Echoes of Faith and Stone: Photographing Dewsbury Minster

April sunlight filtered gently through the skeletal branches of spring trees, scattering dappled patterns across the worn gravestones and honeyed stone walls of Dewsbury Minster. The air was still, the churchyard hushed except for the faint hum of distant traffic — a reminder that this ancient place, once a spiritual heart of Yorkshire, now rests quietly amid the rhythms of modern life.

A Lens on a Thousand Years of Worship

Photographing Dewsbury Minster feels like walking through a dialogue between centuries. The Minster, officially known as The Minster Church of All Saints, Dewsbury, stands on ground sanctified long before the Norman Conquest. Tradition holds that Paulinus of York, one of the early missionaries who brought Christianity to northern England, founded a church here in AD 627. That makes Dewsbury one of the earliest centres of Christian worship in West Yorkshire — a place where history is literally layered into the stone.

Through the viewfinder, the Minster’s Norman tower and Gothic windows speak of evolving craftsmanship — a blend of Saxon spirit and medieval devotion. Its sandstone blocks glow warmly in the afternoon light, each carrying the weight of centuries of prayer, conflict, and renewal.

The Soul of the Building

Stepping inside, the Minster reveals its quiet grandeur. The arched arcades, carved columns, and stained glass windows create a dance of colour and shadow that shifts with every passing hour. One photograph captures the Great East Window, a masterpiece of Victorian glasswork, depicting the crucifixion surrounded by saints and angels — a kaleidoscope of devotion frozen in light.

The interior today feels welcoming and alive, with curved rows of wooden chairs replacing traditional pews, their purple cushions adding a modern warmth against the ancient stone. The altar, framed by the great arch of the chancel, glows under soft illumination — a focal point both for worship and artistic contemplation.

The Curfew Bell of Dewsbury

Perhaps Dewsbury’s most famous tradition is the “Curfew Bell”, also known as the “Devil’s Knell.” Each Christmas Eve, the church bell tolls once for every year since the birth of Christ — a haunting and beautiful ritual said to date back to the 15th century. The custom was established by Sir Thomas de Soothill, who donated the bell in penance for a violent crime, and it continues to this day, linking the modern town to its medieval conscience.

Stories in Stone

Wandering the churchyard, I was drawn to the worn gravestones and memorials that circle the Minster like sentinels of memory. The Kohima Epitaph memorial, inspired by the words from the Battle of Kohima (“When you go home, tell them of us and say…”), stands humbly on the cobblestones — a small yet deeply moving tribute to sacrifice.

Nearby, a carved statue of St Philip watches over visitors inside the Minster, his serene face illuminated by a shaft of natural light — a moment that felt quietly timeless through the lens.

Reflections Through the Camera

Photographing Dewsbury Minster in April 2015 with a modest Polaroid iS2132 camera, I was reminded how photography can bridge time. The church’s textured stone, filtered sunlight, and intricate glass challenged the lens to balance detail and atmosphere. In every image, the Minster seems to breathe — ancient yet alive, sacred yet rooted in the everyday life of Dewsbury.

A Living Heritage

Today, Dewsbury Minster stands not only as a house of worship but as a community hub — hosting concerts, art exhibitions, and social initiatives that reflect its enduring mission of faith and fellowship. To photograph it is to witness continuity: the sacred and the ordinary woven together, much as they have been here for nearly 1,400 years.

I took these pictures with a Polaroid is2132 bridge camera in April 2015, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

Kohima Epitaph Memorial.

It consists of a cylindrical stone column resting upon a large six-pointed star set into the cobblestone path of the churchyard. The column is engraved with the famous lines from the Battle of Kohima: "When you go home, tell them of us and say, for your tomorrow, we gave our today." This humble yet deeply moving tribute commemorates the sacrifices made by the Commonwealth forces during the Battle of Kohima in World War II, connecting the ancient Yorkshire church to a moment of modern global conflict and remembrance.

The statue of St Philip is one of a series of carved wooden figures that form a magnificent Reredos (an ornamental screen or partition covering the wall at the back of an altar). This Reredos, dating from 1912, was designed by Temple Moore and carved by Bridgeman of Lichfield.

