Stone Sentinels and Industrial Dreams: A Winter Walk at All Saints Church, Salterhebble

Discovering Victorian Gothic grandeur and the final resting place of a confectionery legend on the hillsides of Halifax.

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The Spire Over the Valley

If you drive along the valley bottom south of Halifax, your eye is inevitably drawn upwards to a needle-sharp stone spire piercing the skyline. It belongs to All Saints Church in Salterhebble, a building that has stood sentinel over this industrial landscape since the mid-19th century.

To walk through its churchyard today, especially amid the rust-coloured bracken and bare trees of winter, is to step back into a time when Halifax was a powerhouse of the Victorian textile industry. It is a place of immense atmosphere, where the roar of modern traffic fades away, replaced by a quiet solemnity and architectural beauty.

The imposing spire of All Saints, framed by winter branches against a crisp blue sky. This vertical composition perfectly captures the church's dominance over the landscape.

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Architects of the Textile Boom

All Saints Church was consecrated in 1858. It was born out of necessity; the industrial revolution had swelled the local population, and the existing chapels could no longer cope.

The church was designed by the architectural partnership of Mallinson & Healey. If you look closely at churches across West Yorkshire, you will frequently find their names. They were the go-to architects for the region's booming mill towns, masters of the "Gothic Revival" style. They didn't just build functional spaces; they built statements of civic and religious pride, designed to emulate the soaring spirituality of medieval cathedrals, constructed from durable local stone.

The church is large, dignified, and solid—a perfect reflection of the confident era in which it was built.

The imposing spire of All Saints, framed by winter branches against a crisp blue sky. This vertical composition perfectly captures the church's dominance over the landscape.

Presented in sepia, the textures of the local stone construction and the rhythmic pattern of the lancet windows are brought to the fore.

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Victorian Views on Death and Status

TheVictorians did not hide away from death; they celebrated it with elaborate rituals and grand monuments. A person’s status in life was often reflected by the size of their memorial in death. All Saints churchyard is a fascinating necropolis, filled with the graves of mill owners, merchants, and the professionals who kept the town running.

While many stones are now leaning, reclaimed by ivy and tall grass, others remain starkly impressive. The grounds feature several significant "chest tombs" and mausoleums—above-ground burial chambers designed for wealthy families who wanted to ensure their legacy was visible long after they were gone.

Victorian funerary grandeur. This large, ornate chest tomb, featuring intricate carvings and cusped arches, indicates a family of significant wealth and local standing.

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A Sweet Slice of History: The Mackintosh Grave

Among the hundreds of weathered stones, there is one that holds a particular fascination for anyone interested in Halifax's commercial history—and anyone with a sweet tooth.

Tucked away in the churchyard is the family grave of John Mackintosh (1868–1920).

Known internationally as "The Toffee King," Mackintosh began his confectionery empire right here in Halifax. Starting with a small pastry shop, his unique blend of brittle English toffee and soft American caramel revolutionized the sweets industry. His company would eventually give the world beloved brands like Quality Street, Rolo, and Toffee Crisp. Standing before his modest but dignified memorial is a direct connection to a global business empire born in this very parish.

The final resting place of the "Toffee King." The inscription for John Mackintosh, J.P. (Justice of the Peace), is clearly visible in this black and white photograph.

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Atmosphere and Shadow

There is a distinct mood to All Saints that changes with the light. On a bright day, the warm Yorkshire stone glows against the blue sky. But when the clouds roll in, or when viewed through the lens of black and white photography, the church takes on a brooding, gothic atmosphere.

The interplay of shadow against the heavy masonry creates a sense of drama, highlighting the intricate carvings and the sheer weight of the history contained within these walls and grounds.

High drama and deep shadows. This monochrome shot captures a large mausoleum nestled against the church walls, emphasizing the gothic atmosphere of the site.

Visiting All Saints

All Saints, Salterhebble, remains a functioning place of worship and a vital part of the local community. When visiting the churchyard to explore its history and architecture, visitors are encouraged to remain respectful of the site as an active burial ground and a place of quiet reflection.

It is a location that rewards a slow walk and a keen eye, offering a profound connection to the generations that built the Halifax we know today.

I took these pictures on the 24th November 2023 with a Nikon d3300, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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All the images remain the copyright of Colin Green.

