Heptonstall and the Old Grammar School

On a grey, autumnal day in November 2013, a Samsung Galaxy tablet captured a series of images that perfectly encapsulate the enduring charm and rich history of Heptonstall, a village perched on the hills above Hebden Bridge in West Yorkshire. The subject of these photos, the Heptonstall Museum, is more than just a building; it's a Grade II-listed testament to centuries of change, a cornerstone of a community steeped in history.

The building that now houses the museum has had a fascinating journey through time. Its origins trace back to around 1600, when it was constructed not as a place of learning, but as a warehouse. This was a time when the woollen trade was the lifeblood of the Pennines, and Heptonstall was a bustling centre for handloom weaving. You can still see hints of this industrial past in the large first-floor windows of many local cottages, designed to maximise the light for the weavers working within.

In 1771, the building was given a new purpose when it was converted into the Heptonstall Grammar School. The photos from 2013 show the solid stone structure and classic architecture, elements that have witnessed generations of students passing through its doors. The school served the community until its closure in 1889. While the modern world moved on, the building's story didn't end there. For a time, it housed the Yorkshire Penny Bank, before finally reopening its doors in August 1972 as the Heptonstall Museum.

The museum today is a treasure trove of local history, offering a window into the past. It tells the story of the village's prehistoric beginnings and its role in significant events, including the Battle of Heptonstall during the English Civil War in 1643. One of the most captivating exhibits delves into the notorious Cragg Vale Coiners, a gang of counterfeiters who plagued the area in the 18th century. Their leader, "King" David Hartley, is buried in the nearby churchyard—one of the many historical figures whose stories are woven into the fabric of Heptonstall.

Speaking of the churchyard, it is perhaps one of the most unique in the country. It is home to not one, but two churches. The ruins of the Church of St Thomas a Becket, founded in the 13th century and severely damaged in a storm in 1847, stand as a hauntingly beautiful shell. Just yards away, the newer St Thomas the Apostle church, built in the 1850s, stands proudly, a symbol of resilience. This dual churchyard is also the final resting place of American poet Sylvia Plath, a poignant connection to the wider literary world.

The Heptonstall Museum, housed in its old grammar school building, serves as a perfect starting point for exploring this remarkable village. It's a place where the past isn't just displayed, it's alive in the very stones of the building and the stories they tell.

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Exploring the Unseen Heptonstall: A Walk Through History and Charm

Perched high above the Calder Valley, the ancient village of Heptonstall is a place of profound history and quiet beauty. While many visitors flock to its famous landmarks—the Ruined Church and its replacement—this collection of photographs, taken on a clear July day in 2020, offers a different perspective, focusing on the hidden corners and everyday charm of this historic settlement.

A Glimpse into Village Life

Heptonstall is not just a tourist destination; it is a living, breathing village of approximately 1,400 people. Its history is deeply rooted in the textile industry, particularly hand-loom weaving, a tradition that shaped the village’s unique architecture. The pictures capture this character beautifully, from the cobbled streets of Towngate to the sturdy stone houses that have stood for centuries.

One image shows a classic red telephone box, a vibrant splash of colour against the backdrop of a well-kept garden. This iconic symbol of British life, now a rare sight, feels perfectly at home in Heptonstall's timeless setting. Another shot frames a charming row of buildings on Towngate, including the village's post office, with its traditional signage and hanging baskets, a testament to the community spirit that keeps this place alive.

The Stories in the Stone

The houses themselves tell stories. One particularly grand building on Towngate, with its large windows and elegant stonework, stands out as a former high-status dwelling, perhaps a merchant's house from the village's prosperous past. Another photograph shows the former grammar school, now the Heptonstall Museum, its plain, solid facade a symbol of the importance of education in this community. The simple yet striking stonework of these buildings highlights the craftsmanship that went into their construction.

The village's narrow, winding streets feel like a journey back in time, a feeling enhanced by the lack of modern clutter. Heptonstall has featured in a number of TV shows, including the recent Shane Meadows drama The Gallows Pole, a story about the Cragg Vale Coiners. It is a fitting location for such a tale, as the leader of the coiners, "King" David Hartley, is buried in the village churchyard—a grim piece of history that adds another layer to the village's already-rich tapestry.