Originally installed behind the high altar of the Minster, it is now situated in the church's Narthex (entrance area) and depicts Christ surrounded by the Twelve Apostles, with each saint holding the symbol associated with their martyrdom or life story. The figure represents St Philip the Apostle, and he is typically identified by a long staff topped with a small cross or by a basket or loaves (referencing his role in the Feeding of the Five Thousand), serving as a beautiful example of early 20th-century religious art within the historic Minster.

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The image displays the Great East Window of Dewsbury Minster, a magnificent example of Victorian stained glass. The window was made by Meyer of Munich and was erected in 1884. It is noted for its impressive scale and design, standing as a prominent piece of the Minster's collection of stained glass. While the Minster also houses some beautiful medieval stained glass which is mainly 14th century, the Great East Window itself is a later, Victorian addition.

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The Silent Watcher: A 1969 Snapshot of Aros Castle, Isle of Mull

There are some moments in my slide collection that just resonate with a deep sense of history and solitude, and this image of Aros Castle on the Isle of Mull, captured in 1969, is one of them. It's a striking portrait of rugged Scottish beauty, frozen in a time when travel to the islands felt like a genuine expedition.

The Castle on the Cliff

The photograph perfectly frames the romantic, jagged ruins of Aros Castle, perched atop a grassy cliff overlooking a wide body of water—the Sound of Mull. You can practically feel the history clinging to the stone.

• A Medieval Sentinel: Aros Castle, also known as Heynish, has stood here since the 13th century. It was a strategic stronghold, controlling passage through the Sound of Mull, first for the powerful Clan MacDougall and later for the Lords of the Isles, the Clan MacDonald. Today, only two storeys of the main keep and some curtain wall fragments remain, their ruins telling a story of sieges, abandonments, and centuries of exposure to the Atlantic weather.

• The Landscape: The castle sits against a backdrop of distant, hazy hills—likely the mainland of Morvern—giving the scene immense depth. The foreground is dominated by the water, which is clearly at a low tide, revealing a textured, reddish-brown foreshore covered in seaweed and mud. The shallow water here reflects the sky, creating a beautiful interplay of light and colour between the earth and the heavens.

The Spirit of 1969

The date 1969 gives this photograph a beautiful sense of its era:

• The Road Less Travelled: Before widespread ferry links and modern tourism infrastructure, visiting the more remote Scottish islands, especially with camera equipment, felt more like an adventure. The scene is utterly devoid of modern clutter—no large car parks, visitor centres, or even other people visible. The focus is entirely on the untouched natural and historical beauty.

• Vintage Colour: The rich, saturated greens of the grassy headland and the deep blue of the sky and water are typical of the slide film stock used in the late 1960s. This specific colour palette adds a nostalgic warmth that contemporary digital photography often struggles to replicate.

• A Quiet Moment: The image captures a profound stillness. The water is calm, the clouds are high, and the ruined castle stands in silent watch. It evokes a feeling of peace and timelessness that defines the allure of the Scottish West Coast.

This slide is more than just a historical record; it is a precious memory of a quieter era on the Isle of Mull, where the history of the Highlands and Islands was easily accessible, standing proud and unpolished against the vast, beautiful wilderness. It reminds us that some views, like this one, are truly eternal.

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The Legacy of Stone: A Look at St Mary's Church, Cottonstones

Tucked away in the beautiful, hilly landscape of West Yorkshire, St Mary's Church, Cottonstones stands as a proud landmark, overlooking the surrounding valley and hillsides. It's a place steeped in local history, particularly tied to the industrial heritage of the area, and serves as a quiet witness to the generations that have called Cottonstones and Mill Bank home.

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A Gift to the Workers

The history of St Mary's is rooted in a significant act of philanthropy during the 19th century. The church was officially opened in 1848. Its establishment was made possible by the Hadwin Family, who gifted the church to the workers of Cottonstones, Mill Bank, and Soyland. This donation underscores the close relationship between the prosperous local families and the communities they employed during the height of the area's textile industry.