Exploring St. John the Divine: A Historic Gem in the Cliviger Valley

Tucked away in the scenic Cliviger valley, on the outskirts of Burnley, lies the beautiful and historic Church of St. John the Divine. This Grade II listed building is a testament to history, with a fascinating story that dates back to the 18th century, and even earlier.

A New Beginning on Ancient Ground

The current church was consecrated in 1794, but its history is much older. It stands on higher ground, a short distance from the site of an earlier, more rustic chapel that had served the community since the reign of King Henry VIII. When the original chapel became too dilapidated and small for the growing parish, it was demolished in 1788 to make way for the new structure. The new church, built in a simple classical style with squared sandstone, was largely funded by Dr. T. D. Whitaker, a local landowner and historian from the nearby Holme Hall.

Architectural Highlights and Hidden Treasures

The church's architecture is a striking departure from the more common Gothic style found in many English parishes. Its clean, classical lines, a pedimented entrance, and a bell turret topped with an octagonal cupola give it a unique and elegant character. But the real treasures are found both inside and out. The churchyard itself is a peaceful and beautiful space, with a winding path leading through a sea of old headstones and memorials.

One of the most notable features of the churchyard is the burial site of General Sir James Yorke Scarlett, the celebrated leader of the Charge of the Heavy Brigade during the Battle of Balaclava in the Crimean War. Despite his fame, Scarlett's grave is a humble memorial in this quiet corner of Lancashire. The church also houses remnants of its past, including a 16th-century oak pulpit and two intricately carved oak stalls with misericords, believed to have been moved here from the ruins of Whalley Abbey.

Another interesting detail is the large archway at the entrance, a lychgate, which stands as a welcoming portal to this historic site. Nearby, you'll find a war memorial in the shape of a cross, a poignant tribute to local lives lost in conflict. The church and its grounds are a peaceful place, where history, nature, and community intertwine, making it a compelling spot for a quiet stroll and a moment of reflection.

I took these pictures on the 23rd April 2016 with a Nikon d3300, clicking on any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Please take a moment to share this post, follow me on social media, and explore my work on Clickasnap and Photo4Me using the links below. Your support means a lot!

All the pictures remain the copyright of Colin Green.

From Railway Station to Resting Place: The Hunt for a Rugby Legend's Grave!

You know those moments when you're just… waiting? Like, really waiting? That was me, recently, at the Sowerby Bridge Railway Station. My usual tactic of staring blankly into the middle distance wasn't cutting it, so I turned my attention to the notice boards adorning the platform. And boy, am I glad I did!

Amidst the usual train timetables and local events, a short biography caught my eye – that of a Halifax Rugby League Footballer named Joe Riley (Gledhill). As I delved into the words, a little nugget of information jumped out at me: he was buried right here in Sowerby Bridge at the nearby Cemetery.

Now, I don't know about you, but there's something about a local hero and a nearby resting place that just sparks my inner detective. The mission was set: find Joe's grave!

Fast forward a few weeks to today, May 18th, 2025. Serendipity struck! I found myself near Sowerby Bridge Cemetery, and the opportunity to embark on my grave-hunting quest presented itself. Armed with my newfound knowledge, I ventured forth.

The Gledhill family, it turns out, has two plots side-by-side. My research, a quick dive into the digital archives (because who doesn't love a bit of pre-hunt internet sleuthing?), led me to believe that Joe's remains were interred with his mother and father in plot b312, to the right of his brothers' plot.

Here’s the thing, though: the headstone itself bears no mention of Joe. So, I'm crossing my fingers and toes that my information is spot on. But even if it’s not emblazoned on stone, the journey to find him was a brilliant little adventure, and it sparked a deeper dive into the life of this remarkable sportsman.

So, who was Joe Riley Gledhill? Let me tell you, this wasn't just any rugby player.

Joe Riley, Taken from the Halifax Panthers RLFC website, all rights and credits to the owner of the image. Click the image to be taken to the clubs Hall of Fame site.

Joe Riley Gledhill: A True Titan of the Turf (and Beyond!)

Born on June 16, 1882, right here in Sowerby Bridge, Joe was a force to be reckoned with. He played professional rugby league through the 1890s, 1900s, and 1910s, and even dipped his toes into coaching rugby union in the 1910s and 20s.

