recognised with a European Heritage Award (Diploma) in 1991, an accolade that speaks volumes about the quality of the restoration work, which involved:

• Restoring the original York stone exterior.

• Replacing 1930s metal windows with new, traditionally styled hardwood units.

• Internally restructuring the floors to maximise natural light while retaining the raw, industrial character of the space—a perfect blend of heritage and contemporary functionality.

The Modern Maltings: A Hub of Education

Today, The Maltings has found its most inspiring purpose yet: as a central hub for Trinity Multi-Academy Trust (MAT).

It now serves as the group’s main offices, housing the administration and supporting education initiatives across the region. This is a wonderfully poetic transformation: a building once dedicated to producing the raw material for a commercial beverage is now dedicated to cultivating the minds of the next generation. The imposing structure, which once held vast stores of barley, now houses the strategic core of a major educational group.

The presence of the Trinity Institute of Education at The Maltings continues its legacy as a site of production—not of beer, but of knowledge and opportunity. When you look at its robust stone walls and towering form today, you see more than just an old brewery building; you see the enduring spirit of Yorkshire's innovation, repurposed for the 21st century.

It stands as a perfect symbol of Halifax: a town proud of its magnificent past, but always looking forward.

I took these pictures with a Nikon d3300 on the 11th July 2020, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the pictures remain the copyright of Colin Green.

Echoes of Faith and Stone: Photographing Dewsbury Minster

April sunlight filtered gently through the skeletal branches of spring trees, scattering dappled patterns across the worn gravestones and honeyed stone walls of Dewsbury Minster. The air was still, the churchyard hushed except for the faint hum of distant traffic — a reminder that this ancient place, once a spiritual heart of Yorkshire, now rests quietly amid the rhythms of modern life.

A Lens on a Thousand Years of Worship

Photographing Dewsbury Minster feels like walking through a dialogue between centuries. The Minster, officially known as The Minster Church of All Saints, Dewsbury, stands on ground sanctified long before the Norman Conquest. Tradition holds that Paulinus of York, one of the early missionaries who brought Christianity to northern England, founded a church here in AD 627. That makes Dewsbury one of the earliest centres of Christian worship in West Yorkshire — a place where history is literally layered into the stone.

Through the viewfinder, the Minster’s Norman tower and Gothic windows speak of evolving craftsmanship — a blend of Saxon spirit and medieval devotion. Its sandstone blocks glow warmly in the afternoon light, each carrying the weight of centuries of prayer, conflict, and renewal.

The Soul of the Building

Stepping inside, the Minster reveals its quiet grandeur. The arched arcades, carved columns, and stained glass windows create a dance of colour and shadow that shifts with every passing hour. One photograph captures the Great East Window, a masterpiece of Victorian glasswork, depicting the crucifixion surrounded by saints and angels — a kaleidoscope of devotion frozen in light.

The interior today feels welcoming and alive, with curved rows of wooden chairs replacing traditional pews, their purple cushions adding a modern warmth against the ancient stone. The altar, framed by the great arch of the chancel, glows under soft illumination — a focal point both for worship and artistic contemplation.

The Curfew Bell of Dewsbury

Perhaps Dewsbury’s most famous tradition is the “Curfew Bell”, also known as the “Devil’s Knell.” Each Christmas Eve, the church bell tolls once for every year since the birth of Christ — a haunting and beautiful ritual said to date back to the 15th century. The custom was established by Sir Thomas de Soothill, who donated the bell in penance for a violent crime, and it continues to this day, linking the modern town to its medieval conscience.

Stories in Stone

Wandering the churchyard, I was drawn to the worn gravestones and memorials that circle the Minster like sentinels of memory. The Kohima Epitaph memorial, inspired by the words from the Battle of Kohima (“When you go home, tell them of us and say…”), stands humbly on the cobblestones — a small yet deeply moving tribute to sacrifice.

Nearby, a carved statue of St Philip watches over visitors inside the Minster, his serene face illuminated by a shaft of natural light — a moment that felt quietly timeless through the lens.

Reflections Through the Camera

Photographing Dewsbury Minster in April 2015 with a modest Polaroid iS2132 camera, I was reminded how photography can bridge time. The church’s textured stone, filtered sunlight, and intricate glass challenged the lens to balance detail and atmosphere. In every image, the Minster seems to breathe — ancient yet alive, sacred yet rooted in the everyday life of Dewsbury.

A Living Heritage

Today, Dewsbury Minster stands not only as a house of worship but as a community hub — hosting concerts, art exhibitions, and social initiatives that reflect its enduring mission of faith and fellowship. To photograph it is to witness continuity: the sacred and the ordinary woven together, much as they have been here for nearly 1,400 years.

I took these pictures with a Polaroid is2132 bridge camera in April 2015, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Kohima Epitaph Memorial.

It consists of a cylindrical stone column resting upon a large six-pointed star set into the cobblestone path of the churchyard. The column is engraved with the famous lines from the Battle of Kohima: "When you go home, tell them of us and say, for your tomorrow, we gave our today." This humble yet deeply moving tribute commemorates the sacrifices made by the Commonwealth forces during the Battle of Kohima in World War II, connecting the ancient Yorkshire church to a moment of modern global conflict and remembrance.

The statue of St Philip is one of a series of carved wooden figures that form a magnificent Reredos (an ornamental screen or partition covering the wall at the back of an altar). This Reredos, dating from 1912, was designed by Temple Moore and carved by Bridgeman of Lichfield.

Originally installed behind the high altar of the Minster, it is now situated in the church's Narthex (entrance area) and depicts Christ surrounded by the Twelve Apostles, with each saint holding the symbol associated with their martyrdom or life story. The figure represents St Philip the Apostle, and he is typically identified by a long staff topped with a small cross or by a basket or loaves (referencing his role in the Feeding of the Five Thousand), serving as a beautiful example of early 20th-century religious art within the historic Minster.

• Analysis

  Query successful
• Google Search

  Query successful

The image displays the Great East Window of Dewsbury Minster, a magnificent example of Victorian stained glass. The window was made by Meyer of Munich and was erected in 1884. It is noted for its impressive scale and design, standing as a prominent piece of the Minster's collection of stained glass. While the Minster also houses some beautiful medieval stained glass which is mainly 14th century, the Great East Window itself is a later, Victorian addition.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the pictures remain the copyright of Colin Green.