The church's prominent position in the landscape is a testament to its importance to the surrounding villages, a spiritual anchor visible from afar.

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Architectural and Parish Facts

St Mary's Church, Cottonstones, is a Grade II listed building. It boasts a relatively intimate size, with a seating capacity for approximately 80 people.

In more recent history, the church joined a larger community of churches in May 2013 when it became part of the Ryburn Benefice. This new "family of churches" includes St. Luke's Norland and St. Peter's Sowerby, working together to serve the parishes of Norland and Sowerby with Cottonstones.

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A Community of Remembrance

The church and its grounds are a repository of local memory. Inside the church, a bronze plaque serves as a memorial to the men from the parish who were killed during the First World War. This memorial, located to the left of the chancel arch behind the pulpit, bears the names of 23 men, including one with the surname Hadwen. This is another powerful link between the founding family and the community they helped establish.

St Mary's also maintains strong ties to the local community through its relationship with the nearby Church of England school. The children visit the church for key events during the school year, such as Easter and the Leavers' Celebrations, continuing the tradition of St Mary's as a central part of village life.

As a structure that has stood for over 175 years, the church offers a charming and peaceful atmosphere, which is a popular draw for special occasions, such as weddings. It's a true piece of West Yorkshire's history, quietly serving its community through the centuries.

I took these pictures in February 2014 with a Polaroid is2132, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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Unwinding the Bend: Dating a Timeless View of the Wye Valley

This stunning 35mm slide, simply labelled "Wye Valley," captures the classic, tranquil beauty of the English and Welsh borderlands. The image is a broad, sweeping panorama of the River Wye winding through lush farmland, anchored by a cluster of charming, traditional houses in the foreground.

While the specific location along the 134-mile-long River Wye is a detective job, we can make some highly educated guesses about both the spot and the date based on the visual clues provided.

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Pinpointing the Location: The River's Embrace

The key feature here is the highly meandering bend of the river that almost creates an oxbow lake around a large field. This kind of pronounced meander is characteristic of the Wye as it flows through the flatter sections of its course, particularly as it heads south towards the Severn Estuary.

• Lookout Point: The photograph is clearly taken from an elevated position, looking down over the scene. This suggests it was taken from a hill, a high bank, or perhaps an upstairs window of a property along the river.

• The Village: The cluster of traditional houses in the foreground, with their steep roofs and classic British architecture, suggests the viewpoint is near a small village or hamlet. The white or cream-coloured houses are typical of many settlements in the area.

• Likely Area: Sections of the Wye near Symonds Yat (though this view seems flatter) or between Hereford and Ross-on-Wye are known for these magnificent, looping bends and wide, pastoral landscapes. A very strong candidate area is the beautiful scenery around Bodenham, north of Hereford, where the Wye performs dramatic loops through the low-lying agricultural land.

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Dating the Image: A Mid-Century Mystery

The best clue for dating this image lies, as often is the case, with the motor vehicle in the foreground.

• The Car: Just visible on the road is a small, two-tone classic car. Based on its rounded body shape, pronounced headlights, and compact size, this appears to be a Morris Minor, likely a late-model saloon.

  • The Morris Minor was produced until 1971 (though some variants earlier).

  • The styling suggests it's a model from the late 1950s or 1960s. Its presence on the road means the photo must be from the period when these cars were common, or shortly after production ceased.

• The Colour Palette: The rich, slightly saturated, and warm tones of the slide film are very typical of colour film stock used in the late 1960s or early 1970s (Kodak Ektachrome or similar). The deep greens and intense blue sky are characteristic of this era of slide photography.

• Absence of Modern Features: There is a notable lack of modern road signs, street furniture, or highly developed infrastructure. The scene feels distinctly unhurried.

Estimated Date: Combining the car's presence and the film's characteristics, I would confidently place this slide in the late 1960s, possibly 1968–1972. The car is still clearly in regular use, but the technology points away from the mid-70s.