These photographs reveal the quieter side of Heptonstall, the side that locals and long-time visitors know well. They show a village that has adapted to modern life without losing its soul. Heptonstall remains a favorite spot for hikers and history buffs, a place where every cobbled street and every stone wall has a tale to tell. It is a village that lives up to its reputation as a stunning, historic gem in the heart of the Calder Valley.

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The phone box found towards the lower end of Hetonstall is now I am told used as a library by the local community.

Towngate is the main route through the centre of the village.

The village's post office.

34 Towngate.

41A Towngate. The passge to the right leads to the former grammar school and museum and runs past the churchyard.

The grammar school and museum buildings, the fence to the right surrounds the lower part of the churchyard.

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Exploring the British Museum

The British Museum, a cornerstone of London's cultural landscape, is a place where human history, art, and culture converge under one magnificent roof. Located in the Bloomsbury area, it holds the distinction of being the world's first public museum, opening its doors in 1759. Its foundation was laid with the vast collection of Sir Hans Sloane, a physician and naturalist whose bequest to the nation became the seed for this monumental institution.

My visit on May 25, 2019, with my Nikon D3300, was a personal journey through this incredible repository of global heritage. The photos I captured barely scratch the surface of the millions of objects housed here, each telling a unique story of humanity.

The Great Court: A Breathtaking Welcome

The first thing that strikes you upon entering is the sheer scale of the Great Court. Enveloped by the magnificent glass roof designed by Norman Foster, it transforms what was once the museum's inner courtyard into a stunning covered public square. This space serves as the central hub, a bustling nexus from which all of the museum's galleries radiate. The light filtering through the intricate latticework creates a sense of awe, setting the perfect tone for the exploration that lies ahead.

Echoes of Ancient Worlds

The museum's halls are a testament to the ingenuity and artistry of past civilizations. In the Egyptian galleries, colossal statues stand as silent witnesses to a bygone era. I was particularly struck by the head and upper torso statue of Amenhotep III, its massive form and serene expression hinting at the immense power of the pharaohs. Nearby, an Egyptian papyriform column, crafted to resemble a bundle of papyrus stems, showcases the deep connection between architecture, nature, and symbolism in their culture.

As I ventured into the Greek and Roman galleries, the elegance of classical art took center stage. The Caryatid from the Erechtheion in Athens, a stunning example of an architectural support carved in the form of a draped female figure, exudes both grace and strength. The reliefs from the Nereid Monument further highlight the mastery of ancient sculptors, depicting dynamic scenes with incredible detail. It's also in these galleries that you can find the exquisite Vase from the Wedding of Peleus and Thetis, a beautiful example of black-figure pottery, capturing a mythical wedding feast.

The dramatic power of ancient Assyria is equally impressive. The Lion Hunt Reliefs, with their vivid and powerful depictions of a royal lion hunt, are a testament to the might of King Ashurbanipal and the incredible skill of his artists.

A Global Tapestry of Treasures

The museum's collection extends far beyond these well-known civilizations. I found a captivating Figure of Avalokiteśvara, a striking statue from India, which offers a window into the rich spiritual and artistic traditions of Asia. In another room, the intricate and elaborate craftsmanship of European artisans is on display, with objects like the Mechanical Galleon, a masterpiece of Renaissance clock-making, captivating visitors with its complexity and beauty.

A Complex Legacy

It is impossible to walk through the British Museum without contemplating the "controversial circumstances" under which many of its objects were acquired. The museum holds a number of items, such as the Parthenon sculptures and the Benin Bronzes, that are subject to ongoing debates about their rightful ownership and repatriation to their countries of origin. This conversation is an integral part of the museum's story, reflecting the complex history of colonialism and global relations.

Ultimately, the British Museum is more than just a building filled with artifacts. It is a place of learning and wonder, a journey through the collective history of humankind. While the debates about its collection continue, the museum's ability to inspire and educate remains undeniable, offering a profound glimpse into the incredible diversity of our shared past.

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Outside the British Museum

The Great Court

The Lion Hunt Reliefs

The Mechanical Galleon

The Neried Monument

Vase from the Wedding of Peleus and Thetis by Sophilos

Aphrodite crouching at her bath

Caryatid from the Erechtheion in Athens

Egyptian Papyriform Column

Figure of Avalokiteśvara

Head & Upper Torso Statue of Amenhotep III Wearing Nemes

Lion of Minrud

Perikles Statue

Terracotta Statue, perhaps Demeter and Persephone

The Ashurnasirpal II Slab

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Discover History and More at Bankfield Museum, Halifax

Nestled within the scenic Akroyden Park in Halifax, you'll find Bankfield Museum, a fascinating gem that offers a journey through local history, art, and more. This beautiful building, a Grade II listed former house, has a rich past of its own, having once been the residence of Edward Akroyd MP.