Imagine this: Joe represented Great Britain, England, and Yorkshire! He tore up the field for Sowerby Bridge and Halifax, a versatile player who could dominate as a centre, stand-off, or scrum-half. After his playing days, he even coached the newly established Halifax RUFC, alongside fellow Halifax Hall of Famer, Archie Rigg. Talk about a dynamic duo!

When he wasn't busy being a rugby legend, Joe worked for Smith, Bulmer & Co., a textile business in Holmfield. He passed away on February 28, 1950, at the age of 67, and his funeral fittingly took place in Sowerby Bridge Cemetery – bringing this story full circle.

A Career Bursting with Glory:

• International Caps: Joe earned caps for England against Wales in 1910 and Australia in 1911 while playing for Halifax. And get this – he even toured Australia and New Zealand with the 1910 Great Britain Lions, earning caps against Australia and Australasia!
• County King: He also proudly wore the Yorkshire cap while at Halifax.
• Challenge Cup Conqueror: Joe was no stranger to silverware! He played scrum-half in Halifax's 7-0 victory over Salford in the 1902–03 Challenge Cup Final. The next year, in the 1903–04 Challenge Cup Final, he was at centre and even scored a try in their 8-3 triumph over Warrington. What a legacy!
• Club Hero: Joe made his debut for Halifax on September 7, 1901. His playing career, sadly, was cut short by a badly broken leg sustained in a match against Bradford Northern in January 1915.
• A Well-Deserved Farewell: In 1920, a testimonial match was held for Joe and Asa Robinson at Thrum Hall, Halifax. A whopping 20,000 people showed up, and Joe received a cheque for £400 – a princely sum back then!
• Halifax Hall of Famer: It's no surprise that Joe Riley is a proud inductee into the Halifax Hall of Fame. His contributions to the sport are etched into the town's history.

So, while the headstone may be silent on Joe's individual triumphs, his story echoes through the history books and, thanks to a serendipitous moment at a railway station, now through the peaceful pathways of Sowerby Bridge Cemetery. It just goes to show, you never know what fascinating discoveries await when you keep your eyes (and your mind) open!

The pictures below were taken when I hopefully found his resting place. Clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

The entrance to Sowerby Bridge Cemetery.

Joe Riley Gledhill parents grave and from my research also the final resting place of Joe.

The Gledhill family graves side by side.

A look across the un-consecrated section B at Sowerby Bridge cemetery.

Thanks for looking and please take a moment to share and follow me on social media, and check out my portfolios on Photo4Me and Clickasnap via the links below.

All the images remain the copyright of Colin Green.

Beneath the Hill: Sowerby Tunnel

Ever wondered about the hidden passages that connect our towns and landscapes? Just a short stretch along the Caldervale line, nestled between Sowerby Bridge and Luddendenfoot, lies one such fascinating piece of railway history: Sowerby Tunnel. This brief video I've put together offers a glimpse into its past and present, featuring both striking images and footage collected over the last six years.

Built way back in 1840 by the pioneering Manchester & Leeds Railway, this tunnel isn't just a conduit for trains; it's a transition point. Stretching for approximately 657 yards, its eastern portal emerges directly from the bustling, industrial landscape of Sowerby Bridge. Yet, as you journey through its dark embrace, you're transported to a different world, exiting its western portal into the greener, more open country setting that gives way to Sowerby, Tenterfields, and eventually Luddendenfoot.

Interestingly, Sowerby Tunnel goes by many names. Locals often call it Dixy Tunnel, but it's also known simply as Long Tunnel or, perhaps most fittingly, Cemetery Tunnel, given that it runs directly underneath Sowerby Bridge Cemetery and the picturesque Dixon Scar Woods.

One of the pictures featured in the video, taken near the tunnel's western portal, was captured from a unique vantage point directly on the track. I want to be absolutely clear: this was done with full permission, on a day when no trains were running, and with strict adherence to all health and safety regulations. It is incredibly dangerous and illegal to enter railway property where trains operate. Doing so can lead to severe injury or even death. Please, for your safety, never trespass on railway lines or property.

Join me in the video to explore this intriguing piece of our local railway heritage!

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