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The Timeless Allure of the Wye Valley

This slide beautifully encapsulates why the Wye Valley is one of Britain's most cherished landscapes. It’s a scene of pastoral perfection:

• The Meander: The river acts as a gentle, guiding ribbon through the flat fields, defining the landscape.

• The Farmland: The open fields suggest a traditional agricultural use, reinforcing the peaceful, rural character.

• The Sky: The dramatic sky, featuring large, puffy cumulus clouds, adds depth and drama, a quintessential feature of the British weather and light that photographers love.

This photograph is a moment of pure, uninterrupted English countryside, preserved perfectly on a small piece of film. It is a true time capsule of the beauty that has endured along the banks of the River Wye for generations.

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Steeped in History: A Visit to Steep Lane Baptist Chapel, Sowerby (June 2015)

Back in June 2015, armed with my Polaroid iS2132 bridge camera, I took a series of photographs around the exterior of Steep Lane Baptist Chapel in Sowerby, near Halifax. These images, rendered in a classic monochrome, perfectly capture the enduring character of this historic building and its picturesque Pennine setting.

Walking around chapels like this always sparks a sense of connection to the past, and Steep Lane is no exception. It's a place that tells a story not just of faith, but of community, industry, and the landscape itself.

A Beacon of Faith on the Hillside

The first image captures the chapel's impressive façade. Built of local stone, its Georgian-style architecture is both sturdy and elegant. Above the entrance, the inscription "BAPTIST CHAPEL" is clearly visible, along with the date of its construction or significant renovation. This chapel was built in 1808, replacing an earlier meeting house from 1754, making it a truly venerable institution in the area. The circular motif above the inscription, perhaps a sunburst or wheel, adds a touch of decorative flair.

The notice board on the right, even in monochrome, hints at the continued life within: "STEEP LANE BAPTIST CHAPEL, SOWERBY. Worshipping God for over 250 years." It’s incredible to think of the generations who have passed through those doors.

Resting in the Pennine Landscape

The other photographs provide a broader context, showcasing the chapel's relationship with its environment.

• The Graveyard: The second image looks towards the side of the chapel, with its arched windows, framed by an ancient-looking graveyard. The old headstones, some leaning, some ornate, are testament to the countless lives connected to this chapel and the surrounding community. The long grass and wildflowers give it a natural, almost wild beauty.

• Nestled in the Valley: The wider shots (Images 3 and 4) truly bring home the chapel's location. It sits proudly on the hillside, overlooking the vast, undulating landscape of the Pennine valleys. The drystone walls crisscrossing the fields, the distant farmhouses, and the scattered trees all paint a picture of rural England, yet still within sight of the industrial heartlands that once thrived nearby. The small houses with their characteristic stone roofs are typical of the Sowerby area.

Historical Footnotes

Steep Lane Baptist Chapel holds significant historical importance:

• Early Nonconformity: Nonconformist chapels like Steep Lane were vital centres of community life in the industrialising North of England. They provided not only spiritual guidance but also education and social support for their congregations, many of whom were involved in the burgeoning textile industries of the region.

• A Continuous Presence: For over two centuries, this chapel has served its community, witnessing immense change in Sowerby and beyond. Its continued presence is a testament to the enduring faith and spirit of the people who built and maintained it.

Capturing these images with a camera that itself feels a little nostalgic (a Polaroid bridge camera!) seems fitting for such a timeless subject. This collection of photographs isn't just about a building; it's about the history, the community, and the rugged beauty of a very special corner of Yorkshire.

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Halifax Headlands: A New Year's Walk Across Albert Promenade

There’s a unique beauty to the start of a new year in the West Yorkshire Pennines, and my walk on January 1, 2019, with my Nikon D3300, captured the best of it. Tracing the paths around Albert Promenade and Scar Bottom in Halifax reveals a landscape that is simultaneously rugged, historical, and deeply connected to its industrial past.

These photos are a testament to the dramatic views you get when the winter sun breaks through the heavy Pennine clouds, casting a golden light over the valley.

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The View from Albert Promenade

Albert Promenade is famous for providing breath taking panoramic views over the Calder Valley and the town of Halifax itself.