In 1887, the Halifax Corporation acquired the property, transforming it into a public museum and library shortly thereafter. Its historical significance was further recognised in 1954 when it was granted its Grade II listing.

Today, Bankfield Museum continues to welcome visitors with a diverse range of displays. Explore exhibits on local history, textiles, art, toys, and jewellery, providing a glimpse into the vibrant heritage of the area. The museum also keeps things fresh with a constantly changing set of temporary displays throughout the year, meaning there's always something new to see.

For those interested in military history, Bankfield Museum is also home to the Duke of Wellington Regimental Museum, offering a dedicated space to explore the regiment's storied past.

The best part? Entry to Bankfield Museum is completely free! It's open from Tuesday to Saturday, between 10:00 AM and 4:00 PM. With a convenient car park and the lovely Akroyden Park right on its doorstep (overlooked by the impressive All Souls Church), it's the perfect spot to spend a few hours exploring, learning, and enjoying the surroundings.

I took these pictures with a Samsung Galaxy Tablet in November 2014, clicking any of the images below should open a link in another window to my Colin Green Photography store on Zazzle.

This painting can be seen covering the ceiling just inside the
main entrance.

Bankfield Museum from the car park.

Bankfield from Akroyden Park

Duke of Wellingtons Regiment uniform from the Crimean War

The fireplace in the library with textile displays in the cabinets. The 
marble busts are life size and from left to right are Edward Akroyd, his father
Jonathan and then his wife Elizabeth.

This was on display in the regimental museum and was given to coalition
forces during the 2003 invasion of Iraq to help identify the most wanted members
of the Iraqi government.

The library ceiling which features images of William Shakespeare, John Milton, Alfred
Tennyson and Geoffrey Chaucer all poets admired in the era the roof was painted. When I
visited, a fellow admirer told me that the local council once had a plan to
paint over the ceiling. What an act of vandalism that would have been had it come to pass.

Another view of the library.

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A Spire of History: The Haunting Beauty of Halifax's Square Church

Halifax, a town steeped in industrial history, holds a silent sentinel against its skyline: the Square Church Spire. A lone finger pointing towards the heavens, it's a striking reminder of a grander structure, a story etched in stone and fire.

Imagine, if you will, the bustling Square in 1857. Amidst the clatter of horse-drawn carriages and the rhythmic hum of nearby mills, a new beacon of faith rose. The Square Congregational Church, opened on July 15th, a testament to Victorian ambition and religious fervor. This magnificent edifice stood proudly beside the iconic Piece Hall, a symbol of Halifax's prosperity. It replaced the older Georgian Square Chapel, which, in a charming twist of fate, became the church's Sunday school, a passing of the torch from one generation to the next.

For over a century, the Square Church echoed with hymns, sermons, and the quiet prayers of its congregation. It was a place of community, of solace, and of spiritual guidance. But time, as it inevitably does, brought change. The church's doors closed in 1970, marking the end of an era.

Then, tragedy struck. In January 1971, a devastating fire ripped through the main building, leaving behind a charred skeleton. The once proud structure was reduced to rubble, and in 1976, the final act of demolition was carried out. All that remained was the magnificent, Grade II listed spire, soaring 235 feet into the sky.

This solitary spire, a relic of a lost grandeur, now stands as a poignant reminder of what once was. It's a striking juxtaposition against the modern architecture of the Halifax Central Library, into which it is now incorporated. Standing at its base, you can almost hear the echoes of the past, the faint strains of an organ, the murmur of prayers.

The Square Church Spire is more than just a historical landmark; it's a symbol of resilience, a testament to the enduring power of memory. It's a place where the past and present collide, where the echoes of a bygone era mingle with the everyday sounds of a bustling town.

Next time you find yourself in Halifax, take a moment to gaze upon this architectural marvel. Let its silent story resonate with you, and remember the grand church that once stood beside it, a testament to the enduring spirit of Halifax. It's a reminder that even in the face of destruction, something beautiful and enduring can remain, reaching towards the sky like a whispered prayer.

The pictures below were taken on the 27th May 2018 with a Nikon d3300, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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