• The Vista: The image overlooking the valley captures a mosaic of the town. The houses and buildings are clustered in the valley floor, while the surrounding hills—typical of the area—are bare and covered in muted winter vegetation. The view is framed beautifully by stone benches and a classic stone wall in the foreground, creating a perfect spot for reflection.

• Wainhouse Tower's Presence: Even from this high vantage point, the unmistakable silhouette of Wainhouse Tower dominates the skyline to the right. Standing tall against the rolling moorland, the tower is a constant, dramatic feature, visible even when obscured by the sparse winter foliage.

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The Geological Drama of 'The Rocks'

Just off the promenade, the landscape takes a more dramatic turn at a section commonly referred to as 'The Rocks'.

• Millstone Grit: This area showcases the sheer power of the local geology. Large, dark, stacked slabs of Millstone Grit rock jut out from the hillside, forming natural cliffs and ledges.

• Light and Texture: The winter sunlight, caught breaking through the clouds, highlights the rugged texture of the stone and the exposed, mossy growth clinging to the edges. This area provides a wonderful contrast between the manicured promenade above and the wild, natural structure beneath.

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Descending to Scar Bottom and Copley

Following the paths downward offers a different perspective—one that puts you directly beneath the iconic landmarks.

• Wainhouse Tower from Below: The view from Scar Bottom is perhaps the most intimate and imposing. The full height of the 253-foot Victorian folly is framed against a bright blue winter sky, towering over the terraced stone houses built into the hillside. The foreground features old stone walls and archways, reminding you that these paths have been walked for generations.

• Copley Viaduct: Looking further into the valley, you can spot the impressive Copley Viaduct. Its sturdy stone arches span the valley floor, a powerful symbol of the railway engineering that drove the textile industry in this region. The viaduct is a reminder that this rural landscape is deeply interwoven with Britain's industrial heritage.

These images from a brisk New Year's Day in 2019 capture the enduring, dramatic character of Halifax. It’s a place where history, geology, and architecture collide, offering a stunning vista from every hillside. If you ever find yourself in the area, a walk along Albert Promenade is a must!

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Time Travel to 1974: A Peaceful Scene at Barrowford Locks

There's a gentle magic to slides that precisely transport you back to a specific moment. This 35mm slide from my collection, dated to 1974, offers a serene glimpse of the Barrowford Locks – a truly iconic section of the Leeds & Liverpool Canal in Lancashire.

The image immediately brings to mind sunny, unhurried days along England's historic waterways, a lifestyle that has continued to charm for centuries.

The Beauty of Barrowford Locks

Barrowford Locks are a well-known feature of the Leeds & Liverpool Canal, forming part of a flight of seven locks that raise the canal's level. This particular vantage point seems to be looking along one of the sections of the canal, with boats moored on both sides.

• The Canal Itself: The water is a deep, tranquil blue, reflecting the sky and the surrounding greenery. The towpath, a broad concrete path, runs alongside, inviting a leisurely stroll.

• The Boats: A variety of canal boats, likely narrowboats and pleasure cruisers of the era, are gently resting in the water. Their designs, with the simple cabins and classic lines, are very typical of the 1970s. Many appear to be private boats, enjoying a quiet mooring.

• The White Railings: The prominent white railings in the foreground add a clean, classic feel to the scene, guiding the eye along the canal and offering a barrier from the water.

• Rural Backdrop: The gentle, rolling hills in the background, covered in trees and fields, confirm the rural setting. This is classic Lancashire countryside, relatively untouched by dense urban development in this particular view.

A Snapshot of 1974

The date of 1974 adds a wonderful layer of context:

• Leisure in the 70s: The 1970s saw a growing interest in inland waterways holidays in Britain. While commercial traffic on canals had declined significantly by this point, leisure boating was on the rise, and people were rediscovering the charm of slow travel through the countryside.

• Fashion & Figures: The lone figure walking along the towpath, with a simple shirt and trousers, offers a subtle nod to 70s casual wear. Another person or perhaps gear is visible closer to the railing on the left, blending into the scene.

• Quiet Respite: The overall impression is one of peace and quiet. There are no crowds, just the gentle hum of nature and the lapping of water. It's a stark contrast to the busy world outside, highlighting the canal as a sanctuary.

This photograph isn't just a record of a place; it's a feeling. It evokes the simplicity and charm of a summer's day decades ago, a time when life might have moved at a slightly slower pace, particularly along these beautiful, historic waterways.

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Walking the Waters of Industry: A Scenic Stroll on the Rochdale Canal near Littleborough

The Rochdale Canal is more than just a waterway; it’s a living museum that threads through the history and landscape of the North West. The walk along the stretch between Bridge 49 and Lock 47 near Littleborough offered a beautiful blend of industrial heritage, tranquil nature, and the undeniable charm of a canal in its prime.

This particular section, where Greater Manchester meets West Yorkshire, captures the canal at its most picturesque. It’s a route that invites reflection on the engineering ambition of the past and the serene beauty of the present.

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The Path Less Travelled: Greenery and Grandeur

The towpath itself, a wide and well-maintained track of gravel, is an absolute delight for walkers, cyclists, and runners. It’s a corridor of green, often bordered by lush ferns and a thick canopy of trees that dapples the water with shifting patterns of light and shadow.

In several spots, the canal feels completely remote, surrounded only by tall grasses and dense foliage . The only sound is the gentle ripple of the water and the occasional bird call. The contrast between this peaceful, overgrown environment and the canal’s original purpose—a bustling highway for the Industrial Revolution—is striking. You might even spot some local wildlife, like a Canada goose serenely gliding across the dark water, reminding you that nature has well and truly reclaimed this corridor.

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Engineering Echoes: Bridges and Locks

The journey between Bridge 49 and Lock 47 is punctuated by powerful examples of Victorian canal architecture.

Bridge 49: The Archway of Light

Passing under Bridge 49 offers one of the most atmospheric views of the walk. The classic, low-slung stone arch frames the water perfectly, creating a dark, cool passage before you emerge into the bright, open canal view on the other side. The stonework, weathered and marked by moss, speaks to centuries of resilience.

Lock 47: The Heart of the Waterway

Further on, the presence of Lock 47 announces the shift in elevation that makes this canal such an engineering feat. The Rochdale Canal is known as the highest canal in the country, and its 92 locks are the mechanism that allows it to cross the Pennines.

Approaching the lock, you’re often greeted by the charming sight of traditional narrowboats moored nearby, their bright colours providing a splash of contrast against the green banks . The lock chamber itself is a fascinating, moss-covered chamber of stone and wood, showcasing the immense wooden gates that hold back the water.

In the background, solid, historic stone buildings stand watch, often converted from their original industrial uses, giving a glimpse into the thriving communities that grew up around these vital transport links.

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A Moment of History in Littleborough

This stretch, near the Greater Manchester town of Littleborough, is particularly significant as it sits on the Pennine summit section of the canal.

Commissioned in 1794, the Rochdale Canal was the first of the three trans-Pennine canals to be completed, acting as a crucial link between the manufacturing heartlands of Manchester and the port of Sowerby Bridge (where it connected to the Calder and Hebble Navigation). Its success was pivotal, allowing raw materials like cotton and wool to be transported efficiently.

Today, after a long period of decline and an incredible restoration effort in the late 20th and early 21st centuries, the canal is fully navigable again, allowing leisure boats to make the famous journey over the backbone of England.

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Ready for Your Own Walk?

If you’re looking for a peaceful escape that combines easy walking with stunning historic scenery, the Rochdale Canal near Littleborough is highly recommended. The accessible towpaths make it perfect for a leisurely afternoon ramble, offering endless photographic opportunities of its rugged stone structures and beautiful waterscapes. Pack your camera and your walking shoes, and step back into a forgotten age of industrial majesty.

I took this set of pictures on the 26th May 2014 with a Polaroid is2132, clicking any of them should open a link in another window to my Colin Green Photography store on Zazzle.

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